Sixteen-year-old Walt thinks he’s left his problems behind him when he runs away from a broken home to live with his eccentric uncle. The simple, semi-rural, semi-anti-social lifestyle seems at first to be exactly what Walt wants, but he soon learns his new life isn’t just about ditching school and drinking beer with his friends. Uncle Brucker is a Rat Killer; a tireless rat tracker, an expert in rat lore, a speaker of the rat language, and a decorated veteran of two bloody uprisings. His uncle begins to train Walt in the ways of rat killing, and explains to his nephew the ancient and bloody history of men and rats. Before the rise of men, he says, rats ruled the earth. They’ve been hiding in another dimension ever since they were kicked out by humanity, planning to retake the planet. In the middle of Walt’s training, Uncle Brucker is called away by mysterious men from the government. When he fails to return from his mission, Walt discovers a portal to the rat dimension and realizes he must travel alone to Rat Land to save his uncle. Perhaps the most unusual dark fantasy debut of the year, Uncle Brucker the Rat Killer is a surreal exploration of honor, duty, and inter-dimensional genocide.
Sixteen-year-old Walt thinks he’s left his problems behind him when he runs away from a broken home to live with his eccentric uncle. The simple, semi-rural, semi-anti-social lifestyle seems at first to be exactly what Walt wants, but he soon learns his new life isn’t just about ditching school and drinking beer with his friends. Uncle Brucker is a Rat Killer; a tireless rat tracker, an expert in rat lore, a speaker of the rat language, and a decorated veteran of two bloody uprisings. His uncle begins to train Walt in the ways of rat killing, and explains to his nephew the ancient and bloody history of men and rats. Before the rise of men, he says, rats ruled the earth. They’ve been hiding in another dimension ever since they were kicked out by humanity, planning to retake the planet. In the middle of Walt’s training, Uncle Brucker is called away by mysterious men from the government. When he fails to return from his mission, Walt discovers a portal to the rat dimension and realizes he must travel alone to Rat Land to save his uncle. Perhaps the most unusual dark fantasy debut of the year, Uncle Brucker the Rat Killer is a surreal exploration of honor, duty, and inter-dimensional genocide.
As German Jews emigrated in the nineteenth and early twentieth centuries and as exiles from Nazi Germany, they carried the traditions, culture, and particular prejudices of their home with them. At the same time, Germany—and Berlin in particular—attracted both secular and religious Jewish scholars from eastern Europe. They engaged in vital intellectual exchange with German Jewry, although their cultural and religious practices differed greatly, and they absorbed many cultural practices that they brought back to Warsaw or took with them to New York and Tel Aviv. After the Holocaust, German Jews and non-German Jews educated in Germany were forced to reevaluate their essential relationship with Germany and Germanness as well as their notions of Jewish life outside of Germany. Among the first volumes to focus on German-Jewish transnationalism, this interdisciplinary collection spans the fields of history, literature, film, theater, architecture, philosophy, and theology as it examines the lives of significant emigrants. The individuals whose stories are reevaluated include German Jews Ernst Lubitsch, David Einhorn, and Gershom Scholem, the architect Fritz Nathan and filmmaker Helmar Lerski; and eastern European Jews David Bergelson, Der Nister, Jacob Katz, Joseph Soloveitchik, and Abraham Joshua Heschel—figures not normally associated with Germany. Three-Way Street addresses the gap in the scholarly literature as it opens up critical ways of approaching Jewish culture not only in Germany, but also in other locations, from the mid-nineteenth century to the present.
This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.
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