One of the Most Anticipated Books of the Year: TIME, Oprah Daily, Publishers Weekly, Vogue, Vulture, The Millions, Kirkus Reviews, Lit Hub, The Story Exchange, The Messenger, Real Simple, How to Be, BookPage From the New York Times bestselling author of The Recovering and The Empathy Exams comes “a blazing, unputdownable memoir” (Mary Karr, author of Lit), the “piercing, intimate” story (TIME Magazine) of rebuilding a life after the end of a marriage—an exploration of motherhood, art, and new love. Leslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. She has been compared to Joan Didion and Susan Sontag, acclaimed for her powerful thinking, deep feeling, and electric prose. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books—Splinters enters a new realm. In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her life: her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents’ complicated bond. In examining what it means for a woman to be many things at once—a mother, an artist, a teacher, a lover—Jamison places the magical and the mundane side by side in surprising ways. The result is a work of nonfiction like no other, an almost impossibly deep reckoning with the muchness of life and art, and a book that grieves the departure of one love even as it celebrates the arrival of another. How do we move forward into joy when we are haunted by loss? How do we claim hope alongside the harm we’ve caused? A memoir for which the very term tour de force seems to have been coined, Splinters plumbs these and other pressing questions with writing that is revelatory to the last page, full of linguistic daring and emotional acuity. Jamison, a master of nonfiction, evinces once again her ability to “stitch together the intellectual and the emotional with the finesse of a crackerjack surgeon” (NPR).
From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.
From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction -- both her own and others' -- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.
From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others'—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.
At a time when economic inequality is on all of our minds, this collection of nonfiction and poetry from accomplished American writers focuses on intimate moments, personal relationships, and common daily experiences at the intersection of people of different economic status.
From the author of the New York Times bestselling essay collection The Empathy Exams and the memoir The Recovering, Leslie Jamison’s “exquisitely beautiful” (San Francisco Chronicle) novel about three generations of women and the inescapable brutality of love. As a young woman, Tilly flees home for the hollow underworld of Nevada, looking for pure souls and finding nothing but bad habits. One day, after Tilly has spent nearly thirty years without a family, drinking herself to the brink of death, her niece Stella—who has been leading her own life of empty promise in New York City—arrives on the doorstep of Tilly’s desert trailer. The Gin Closet unravels the strange and powerful intimacy that forms between them. With an uncanny ear for dialogue and a witty, unflinching candor about sex, love, and power, Leslie Jamison reminds us that no matter how unexpected its turns, the life we’re given is all we have: the cruelties that unhinge us, the beauties that clarify us, the addictions that deform us, those fleeting possibilities of grace that fade as quickly as they come. The Gin Closet marks the debut of a stunning new talent in fiction.
Kort nadat Leslie Jamison moeder is geworden van een dochter komt er abrupt een einde aan haar huwelijk. Wat betekent het om verscheurd te worden door de vreugde van een nieuwe liefde en de rouw om het afscheid van een oude? Even scherp als onverschrokken legt Jamison haar eigen gevoelens, twijfels, angsten en falen bloot en zoekt ze naar antwoorden op enkele van de kwellendste levensvragen: Hoe gaan we om met verlies? Durven we voor onszelf te kiezen na de pijn die we anderen hebben aangedaan? Hoe gaat een vrouw om met de benauwende verwachting alles tegelijk te moeten zijn: moeder, schrijver, docent, dochter en geliefde? En hoe laat je nieuwe liefde en hoop toe op de scherven van een huwelijk dat ooit van liefde en hoop vervuld was? Over Splinters: ‘Jamison heeft bewezen een van de beste chroniqueurs te zijn van de condition humaine van onze tijd.’ – Los Angeles Times ‘Dit boek blaast je omver. Een schitterend portret van een vrouw op een keerpunt in haar leven.’ – Ashley C. Ford, auteur van Somebody’s Daughter ‘Briljant geschreven. Niemand kan zo goed woorden geven aan de essentie van liefde, rouw, verlies en moederschap.’ – Meghan O’Rourke, auteur van The Invisible Kingdom ‘Moedig, wrang, hilarisch en volstrekt unputdownable.’ – Mary Karr, auteur van The Liar’s Club
I am human; nothing is alien to me.' Het motto van Leslie Jamisons bundel Examens in empathie is tevens de rode draad die deze volstrekt unieke verzameling verbindt. In diepgravende en confronterende essays stelt Jamison fundamentele vragen aan de orde over ons begrip van de ander. Hoe is het mogelijk ons in te leven in andermans leed? Door zich te verdiepen in het complexe verschijnsel pijn - echte en verbeelde, van haarzelf en van anderen - legt Jamison een persoonlijke en culturele noodzaak om te voelen bloot. Haar zoektocht naar de essentie van pijn en empathie bestrijkt een breed scala aan onderwerpen, van armoedetoerisme tot fantoomziektes, van straatgeweld tot reality-tv, van ziekte tot opsluiting. Jamison put op onverschrokken wijze uit haar eigen ervaring met ziekte en blessure en geeft zichzelf zonder aarzeling volkomen bloot. Haar pijnlijk scherpe maar tevens geestige observaties en haar virtuoze stijl katapulteren deze jonge ster naar de hoogste regionen van het literaire firmament. 'Examens in empathie is een werk van onvoorstelbaar plezier en onvoorstelbare pijn. Leslie Jamison schrijft zo intelligent, zo meelevend en zo fel, verbazingwekkend dapper. Origineel, creatief en filosofisch - dit is het essay op zijn best.' - Eleanor Catton, winnaar van de Man Booker Prize 2013 'Een duizelingwekkend en genadeloos onderzoek naar pijn en hoe die ons in staat stelt anderen, en onszelf, te begrijpen. [...] De altijd fijngevoelige Jamison zoekt de diepte. Verslag uitbrengen is nooit het doel, haar observaties van mensen, reality-tv, muziek, film en literatuur zijn steeds het uitgangspunt voor onorthodoxe, metafysische onderzoeken naar armoedetoerisme, gevangenisstraf, zinloos geweld, abortus, de HBO-serie Girls, destructieve liefde en vastgeroeste ideeën over vrouwelijke kunstenaars.' - Publishers Weekly
Completely revised and updated, Let's Go: Costa Rica is your insider's guide to Central America's travel hotspot. Let's Go's forty-five years of travel savvy deliver must-have tips on getting there and getting around. This edition boasts more cultural insight, from local cuisine and regional mythology to annual festivals and wildlife guides. More diverse listings include options for all price ranges, from surfer joints to jungle lodges. More extensive coverage of ecotourism and wilderness exploration make Costa Rica's natural beauty more accessible to all. So, whether you'd rather splash in an underground waterfall, zipline through a cloud forest canopy, or witness the unfolding spectacle of turtle migrations, Let's Go is the only guide you'll need.
A dazzling, richly imagined novel about Peggy Guggenheim—a story of art, family, love, and becoming oneself, by the award-winning author of Under the Bridge "Brilliantly resurrects the avant-garde adventurer Peggy Guggenheim as a feminist icon for our times." —Jenny Offill Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She's in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic. His death prompts Peggy to seek a life of passion and personal freedom, and, above all, to believe in the transformative power of art. We follow Peggy as she makes her way through the glamorous but sexist and anti-Semitic art worlds of New York and Europe and meet the numerous men who love her (and her money) while underestimating her intellect, talent, and vision. Along the way, Peggy must balance her loyalty to her family with her need to break free from their narrow, snobbish ways and from the unexpected restrictions that come with vast fortune. In a tour de force of imagination and insight, Rebecca Godfrey's final book—completed by her friend, the acclaimed writer Leslie Jamison, following Godfrey's death in 2022—brings to life the woman who helped make the Guggenheim name synonymous with art and genius.
Billy You is not a common name nor is he a common boy. Billy was an orphan boy in an orphan home with one other boy in the home also named Billy. One day the two Billy’s were fussing about something and one of the lady matrons spoke up and said “Billy, that is enough.” One of the Billy’s asked “Billy who?” and the lady matron answered “Billy You, that’s who!” Hence the name stuck. Billy You was leaving the home to live with foster parents, he didn’t want to, but he had no choice. The first few days were fine, then trouble came, big trouble. Now he was on the road trying to find his way back home, but trouble and problems followed him every step of the way. Would he make it back?
From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction -- both her own and others' -- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.
From the author of the New York Times bestselling essay collection The Empathy Exams and the memoir The Recovering, Leslie Jamison’s “exquisitely beautiful” (San Francisco Chronicle) novel about three generations of women and the inescapable brutality of love. As a young woman, Tilly flees home for the hollow underworld of Nevada, looking for pure souls and finding nothing but bad habits. One day, after Tilly has spent nearly thirty years without a family, drinking herself to the brink of death, her niece Stella—who has been leading her own life of empty promise in New York City—arrives on the doorstep of Tilly’s desert trailer. The Gin Closet unravels the strange and powerful intimacy that forms between them. With an uncanny ear for dialogue and a witty, unflinching candor about sex, love, and power, Leslie Jamison reminds us that no matter how unexpected its turns, the life we’re given is all we have: the cruelties that unhinge us, the beauties that clarify us, the addictions that deform us, those fleeting possibilities of grace that fade as quickly as they come. The Gin Closet marks the debut of a stunning new talent in fiction.
From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.
From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others'—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.
From a leading medical expert at Johns Hopkins, here is an up-to-the-minute, definitive guide to what s known about depression and how it can be treated. Around ten percent of North Americans suffer from depression at some point -- and more than half haven t even sought help. Now, Dr. Raymond DePaulo, one of the world s foremost authorities on depression, provides a sensitive, thorough, and reassuring book for sufferers from depression and those who care about them. This practical guide for individuals with depression and their families -- the only totally comprehensive book in the market -- shows readers how to identify the problem, then directs them to the various forms of treatment, including medications, psychotherapy, support groups, and exercise. It is one of the few books to discuss in depth manic depression, the bipolar form of depression. Dr. DePaulo discusses both mainstream (the latest medications and talk therapies) and alternative paths and reveals the truth about the dangerous fallacies that abound about depression. Comprehensive, compassionate, and grounded in the very latest research into brain chemistry, psychology, and medications, this is a definitive, landmark roadmap to one of the most devastating -- and common -- mental illnesses.
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