Women with muscles are a recent phenomenon. While generating a good deal of interest, both positive and negative, their importance to the cultural landscape has yet to be acknowledged. Leslie Heywood looks at female body building as a metaphor for how women fare in our current political and cultural climate. BODYMAKERS reveals how female bodybuilders find themselves both trapped and empowered by their sport. 14 illustrations.
Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Magnolias and murder -- live oaks and dead women -- romance and violence -- are what three unsuspecting women find on the Garden Club pilgrimage to glamorous Old Natchez. Expecting to recapture the magic of the Old South, they become involved, instead, in an ancient feud of love and death, where the romantic sins of the past come to life in very modern murder!
As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. This work examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements. It looks at novels as paradigms of feminist activism.
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
Mechanical Circulatory Support, by Drs. Robert L. Kormos and Leslie W. Miller, provides the clinically relevant information you need to effectively use this therapy to treat and manage end-stage cardiovascular disease. In this Companion to Braunwald’s Heart Disease, the world’s most prominent experts in mechanical circulatory support (MCS) cover basic science, device construction, clinical applications, socioeconomic implications, future directions, and more. Stay on top of hot topics - including innovative devices like continuous flow pumps, next-generation centrifugal pumps, and total artificial hearts; MCS for pediatric and congenital heart disease; cellular, molecular, genomic, and functional changes that occur in the failing heart in response to MCS; and Interagency Registry of Mechanically Assisted Circulatory Support (INTERMACS) as a tool to track and advance clinical practice. Tap into discussions of hot topics in mechanical circulatory support (MCS), including current types of devices and clinical settings for MCS; MCS for pediatric and congenital heart disease; myocardial recovery, regenerative therapy, bleeding and thrombosis with MCS; cellular, molecular, genomic, and functional changes that occur in the failing heart in response to MCS; and Interagency Registry of Mechanically Assisted Circulatory Support (INTERMACS) as a tool to track and advance clinical practice. Get a complete picture of the role of mechanical circulatory support in treatment through coverage of device construction, clinical applications, socioeconomic implications, and future directions. Master the pathophysiology and rationale of treatment with discussions of basic science in addition to clinically-relevant information and current clinical practice guidelines. Apply the expertise of the world’s most prominent leaders in mechanical circulatory support.
This study of the action of discovery as plot device, visual motif, and thematic trope on the early modern stage considers an important and popular performance convention in its cultural and religious contexts. Through close examination of a number of 'discoveries' taken from a wide range of early modern plays, Leslie Thomson traverses several related disciplines, including theatre history, literary analysis, art history, and the history of the religious practices that would have influenced Shakespeare and his contemporaries. Taking as its primary focus the performance of disguise-discoveries and discovery scenes, the analyses include considerations of how this particular device relates to genre, plot structure, language, imagery, themes, and the manipulation of playgoer expectations. With strong reference to the visual arts, and an appendix that addresses the problem of how and where discovery scenes were performed, Thomson offers an innovative perspective on the staging and meaning of early modern drama.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
From the author of Red Star Sister “An excellent biography. Brody has made the world a better place by telling [Mitford’s] saga so skillfully” (San Francisco Chronicle). Admirers and detractors use the same words to describe Jessica Mitford: subversive, mischief–maker, muckraker. J.K. Rowling calls her her “most influential writer.” Those who knew her best simply called her Decca. Born into one of Britain’s most famous aristocratic families, she eloped with Winston Churchill’s nephew as a teenager. Their marriage severed ties with her privilege, a rupture exacerbated by the life she lead for seventy–eight years. After arriving in the United States in 1939, Decca became one of the New Deal’s most notorious bureaucrats. For her the personal was political, especially as a civil rights activist and journalist. She coined the term frenemies, and as a member of the American Communist Party, she made several, though not among the Cold War witch hunters. When she left the Communist Party in 1958 after fifteen years, she promised to be subversive whenever the opportunity arose. True to her word, late in life she hit her stride as a writer, publishing nine books before her death in 1996. Yoked to every important event for nearly all of the twentieth century, Decca not only was defined by the history she witnessed, but by bearing witness, helped to define that history. “Brisk, engaging.” —Wall Street Journal “A valuable retelling of a provocative life.” —Kirkus Reviews
Ordinary theology' characterizes the reflective God-talk of the great majority of churchgoers, and others who remain largely untouched by the assumptions, concepts and arguments that academic theology takes for granted. Jeff Astley coined the phrase in his innovative study, Ordinary Theology: Looking, Listening and Learning in Theology, arguing that 'speaking statistically ordinary theology is the theology of God's Church'. A number of scholars have responded to this and related conceptualizations, exploring their theological implications. Other researchers have adopted the perspective in examining a range of Church practices and contexts of Christian discipleship, using the tools of empirical study. Ordinary theology research has proved to be key in uncovering people's everyday lay theology or ordinary dogmatics. Exploring Ordinary Theology presents fresh contributions from a wide range of authors, who address the theological, empirical and practical dimensions of this central feature of ordinary Christian existence and the life of the Church.
First published in 2002. Dr. Leslie Sklair is a Reader in Sociology at LSE. He took his BA (hons) in Sociology and Philosophy from Leeds University and his MA in Sociology from McMaster University in Canada. He received his PhD from LSE, and his thesis, Sociology of Progress, was published by Routledge in 1970.
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Praise for the first edition: "By far the best general book on its subject.... Moving Europeans will remain a standard reference for some time to come." -Charles Tilly "Moch has reconceived the social history of Europe." --David Levine Moving Europeans tells the story of the vast movements of people throughout Europe and examines the links between human mobility and the fundamental changes that transformed European life. This update of a classic text describes the Western European migration from the pre-industrial era to the year 2000. For this new edition, Leslie Page Moch reconsiders the 20th century in light of fundamental changes in labor, years of conflict, and the new migrations following the end of colonial empires, the fall of communism, and globalization. This new edition also features a greatly expanded and up-to-date bibliography.
A comprehensive collection of the life and works of a literary great — William Shakespeare! The beautifully illustrated guide unravels the life and works of Shakespeare and his plays, from language, history, and themes to plays, poems, and sonnets. Explore the art of this famous playwright and his enduring legacy through the stunning gift format. Celebrate one of the theaters most influential contributors through his legendary works of comedy, tragedy, romance, and poetry. Inside this playbook, you’ll find: • A clear and accessible format. • Plot summaries of all 39 plays with lists of characters. • Guidance on how to read and interpret his great sonnets and narrative poems. • Plays ordered by time and genre, helping readers trace the development of Shakespeare’s topics, themes, and artistry. • Sidebars that clarify the mythological, geographical and historical context of each play and decode its language, dramatic action, and themes. • Illuminated guidance on how to approach reading the play and seeing it perform. Shakespeare fans will revel in the marvelous depiction of the Stratford-upon-Avon born Bard himself! His drama book allows you to dive into famous works like Hamlet, Romeo and Juliet, and A Midsummer Night’s Dream, and explore Shakespeare’s sources and inspirations for each! Themes, plots, characters, and language are brought to life with act-by-act plot summaries, resumes of main characters, and in-depth analysis of Shakespeare’s use of the English language. Shakespeare: His Life and Works is a wonderful exploration of plays, poems, and sonnets in the context of his life and the Elizabethan and Jacobean theatre, further enriching your on the page (or stage, or screen!) experience.
Tracing the intersections between archival documents and immensely popular adventure fiction set in Africa, Penetrating Critiques highlights the anxieties surrounding the vulnerability of the white male body by assessing the destabilization of narrative itself. The author considers texts ranging from private letters, governmental correspondence, periodicals, and archival documents to the popular works of H. Rider Haggard, Richard Marsh, and Joseph Conrad. These texts trouble the notions of bounded male bodies, impermeable histories, and solid virtues while underscoring the grotesqueness of male forms, narratives, and moralities. Although dominant representations of martial bodies frequently emphasized boundaries, containment, and solidity, the fiction and imperial archives explored in this book expose problems of stability through tropes, images, and material evidence of perforation, penetration, and dissolution. In emphasizing the relationship between institutional imperial writing and popular discourse, Penetrating Critiques reveals that more complex, fraught, and critical approaches to imperialism and masculinity were circulating throughout Victorian culture than previously recognized.
Speculation abounds about the relationship between Frank Lloyd Wright and Ayn Rand. Was Wright the inspiration for Howard Roark, the architect hero of Rand's The Fountainhead? What can be made of their collaboration on the book's failed 1944 movie adaptation, and what can be gleaned from the 1949 Hollywood production of The Fountainhead? Where does the FBI--Wright was dubbed a communist sympathizer, and Rand was called before the House Un-American Activities Committee--fit into the story? Art, architecture, philosophy, film and politics come together in this exploration, which relies on the writings of Wright and Rand, FBI files, visual evidence and more to cement their connection. Chapters are devoted to Wright and Rand, the two together, their parts in both the failed production of The Fountainhead and the successful one, and the effect FBI harassment had on the movie and on their lives. Subsequent chapters discuss Wright's place as a Hollywood architect, and offer telling set designs and architectural images from the 1949 production of The Fountainhead. Several appendices supplement the illustrated text, and there is a filmography of movies mentioned in the book. A bibliography and index are also included.
Hayduk is equally at ease explaining the simplest and most advanced applications of the program . . . Hayduk has written more than just a solid text for use in advanced graduate courses on statistical modeling. Those with a firm mathematical background who wish to learn about the approach, or those who know a little about the program and want to know more, will find this an excellent reference.
This book complements available one-make books on domestic synchronous clocks. It is also a history of science book that sets British domestic synchronous clocks, their manufacturers and technology in their social context. Part I covers the historical background, British domestic synchronous clock manufacturers and brands, how synchronous clocks work, domestic synchronous clock cases, practical advice on the servicing of domestic synchronous clocks and analysis of the marketing and reliability of British domestic synchronous clocks. This analysis provides an explanation of the rise and eventual fall of their technology. Part II contains galleries of a selection of British domestic synchronous clocks and of the movements with which they are fitted. There is a front and back view of each clock, together with a brief description. Views of each movement include views with the movement partly dismantled, together with a brief technical description of the movement. This profusely illustrated book is primarily for fellow enthusiasts and is based on an extensive archive of information on domestic synchronous clocks, their movements and their manufacturers. Current electrical regulations mean that professional clockmakers are reluctant to repair synchronous clocks. In fact, provided that they have not been mistreated, synchronous clocks are usually reliable, and quite easy to maintain.
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