Over the last twenty years of his life, Mark Twain was a controversial figure. He evolved from the "clown prince of American literature" into a biting social critic and political observer. While some pundits hailed him as a satirist equal to Cervantes and Jonathan Swift, others excoriated him as a "degenerate literary freak" who wielded a "scurrilous and venomous pen." This volume traces the evolution of Mark Twain's public image between 1891 and his death in 1910. It features hundreds of reviews and other critical notices in magazines and newspapers across the U.S. and other English-speaking countries. The selected samples represent the full range of critical opinion, whether favorable or hostile, about his late writings. Sources reflect geographical differences in Twain's reputation, such as the conflicted responses in the British colonies towards his anti-imperialism and the pious disapproval in the American heartland of his attacks on foreign missions.
A rich visual history that traces Twain's distinguished depictions in newspaper and magazine illustrations. Cartoons and Caricatures of Mark Twain: Reformer and Social Critic, 1869-1910 is the first monograph to explore the production, reception, and history of Mark Twain's public persona through the contextualization of the vast collection of cartoons and caricatures penned in his likeness throughout his life, career, and even death. Tracing Twain's depiction across more than seventy illustrations, this work offers a new lens through which to study the famous writer and social critic. Already a popular subject of photography, as printing technologies advanced, Mark Twain found himself to also be a popular muse for newspaper and magazine illustrators. Between 1869 and his death in 1910, Twain was the subject of more than six hundred caricatures and cartoons published around the world. Instantly recognizable by his overemphasized mustache and bushily-drawn eyebrows, it was not just the familiarity of his image that made him a regular feature in visual commentary, but also his willingness to speak out against corruption and to insert himself into controversies of his day. Unlike photographs, these illustrations stripped him of his ability to manipulate his public perception and control his brand, providing a more authentic look at his contentious reputation in the 19th and 20th century political sphere and the significance of his reception around the world. Along with his legacy, Twain left behind an archive brimming with evidence of a rich print culture and history that has not, until now, been scrutinized. Cartoons and Caricatures of Mark Twain offers a carefully curated collection of these illustrations and thought-provoking contextual material with which to examine Twain's global reputation and reception"--
This guide to the film industry from the 1900s to the present day has now been updated with John Walker's critiques of the films that have been turning heads in 2002/3. It delivers all the cast and crew credits, fun trivia and behind-the-scenes information you need on thousands of movies (over 23,000) including hundreds of new ones. This perennial guide also includes plot synopses and critical evaluations, as well as video cassette, laser disc and DVD availability. Reader friendly icons denote films suitable for family viewing, Academy Award Winners and nominees, soundtrack availability and video format compatibility. The guide also contains lists of four-star and three-star films by title and year.
A rich visual history that traces Twain's distinguished depictions in newspaper and magazine illustrations. Cartoons and Caricatures of Mark Twain: Reformer and Social Critic, 1869-1910 is the first monograph to explore the production, reception, and history of Mark Twain's public persona through the contextualization of the vast collection of cartoons and caricatures penned in his likeness throughout his life, career, and even death. Tracing Twain's depiction across more than seventy illustrations, this work offers a new lens through which to study the famous writer and social critic. Already a popular subject of photography, as printing technologies advanced, Mark Twain found himself to also be a popular muse for newspaper and magazine illustrators. Between 1869 and his death in 1910, Twain was the subject of more than six hundred caricatures and cartoons published around the world. Instantly recognizable by his overemphasized mustache and bushily-drawn eyebrows, it was not just the familiarity of his image that made him a regular feature in visual commentary, but also his willingness to speak out against corruption and to insert himself into controversies of his day. Unlike photographs, these illustrations stripped him of his ability to manipulate his public perception and control his brand, providing a more authentic look at his contentious reputation in the 19th and 20th century political sphere and the significance of his reception around the world. Along with his legacy, Twain left behind an archive brimming with evidence of a rich print culture and history that has not, until now, been scrutinized. Cartoons and Caricatures of Mark Twain offers a carefully curated collection of these illustrations and thought-provoking contextual material with which to examine Twain's global reputation and reception"--
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