The Beverly Hillbillies includes the portrayal of rich versus poor, the American dream, wealth, and social mobility in popular culture. The Hillbillies was a phenomenon of post-World War II America, the second wave after the 1950s, the dustbelt Depression meets the promise of opportunity achieved through luck. Luck counts in liberal society. It is, said Machiavelli, “the arbiter of half of what we do.” But is success based on luck really the American dream? And who is the bigger success story—the Hillbillies or those who have earned their wealth? Whom do we want to be or be like? Everyone wants to win the lottery, but is everyone willing to do what it takes to achieve financial independence without winning the lottery? Does winning the lottery bring social status or can it only be achieved by labor? In sum, Paul Henning’s brilliant comedy series The Beverly Hillbillies is replete with political ideas and has come to occupy a special place in popular culture as a classic television icon because of its deeper meaning and relationship to how we think about wealth, status, social mobility and the American dream.
This book looks at how the classic television series fits into the cultural milieu of mid-century America. I Love Lucy incorporates key themes of the 1950s American political scene and classic American values of family, social mobility, community, individualism and work, keeping in mind that “Luck” as Machiavelli said “is the arbiter of half of what we do.” As the beloved American TV queen, Lucy Ricardo is a psychologically complicated character, conflicted between her role as a 1950s housewife and her wish to be a star. She is an icon of social mobility, going from a small New York City apartment to a country house in a swanky suburb, and an example of the “transitional” woman who wants to have it all. Is she a feminist? Is she a conformist? Does she prefer the country to the city? Whether she is working on the chocolate factory assembly line, baking bread, or achieving the American dream, Lucy is always “speeding it up!”
The Beverly Hillbillies includes the portrayal of rich versus poor, the American dream, wealth, and social mobility in popular culture. The Hillbillies was a phenomenon of post-World War II America, the second wave after the 1950s, the dustbelt Depression meets the promise of opportunity achieved through luck. Luck counts in liberal society. It is, said Machiavelli, “the arbiter of half of what we do.” But is success based on luck really the American dream? And who is the bigger success story—the Hillbillies or those who have earned their wealth? Whom do we want to be or be like? Everyone wants to win the lottery, but is everyone willing to do what it takes to achieve financial independence without winning the lottery? Does winning the lottery bring social status or can it only be achieved by labor? In sum, Paul Henning’s brilliant comedy series The Beverly Hillbillies is replete with political ideas and has come to occupy a special place in popular culture as a classic television icon because of its deeper meaning and relationship to how we think about wealth, status, social mobility and the American dream.
This book looks at how the classic television series fits into the cultural milieu of mid-century America. I Love Lucy incorporates key themes of the 1950s American political scene and classic American values of family, social mobility, community, individualism and work, keeping in mind that “Luck” as Machiavelli said “is the arbiter of half of what we do.” As the beloved American TV queen, Lucy Ricardo is a psychologically complicated character, conflicted between her role as a 1950s housewife and her wish to be a star. She is an icon of social mobility, going from a small New York City apartment to a country house in a swanky suburb, and an example of the “transitional” woman who wants to have it all. Is she a feminist? Is she a conformist? Does she prefer the country to the city? Whether she is working on the chocolate factory assembly line, baking bread, or achieving the American dream, Lucy is always “speeding it up!”
Spaceships and Politics: The Political Theory of Rod Serling examines the political themes in The Twilight Zone. In this unique show, Rod Serling used fantasy and the supernatural to explore political ideas such as capital punishment, the individual and the state, war, conformity, the state of nature, prejudice, and alienation. He used aliens and machines to understand human nature. This book looks at Serling's mechanistic view of the world and emphasis on fear through Hobbesian themes like diffidence and automata.
In Freedom as Motion, Leslie Dale Feldman explores the American concepts of freedom, individualism, and liberal culture and how they are closely tied to Thomas Hobbes' notion of free movement. In chapter XXI of Leviathan, Hobbes describes freedom as 'the absence of opposition' to motion. This idea of freedom as motion has flourished in America where the emphasis on individualism is greatest. Feldman explores the evolution of this concept through Western and American history, and also the theoretical connection that exists in reality at the level of simple daily life. Hobbes' theory of freedom as motion becomes the central metaphor of liberalism and forms the basis for the American conception of freedom today. This book will prove thought-provoking to students of Western and American Political Theory, as well as students of American History and Culture.
Spaceships and Politics: The Political Theory of Rod Serling examines the political themes in The Twilight Zone. In this unique show, Rod Serling used fantasy and the supernatural to explore political ideas such as capital punishment, the individual and the state, war, conformity, the state of nature, prejudice, and alienation. He used aliens and machines to understand human nature. This book looks at Serling's mechanistic view of the world and emphasis on fear through Hobbesian themes like diffidence and automata.
In Freedom as Motion, Leslie Dale Feldman explores the American concepts of freedom, individualism, and liberal culture and how they are closely tied to Thomas Hobbes' notion of free movement. In chapter XXI of Leviathan, Hobbes describes freedom as 'the absence of opposition' to motion. This idea of freedom as motion has flourished in America where the emphasis on individualism is greatest. Feldman explores the evolution of this concept through Western and American history, and also the theoretical connection that exists in reality at the level of simple daily life. Hobbes' theory of freedom as motion becomes the central metaphor of liberalism and forms the basis for the American conception of freedom today. This book will prove thought-provoking to students of Western and American Political Theory, as well as students of American History and Culture.
SUPERVISION: Key Link to Productivity" by Rue and Byars is a solid text written for student appeal in terms of its approach and readability. The Ninth Edition retains its accessible writing style. The active learning approach emphasizes productivity by featuring an applications section at the end of every chapter. The content comes alive for students as they are encouraged to apply key concepts. . .
Oorspr. dr. 1965.- Ook aanwezig: 2nd ed. (rev. and enl.). London : Macgibbon & Kee, 1967. 847 p. - 3rd ed. rev. and expanded. New York : Avon, 1971. 1072 p. - (Equinox books). - 3rd ed.; repr. London : Paladin, 1972. - 1072 p. - 9th ed.;London [etc.] : Grafton, cop. 1988. - 10th ed.; ed. by John Walker. - London : HarperCollins, cop. 1993. - 834 p. - ISBN O-586-09174-2 pbk. - 14th ed., getiteld: Halliwell's who is who in the movies - ed. by John Walker. - London : HarperCollins, 2001. - 593 p. - ISBN 0-00-257214-1).
A comprehensive guide to around 20,000 of the most enduring movies ever made, including American, British, and foreign-language films, as well as movies of the silent era.
This guide to the film industry from the 1900s to the present day has now been updated with John Walker's critiques of the films that have been turning heads in 2002/3. It delivers all the cast and crew credits, fun trivia and behind-the-scenes information you need on thousands of movies (over 23,000) including hundreds of new ones. This perennial guide also includes plot synopses and critical evaluations, as well as video cassette, laser disc and DVD availability. Reader friendly icons denote films suitable for family viewing, Academy Award Winners and nominees, soundtrack availability and video format compatibility. The guide also contains lists of four-star and three-star films by title and year.
Revised throughout, the 5th Edition of this leading reference presents a complete and up-to-date review and analysis of all aspects of endocrinology, diabetes, and bone metabolism. Readers will also find state-of-the-art information on genetics, proteinomics, and hormone signaling, and coverage of the field's hottest topics in nearly 20 new chapters. Joined by an international team of leading expertsmany new to this editionDrs. Jameson and DeGroot provide guidance that integrates the basic science of endocrinology with clinical medicine and the practical management of endocrine disorders. A clinical focus emphasizes diagnosis and therapy.
For more than two decades, film enthusiasts, trivia buffs, and ordinary movie watchers alike have consulted the pages of Halliwell’s for the most comprehensive information available on their favorite films. Often imitated, but never bettered, Halliwell’s Film, Video & DVD Guide is packed with essential information, from the classics of the Silver Screen to the very latest blockbusters. Contents include plot synopses of every film, casts and credits, critical evaluations and reviews, fascinating insider gossip and facts, pithy quotes and dialogue, Academy Award-winners listed by year, and more. There are also easy-to-spot icons for family viewing suitability, video, DVD, and soundtrack availability, and Oscar awards and nominations.
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