The focus of this volume is the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences perceived by their original audience and modern scholars. It addresses how far interpretations should go, whether there is a tendency to read too much into too little, or whether not enough attention is paid to apparent detail that may have been important in historical context. The essays span a wide chronological era, so present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time.
The patriarch Tarasios holds a key position in the ending of the first period of Iconoclasm in Byzantium, with the seventh Oecumenical Council at Nicaea in 787. His Life forms an equally key source for the history and culture of the Byzantine world in the eighth and ninth centuries. This book provides a full introduction, a critical edition with English translation, and a detailed commentary and indexes for this important document. The introduction first places the text within the framework of other patriarchal biographies composed in the period c.850-950. Dr Efthymiadis then looks at Tarasios himself, as layman, patriarch, and saint, and provides a biographical sketch of the author of the Life, Ignatios the Deacon, together with a discussion of the date and reasons for the work’s composition. In addition, this new text and translation makes more accessible a highly sophisticated example of Byzantine prose.
The Byzantines used imagery to communicate a wide range of issues. In the context of Iconoclasm - the debate about the legitimacy of religious art conducted between c. AD 730 and 843 - Byzantine authors themselves claimed that visual images could express certain ideas better than words. Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm. Its focus is on a deluxe manuscript commissioned around 880, a copy of the fourth-century sermons of the Cappadocian church father Gregory of Nazianzus which presented to the Emperor Basil I, founder of the Macedonian dynasty, by one of the greatest scholars Byzantium ever produced, the patriarch Photios. The manuscript was lavishly decorated with gilded initials, elaborate headpieces and a full-page miniature before each of Gregory's sermons. Forty-six of these, including over 200 distinct scenes, survive. Fewer than half however were directly inspired by the homily that they accompany. Instead most function as commentaries on the ninth-century court and carefully deconstructed both provide us with information not available from preserved written sources and perhaps more important show us how visual images communicate differently from words.
This publication is an anthology of fictional stories, memoirs, essays, and poetry accumulated over the past six years and written by Lend A Hand Senior Writers in Tucson, Arizona. Over the years, our senior writing group has fluctuated in size from as few three to as many as eight. We don't have any rules about what we write or how we write; we write to express ourselves and to have a good time. Please enjoy our most recent contributions to modern-day literature.
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