In the 1910s, both W. E. B. Du Bois and Booker T. Washington praised the black community in Durham, North Carolina, for its exceptional race progress. Migration, urbanization, and industrialization had turned black Durham from a post-Civil War liberation community into the "capital of the black middle class." African Americans owned and operated mills, factories, churches, schools, and an array of retail services, shops, community organizations, and race institutions. Using interviews, narratives, and family stories, Leslie Brown animates the history of this remarkable city from emancipation to the civil rights era, as freedpeople and their descendants struggled among themselves and with whites to give meaning to black freedom. Brown paints Durham in the Jim Crow era as a place of dynamic change where despite common aspirations, gender and class conflicts emerged. Placing African American women at the center of the story, Brown describes how black Durham's multiple constituencies experienced a range of social conditions. Shifting the historical perspective away from seeing solidarity as essential to effective struggle or viewing dissent as a measure of weakness, Brown demonstrates that friction among African Americans generated rather than depleted energy, sparking many activist initiatives on behalf of the black community.
The emergence of Haiti as a sovereign Black nation lit a beacon of hope for Black people throughout the African diaspora. Leslie M. Alexander’s study reveals the untold story of how free and enslaved Black people in the United States defended the young Caribbean nation from forces intent on maintaining slavery and white supremacy. Concentrating on Haiti’s place in the history of Black internationalism, Alexander illuminates the ways Haitian independence influenced Black thought and action in the United States. As she shows, Haiti embodied what whites feared most: Black revolution and Black victory. Thus inspired, Black activists in the United States embraced a common identity with Haiti’s people, forging the idea of a united struggle that merged the destinies of Haiti with their own striving for freedom. A bold exploration of Black internationalism’s origins, Fear of a Black Republic links the Haitian revolution to the global Black pursuit of liberation, justice, and social equality.
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
An annotated bibliography of more than 700 significant works concerning the function of race in American history. It evaluates the most important historical, sociological, and psychological studies published since 1944. An introductory chapter describes and evaluates key general works on the origin and meaning of race and race relations. After the introduction, chapters are arranged in chronological order. All consequential studies of slavery on the national, state, and local level are included with a brief synthesis of the major findings of the study. The book continues through the Civil War, the Reconstruction, segregation and Jim Crow, up to and including the ongoing Civil Rights movement begun in the late 1950s. A final chapter includes works that attempt to imagine the cost--economically, socially, and politically--of black/white racism and discrimination in the United States.
Sexual abuse happens. Domestic violence happens. We know it happens. We have child protective services. We watch Law and Order: SVU. We are surrounded by sex in our media, and we are surrounded by sexual violence in our media. Yet I have turned to the work of Toi Derricotte because we are not surrounded by sexual violence in our literary criticism, because we are not discussing sexual violence in our college classrooms, because the work of a poet like Derricotte, a poet who reveals the long, difficult trajectory of the emergence of voice, of the emergence of a healthy, vibrant, bisexual self, is largely ignored by those of us in the academy who contribute articles to that grand behemoth otherwise known as the Modern Language Association's International Bibliography. The Black poetic feminism of Toi Derricotte works on this silence in a variety of ways. Read on, and perhaps learn a great deal from her journey.
Black and white photography has come a long way in the digital world. Feeling overwhelmed by the endless conversion options in (and around) Photoshop, Lightroom and beyond? If so, you are not alone, and this is definitely the book for you! In this thoroughly up-to-date book that covers all of the new features of Photoshop CS3 and Lightroom, you'll learn how to use methods within an application or raw converter, scripts, plug-ins, and more. Leslie Alsheimer and Bryan O'Neil Hughes show you everything you need to know to uncover the secrets to successful black and white conversion and printmaking. Let the stunning images (presented in both color and black and white) show you just what is possible when you master these powerful tools. Bryan O'Neil Hughes is a Product Manager for the Photoshop team, and a Product Evangelist for the Photoshop Lightroom Team. Working for Adobe since 1999, Bryan has helped test, develop, drive and demonstrate Adobe's digital imaging applications. Beyond Adobe, Bryan is a published photographer, editor and author. Leslie Alsheimer is a freelance photographer, and photo educator based in Santa Fe, New Mexico. With the Santa Fe Digital Darkroom, Leslie travels around the country teaching photography, Photoshop and digital imaging workshops, as well as working with private clients as a creative imaging consultant, instructor, and trainer. She has worked extensively with many of the foremost digital image makers in the US. She is an instructor with the American Photo/Nikon Mentor Series and a member of the Adobe Beta Testing Team. Leslie is also the Director of Community Photography Outreach. Find out more about Leslie at: www.santafedigitaldarkroom.com/ What the readers are saying: "I have a bunch of Photoshop and Lightroom books but yours is overwhelmingly the very best. Congratulations!"--Leo Skogstroem Pyttis, Finland "I learned more about photoshop in the three days I spent studying your book than I did in the 5 years playing around with it on my own. Your coverage of Color Management solved many issues I'd been having in trying to get the printed image to look like what I was seeing on my monitor. What I learned from you is that I was doing just about everything wrong with regards to capture and destructive editing. I have now completely changed both my pre- and post production work flow habits with amazing results. As a writer and small-publisher, I give you many kudos on creating a book that is by all accounts a real home run."--Rick Miller "I just wanted to write and say this is one of the best books I have ever read! I got it today and have spent all night reading it (it's about 1 am now) and I'm almost half way through it. Everything makes so much more sense now. I just wanted to tell you great job! It has gotten me more excited about photography in six hours than otherwise in the last six years! I really like your style and would like to "relearn" photography with your way of explaining. Thank you so much for writing this book. It's the first time I've been impressed enough with a product to write the maker and thank them."--Zachary Miklich Nashville, TN "Long story short this is probably the best book that anyone in the digital world should put their hand to, it is far from being only about BW."--Patrick Lavoie photo.net patron "I am halfway through your new book on B & W in CS 3 and LR and I want to compliment you on a clear and concise treatise on CS3 and LR and your integrated workflow. Again, congratulations on an excellent book!"--Jeff Peters "I am enjoying your new book "Black and White". It is rare to find so many wonderful images in a 'How To' book."--Robert Sachs "I wish that I can tell you how I appreciate your contribution to making the digital darkroom something that I have fell in love with. Up to now I have used various books and sources: bits here and bits there. I have actually build up quite a library. No one particular reference book addressed the B+W worker with some basic understanding of Photoshop. You have produced something that fills this gap, and which is written and illustrated in a remarkable manner. I hail from the chemical darkroom, and as such have never really enjoyed correcting images on the computer. Photoshop, which is my program of choice, is quite intimidating, and the haphazard way in which I learned my skills from various sources, reflected in the inconsistent results that I was producing. Well, now all have changed. At least - something good is happening. I hope that you make a killing with your book - you deserve to! Keep abreast of the distant 'also-runners' by releasing updates as the technology changes."--Andre du Plessis (South African, living in London) "Black And White In Photoshop CS3 And Lightroom explains in clear and easy to understand steps what it takes to generate quality black and white images using Photoshop and/or Lightroom. It is really geared for the intermediate to advanced user who is looking to understand both workflow and color management techniques. There are a number of thing that I like about Black And White In Photoshop CS3 And Lightroom. First, I like the fact that it takes you down a number of paths on creating black and white images. It doesn't just say this is the best way and so that is all you learn. Second, I like the step-by-step approach to guide you through what you need to do to get results like this. I think that if you want to become a master of Black and White photography then Black And White In Photoshop CS3 And Lightroom is highly recommended reading." -T. Michael Testi Published January 25, 2008 Part of The Enlightened Image . Learn from step-by-step tutorials and work through each conversion with clear, easy-to-follow instructions illustrated by a multitude of images and screengrabs . Maximize image quality in capture and output with professional tips and tricks for speeding up your workflow . Save time and learn professional techniques to creatively and technically improve your black and white photography and printmaking
An example of special interest protection is provided by this study's general equilibrium theory that explains income distribution with goods markets, factor markets, lobbies, political parties and voters all pursuing their self interests.
In this marvelously original book, three-time Pulitzer Prize finalist Leslie Savan offers fascinating insights into why we’re all talking the talk—Duh; Bring it on!; Bling; Whatever!—and what this reveals about America today. Savan traces the paths that phrases like these travel from obscure slang to pop stardom, selling everything from cars (ads for VWs, Mitsubishis, and Mercurys all pitch them as “no-brainer”s) to wars (finding WMD in Iraq was to be a “slam dunk”). Real people create these catchy phrases, but once media, politics, and businesses broadcast them, they burst out of our mouths as celebrity words, newly glamorous and powerful. Witty, fun, and full of thought-provoking stories about the origins of popular expressions, Slam Dunks and No-Brainers is for everyone who loves the mysteries of language.
This fully revised and updated text is a comprehensive introduction to astronomical objects and phenomena. By applying some basic physical principles to a variety of situations, students will learn how to relate everyday physics to the astronomical world. Starting with the simplest objects, the text contains explanations of how and why astronomical phenomena occur, and how astronomers collect and interpret information about stars, galaxies and the solar system. The text looks at the properties of stars, star formation and evolution; neutron stars and black holes; the nature of galaxies; and the structure of the universe. It examines the past, present and future states of the universe; and final chapters use the concepts that have been developed to study the solar system, its formation; the possibility of finding other planetary systems; and the search for extraterrestrial life. This comprehensive text contains useful equations, chapter summaries, worked examples and end-of-chapter problem sets.
The first comprehensive, up-to-date treatment of mammals of Oregon since Vernon Bailey's THE MAMMALS AND LIFE ZONES OF OREGON was published in 1936. This new book provides a basic reference to mammalian life in the northwestern U.S., with descriptions of 136 extant or recently extirpated species. 122 color and 36 b&w photos, 140 maps, 150 drawings.
With her signature warmth, hilarity, and tendency to overshare, Leslie Gray Streeter gives us real talk about love, loss, grief, and healing in your own way that "will make you laugh and cry, sometimes on the same page" (James Patterson). Leslie Gray Streeter is not cut out for widowhood. She's not ready for hushed rooms and pitying looks. She is not ready to stand graveside, dabbing her eyes in a classy black hat. If she had her way she'd wear her favorite curve-hugging leopard print dress to Scott's funeral; he loved her in that dress! But, here she is, having lost her soulmate to a sudden heart attack, totally unsure of how to navigate her new widow lifestyle. ("New widow lifestyle." Sounds like something you'd find products for on daytime TV, like comfy track suits and compression socks. Wait, is a widow even allowed to make jokes?) Looking at widowhood through the prism of race, mixed marriage, and aging, Black Widow redefines the stages of grief, from coffin shopping to day-drinking, to being a grown-ass woman crying for your mommy, to breaking up and making up with God, to facing the fact that life goes on even after the death of the person you were supposed to live it with. While she stumbles toward an uncertain future as a single mother raising a baby with her own widowed mother (plot twist!), Leslie looks back on her love story with Scott, recounting their journey through racism, religious differences, and persistent confusion about what kugel is. Will she find the strength to finish the most important thing that she and Scott started? Tender, true, and endearingly hilarious, Black Widow is a story about the power of love, and how the only guide book for recovery is the one you write yourself.
Wine is not to fear or revere, but to enjoy," says Leslie Sbrocco, wine expert. And that's exactly what she shows you how to do in Wine for Women, the first wine book written exclusively for women -- the majority of wine consumers. In Wine for Women, Leslie Sbrocco scraps the stuffy wine-speak and deals with what women really want to know about wine. The book includes shopping guides with hundreds of recommended wines, quick ideas for wine-friendly meals, and creative tips for sharing wine with family and friends. Organized into easy-to-manage sections, Wine for Women appeals to all levels of wine lovers. From Sauvignon Blanc to Chenin Blanc, Merlot to Malbec, and pink wines to dessert wines, Leslie Sbrocco makes her enormous knowledge of wine entertaining enough for the serious wine lover and accessible enough so any novice can feel like an expert. Each chapter focuses on a different variety of wine, and covers what Leslie calls the big three -- how to buy, pair, and share wine. You'll learn how to make smart buying decisions in stores and restaurants. Leslie also gives you practical advice for pairing wine and food and offers insights on entertaining with wine, whether you're having an informal picnic or planning the most formal of weddings. Confused between Chardonnay and Champagne? Think little black dress versus sequins. And Pinot Gris? Think your wine wardrobe's basic jeans. With her relaxed, friendly approach, Leslie makes it easy to understand the differences between wines and encourages women to explore and enjoy wine in their everyday lives. Keep Wine for Women in your kitchen. Bring it into your living room. Refer to it before you hit the wine shop, or when you just want an excuse to read, relax, and have a sip of something that's really you.
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