A collection of articles, most of them published previously. The following relate, in varying degrees, to the subject of antisemitism in literary circles and in literature:
The letters in Writing Home offer a glimpse into a crucially formative period in the life of Leslie A. Fiedler, one of the greatest literary critics and American public intellectuals of the twentieth century. Written to his wife and two sons between May 1944 and December 1945, while he was serving as a cryptologist and translator for the Office of Naval Intelligence, they contain firsthand accounts of his experiences in various locations in the Pacific Theater, including Hawai'i, Iwo Jima, Okinawa, Guam, and China. Constrained by Navy censors from writing directly about his work as an intelligence officer, he writes, instead, on a variety of themes, events, places, and war situations, including the ethical contradictions between a war fought for and in the name of freedom on the one hand and the oppression of indigenous Hawai'ians and prisoners of war on the other. He also questions the mainstream, European-centered view of the war and provides new insights into the role of Jewish servicemen in World War II. Finally, the letters document the beginning of the formation of American intellectual life in the years preceding the Cold War, forcing us to rethink certain premises of American exceptionalism in the second half of the twentieth century. Taken together, they offer a unique and fascinating immersion into history through the eyes of one of the makers of post–World War II American literary culture.
Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedler’s work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.
Leslie Fiedler''s radical opinions and theories have changed the way we think about American literature and pop culture, challenging long-established schools and ushering in a genre of first-person, experience-based criticism. Praised and respected as "one of the most important figures in the history of American cultural thought in this century," Fiedler introduced groundbreaking ideas that now permeate university studies in literature: a homoerotic element in American machismo, interracial dependence as the classical American bond, those on the social margins being "secret selves," and the continuum of "high" and "low" culture.Designed to delight Fiedler''s contemporary audience and introduce the author to a whole new generation of readers, A New Fiedler Reader is a captivating anthology of Fiedler''s most notorious and celebrated essays, along with a selection of his engaging poems and short fiction.A literary icon, Fiedler is among those who urged legalization of marijuana in the late ''60s; suggested that college students read Timothy Leary along with Milton; and was accused of corrupting the young with dangerous leftist ideas. Collected are Fiedler''s most widely known articles, from "Come Back to the Raft Ag''in, Huck Honey!" to "An Almost Imaginary Interview: Hemingway in Ketchum." Complementing these essays are various lesser known poems and short stories, providing the reader with the complete Fiedler experience.
This book provides an introduction to the inverse eigenvalue problem for graphs (IEP-$G$) and the related area of zero forcing, propagation, and throttling. The IEP-$G$ grew from the intersection of linear algebra and combinatorics and has given rise to both a rich set of deep problems in that area as well as a breadth of “ancillary” problems in related areas. The IEP-$G$ asks a fundamental mathematical question expressed in terms of linear algebra and graph theory, but the significance of such questions goes beyond these two areas, as particular instances of the IEP-$G$ also appear as major research problems in other fields of mathematics, sciences and engineering. One approach to the IEP-$G$ is through rank minimization, a relevant problem in itself and with a large number of applications. During the past 10 years, important developments on the rank minimization problem, particularly in relation to zero forcing, have led to significant advances in the IEP-$G$. The monograph serves as an entry point and valuable resource that will stimulate future developments in this active and mathematically diverse research area.
The letters in Writing Home offer a glimpse into a crucially formative period in the life of Leslie A. Fiedler, one of the greatest literary critics and American public intellectuals of the twentieth century. Written to his wife and two sons between May 1944 and December 1945, while he was serving as a cryptologist and translator for the Office of Naval Intelligence, they contain firsthand accounts of his experiences in various locations in the Pacific Theater, including Hawai'i, Iwo Jima, Okinawa, Guam, and China. Constrained by Navy censors from writing directly about his work as an intelligence officer, he writes, instead, on a variety of themes, events, places, and war situations, including the ethical contradictions between a war fought for and in the name of freedom on the one hand and the oppression of indigenous Hawai'ians and prisoners of war on the other. He also questions the mainstream, European-centered view of the war and provides new insights into the role of Jewish servicemen in World War II. Finally, the letters document the beginning of the formation of American intellectual life in the years preceding the Cold War, forcing us to rethink certain premises of American exceptionalism in the second half of the twentieth century. Taken together, they offer a unique and fascinating immersion into history through the eyes of one of the makers of post–World War II American literary culture.
Leslie Fiedler''s radical opinions and theories have changed the way we think about American literature and pop culture, challenging long-established schools and ushering in a genre of first-person, experience-based criticism. Praised and respected as "one of the most important figures in the history of American cultural thought in this century," Fiedler introduced groundbreaking ideas that now permeate university studies in literature: a homoerotic element in American machismo, interracial dependence as the classical American bond, those on the social margins being "secret selves," and the continuum of "high" and "low" culture.Designed to delight Fiedler''s contemporary audience and introduce the author to a whole new generation of readers, A New Fiedler Reader is a captivating anthology of Fiedler''s most notorious and celebrated essays, along with a selection of his engaging poems and short fiction.A literary icon, Fiedler is among those who urged legalization of marijuana in the late ''60s; suggested that college students read Timothy Leary along with Milton; and was accused of corrupting the young with dangerous leftist ideas. Collected are Fiedler''s most widely known articles, from "Come Back to the Raft Ag''in, Huck Honey!" to "An Almost Imaginary Interview: Hemingway in Ketchum." Complementing these essays are various lesser known poems and short stories, providing the reader with the complete Fiedler experience.
A collection of articles, most of them published previously. The following relate, in varying degrees, to the subject of antisemitism in literary circles and in literature:
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