This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The drama King-Hunger deals with the most powerful king on earth - ?King-Hunger? - because the earth is replete with suffering: cities, shops, mines, factories and fields resound with the moans and groans of the people. Their agony is unbearable. Originally published in 1907, this is often considered to be Andreyev?s strongest dramatic work.Between the two Revolutions of 1905 and 1917 Leonid Andreyev was without a doubt the foremost writer in Russia. His name was always spoken with veneration, in mysterious whispers, as a grim portentous magician who descended into the ultimate depths of the nether side of life and fathomed the beauty and tragedy of the struggle. Leonid Nickolayevitch was born in the province of Oryol, in 1871, and studied law at the University of Moscow. Those were days of suffering and starvation; he gazed into the abyss of sorrow and despair. In January 1894 he made an unsuccessful attempt to kill himself by shooting, and then was forced by the authorities to severe penitence, which augmented the natural morbidness of his temperament. As a lawyer his career was short-lived, and he soon abandoned it for literature, beginning as a police-court reporter on the Moscow Courier.In 1902 he published the short story In the Fog, which for the first time brought him universal recognition. He was imprisoned during the revolution of 1905, together with Maxim Gorky, on political charges. Such are the few significant details of his personal life, for the true Andreyev is entirely in his stories and plays.
Between the two Revolutions of 1905 and 1917 Leonid Andreyev was without a doubt the foremost writer in Russia. His name was always spoken with veneration, in mysterious whispers, as a grim portentous magician who descended into the ultimate depths of the nether side of life and fathomed the beauty and tragedy of the struggle. Leonid Nickolayevitch was born in the province of Oryol, in 1871, and studied law at the University of Moscow. Those were days of suffering and starvation; he gazed into the abyss of sorrow and despair. In January 1894 he made an unsuccessful attempt to kill himself by shooting, and then was forced by the authorities to severe penitence, which augmented the natural morbidness of his temperament. As a lawyer his career was short-lived, and he soon abandoned it for literature, beginning as a police-court reporter on the Moscow Courier. In 1902 he published the short story In the Fog, which for the first time brought him universal recognition. He was imprisoned during the revolution of 1905, together with Maxim Gorky, on political charges. Such are the few significant details of his personal life, for the true Andreyev is entirely in his stories and plays. Contents: The Crushed Flower A Story Which Will Never Be Finished On the Day of the Crucifixion The Serpent's Story Love, Faith and Hope The Ocean Judas Iscariot and Others "The Man Who Found the Truth
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Leonid Nikolaievich Andreyev (1871-1919) was a Russian playwright and short-story writer who led the Expressionist movement in the national literature. He was active between the revolution of 1905 and the Communist revolution.
And it happened that in that great country, the lord of which was the Twentieth, there occurred a revolution, a rising of the millions, as mysterious as had been the rule of the one. Something strange happened to the strong ties which had bound together the King and the people, and they began to decay noiselessly, unnoticeably, mysteriously, like a body out of which the life had departed, and in which new forces that had been in hiding somewhere commenced their work. There was the same throne, the same palace, and the same Twentieth-but his power had unaccountably passed away; and no one had noticed the hour of its passage, and all thought that it merely was ailing. The people simply lost the habit of obeying and that was all, and all at once, from out the multitude of separate trifling, unnoticed resistances, there grew up a stupendous, unconquerable movement. And as soon as the people ceased to obey, all their ancient sores were opened, and wrathfully they became conscious of hunger, injustice and oppression. And they made an uproar. And they demanded justice. And they reared a gigantic beast bristling with wrath, taking vengeance on its tamer for years of humiliation and tortures. Just as they had not held counsels to agree to obedience, they did not confer about rebelling; and straightway, from all sides there gathered a rising and made its way to the palace.
Leonid Andreyev’s The Red Laugh is an experimental depiction of war and its psychological effects, both on those who participate in the fighting and on those who hear of its atrocities from afar. Translated into English for the first time since 1905, it is here paired with a fresh translation of Andreyev’s earlier story “The Abyss,” which caused scandal upon its first publication. This edition provides an illuminating introduction by translator Kirsten Lodge as well as a range of background materials that help set the novel in its historical, literary, and artistic contexts.
Leonid Andreiev is widely regarded as one of the most talented writers in Russian literature. In his prose, he reflected the influence of A. Chekhov's realism, the fascination with F. Dostoevsky's psychological paradoxes, and a constant obsession with the insignificance of life and the inevitability of death, in the manner of L. Tolstoy. Written in 1909 and dedicated precisely to Tolstoy, " The Seven Who Were Hanged" is considered by many to be Andreiev's best novel. The work masterfully and simply delves into each of the tragedies of seven condemned to death, leading the reader unrelentingly to a revelation, a state of illumination that only the best works of art offer.
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As the young Zinaida and her sweetheart, the student Nemovetsky, stroll through the idyllic Russian countryside, their memories, dreams and thoughts about life and the future mingle in the evening breeze. But when night falls, they hasten to retrace their steps back to town through a small wood, where they are accosted by three threatening drunkards, who knock Nemovetsky unconscious and start to chase the girl through the underwood. When the young student comes round, he is confronted with the horror of what has just happened. Haunting, disquieting, shocking, 'The Abyss' – one of the most powerful short stories ever written – is accompanied in this volume by fifteen other stories by Andreyev, including 'Silence', 'The Thief' and 'Lazarus, some of them never translated before into English. Together, they provide a clear account of the lasting legacy of Russia's foremost man of letters of the early twentieth century.
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