This book analyzes the relative balance of bargaining power between governments and the banks in charge of underwriting their debt during the first financial globalization. Brazil and Mexico, both indebted countries that underwent major changes in reputation and negotiating power as they faced financial crises, provide valuable case studies of government strategies for obtaining the best possible outcomes. Previous literature has focused on bankers’ perspectives and emphasized that debtors were submissive during negotiations, but Weller finds that governments’ negotiating power varied over time. He presents a new analytical framework that interprets when and why officials were likely to negotiate loans more or less effectively, with newly uncovered primary sources from debtors’ and creditors’ archives suggesting key causes of variation: fiscal accounts, political stability, and creditors’ exposure and reputation.
Here is a complete picture of the techniques and working philosophy of one of the greatest artistic geniuses of the Renaissance. Assembled by a brilliant scholar from Leonardo's own writings--Notebooks and The Treatise on Painting--as well as his artistic production, the book offers a carefully balanced view of the artistÕs intellectual growth. Drawing on all the relevant writings, and rectifying many errors made by previous scholars, this work differs from earlier studies in its systematic grouping of the passages of Leonardo's writings concerning painting. In organizing the materials, the editor focuses on problems of interpretation; the result is the direct opposite of a simple anthology, offering instead a reconstruction of the underlying meaning of Leonardo's words. For each section, noted French art scholar André Chastel has provided an informative introduction and notes, and substantial bibliographic and reference materials for the book as a whole. More than 125 painstakingly reproduced illustrations are found throughout the text, further enhancing this rich and accessible resourceÑsure to be welcomed by scholars, lay readers, and any admirer of the incomparable Leonardo. Unabridged republication of The Genius of Leonardo da Vinci, originally published by The Orion Press, New York, 1961. Notes. Printed Editions of Leonardo's Writings. Table of Manuscripts. Table of Paintings. Chronological Table. List of Illustrations. References to Entries. Over 125 black-and-white illustrations.
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. Preface I. Prolegomena and General Introduction to the Book on Painting II. Linear Perspective. III. Six books on Light and Shade. IV. Perspective of Disappearance. V. Theory of colours. VI. Perspective of Colour and Aerial Perspective. VII. On the Proportions and on the Movements of the Human Figure. VIII. Botany for Painters and Elements of Landscape Painting. IX. The Practice of Painting. X. Studies and Sketches for Pictures and Decorations. XI. The notes on Sculpture. XII. Architectural Designs. XIII. Theoretical writings on Architecture. XIV. Anatomy, Zoology and Physiology. XV. Astronomy. XVI. Physical Geography. XVII. Topographical Notes. XVIII.
The Notebooks of Leonardo Da Vinci Vol-1' is an enlightening collection of writings by the renowned polymath Leonardo da Vinci. In this volume, readers are granted a glimpse into the mind of one of history's greatest geniuses as they explore da Vinci's personal notebooks. The book presents a compilation of da Vinci's observations, ideas, sketches, and reflections on a wide range of subjects. From anatomy and engineering to art and philosophy, da Vinci's writings cover an astounding breadth of knowledge and curiosity. Readers are treated to da Vinci's meticulous studies of the human body, his inventive engineering designs, and his musings on the nature of light, perspective, and aesthetics. The volume provides a fascinating window into da Vinci's creative process and the depth of his intellectual pursuits. It is a treasure trove of insights and inspiration for art enthusiasts, scholars, and anyone intrigued by the boundless curiosity and brilliance of Leonardo da Vinci.
Although Leonardo da Vinci was one of the greatest artists who ever lived, his career was marked by an unusually large number of uncompleted projects and by finished works that rapidly deteriorated. Nevertheless, his influence is undoubted, and his claim to greatness rests chiefly on his drawings, which have been carefully preserved in such locations as Windsor Castle, the Louvre, the Uffizi Gallery, and the British Museum. This collection, excellently reproduced in black-and-white, is representative of Leonardo's various achievements in many drawing media. Among the selections are drawings of plants, landscapes, animals, battles, weapons, and the human face and figure, as well as studies for later paintings or sculpture: a full compositional study for The Adoration of the Magi, a study for the angel's head in The Virgin of the Rocks, studies of horses for the Sforza monument, studies for The Last Supper, studies for The Battle of Anghiari, and an early cartoon for The Madonna with St. Anne.
Leonardo's Studio is a two-story, three-dimensional evocation of the artist's life and work. Every detail has been carefully abstracted from the drawings, paintings, the notes and writings of the great man. The pop-up building is accompanied by two exquisite books which illustrate the artist's life and works and provide Leonardo's personal guidance on the art of painting, drawing, civil engineering, costume design, botanical illustration, armour, ballistics, ordnance, even a guide on how to draw a dragon-- it is time to learn with Leonardo.
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