A whimsical cross between Kubrick and Kafka, "The Mouse That Roared" is a quirky classic of world literature, a poignant tale of political morality, and a hilarious, ultimately triumphant portrait of international relations from the perspective of the little guy.
A story of spiritual values, about a devoted young priest in an Irish fishing village who battles with the Celtic superstitions of the villagers... The Irish meaning of the name of the village—Killknock—is “the church on the mountain.” It is a little place, no more than two hundred souls and all but one of them Catholic. A poor and ancient fishing village, it is devoutly Christian while still believing in old Celtic myths, legends and superstitions. Who the stranger was, no one knew. But certainly he was a worker of miracles, or at least a great healer, for he made sixty-year-old Caitlin look like a girl again and gave Feeney back his hearing. Some of the villagers, noting that the stranger had scars on his hands and feet as though nails had once been driven through them, had unvoiced suspicions. “All the stranger said was: “I thought that my business here would take care of itself. But it did not. And so I have come to attend to it personally.” “A beautiful and lyrical story, blessed with the simplicity of truth and faith...If you have a heart, it will reach out to you, and give you the comfort of the seas and the mountains...”—The Associated Press “Let the stranger arrive in a primitive Irish fishing village where ancient nature-worship blends with revealed religion, and you have a situation calling not only for the gift of the word but for profound wisdom as well....It is evident that Leonard Wibberley has both.”—San Francisco Chronicle “It is easily the best fiction that Wibberley has yet written, a story which deserves that much-abused adjective—unforgettable.”—Los Angeles Times
A whimsical cross between Kubrick and Kafka, "The Mouse That Roared" is a quirky classic of world literature, a poignant tale of political morality, and a hilarious, ultimately triumphant portrait of international relations from the perspective of the little guy.
For the sake of bringing the long-drawn-out American War for Independence to a close, Peter Treegate endeavors to do the impossible. It is his task to bring together an alliance albeit a temporary one between feuding Scottish clans now settled in the Carolina hills. The end result is Treegate's Raiders, a fierce fighting force who take part in two of the small, but crucial battles that help to defeat the British King's Mountain and Cowpens. In the course of these adventures, Peter has also managed a flying visit to Salem, Massachusetts to see his friend Peace of God Manly only to find more than he had bargained for. Authentic action and suspenseful story-telling carry this fourth title in the Treegate Series to a satisfying resolve. February 17, 2011
Transport phenomena is used here to descril>e momentum, energy, mass, and entropy transfer (Bird et al. 1960, 1980). It includes thermodynamies, a special case of which is thermostatics. Interfacial transport phenomena refers to momentum, energy , mass, and entropy transfer within the immediate neighborhood of a phase interface, including the thermodynamies of the interface. In terms of qualitative physical observations, this is a very old field. Pliny the EIder (Gaius Plinius Secundus, 23-79 A.D.; Pliny 1938) described divers who released small quantities of oil from their mouths, in order to damp capillary ripples on the ocean surface and in this way provide more uniform lighting for their work. Similar stories were retold by Benjamin Franklin, who conducted experiments of his own in England (V an Doren 1938). In terms of analysis, this is a generally young field. Surface thermostatics developed relatively early, starting with Gibbs (1948) and continuing with important contributions by many others (see Chapter 5).
Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2014 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. NEW Nearly 16,000 capsule movie reviews, with more than 300 new entries NEW More than 25,000 DVD and video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard’s all-new personal recommendations for movie lovers • Date of release, running time, director, stars, MPAA ratings, color or black-and-white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVDs, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos
NEW More than 16,000 capsule movie reviews, with more than 300 new entries NEW More than 13,000 DVD and 13,000 video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard's personal list of fifty notable debut features Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2013 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. • Date of release, running time, director, stars, MPAA ratings, color or black and white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVD s, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos
From the very infancy of the film industry, filmmakers have relied heavily upon literature as the foundation for their movie material. Well-known literary works such as Dickens's A Christmas Carol and Hawthorne's The Scarlet Letter were adapted to film in the silent era, as were such books as Thomas Dixon's Jr.'s The Klansman, basis for the film Birth of a Nation. In recent years, Nick Hornsby's About a Boy and each of Helen Fielding's Bridget Jones's Diary novels were the basis for popular movies bearing the same names. A guide to English-language works that have been adapted as theatrical and television films, this volume includes books (both fiction and non-fiction), short stories, newspaper and magazine articles and poems. Entries are arranged alphabetically by literary title with cross-listings for films made under different titles. Each entry includes the original work's title, author, year of first publication, literary prizes, and a brief plot summary. Information on film adaptation(s) of the work, including adaptation titles, director, screenwriter, principal cast and the names of the characters they portray, major awards, and availability in the most common formats (DVD, VHS), is also offered.
A story of spiritual values, about a devoted young priest in an Irish fishing village who battles with the Celtic superstitions of the villagers... The Irish meaning of the name of the village—Killknock—is “the church on the mountain.” It is a little place, no more than two hundred souls and all but one of them Catholic. A poor and ancient fishing village, it is devoutly Christian while still believing in old Celtic myths, legends and superstitions. Who the stranger was, no one knew. But certainly he was a worker of miracles, or at least a great healer, for he made sixty-year-old Caitlin look like a girl again and gave Feeney back his hearing. Some of the villagers, noting that the stranger had scars on his hands and feet as though nails had once been driven through them, had unvoiced suspicions. “All the stranger said was: “I thought that my business here would take care of itself. But it did not. And so I have come to attend to it personally.” “A beautiful and lyrical story, blessed with the simplicity of truth and faith...If you have a heart, it will reach out to you, and give you the comfort of the seas and the mountains...”—The Associated Press “Let the stranger arrive in a primitive Irish fishing village where ancient nature-worship blends with revealed religion, and you have a situation calling not only for the gift of the word but for profound wisdom as well....It is evident that Leonard Wibberley has both.”—San Francisco Chronicle “It is easily the best fiction that Wibberley has yet written, a story which deserves that much-abused adjective—unforgettable.”—Los Angeles Times
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