NONFICTION FROM "ONE OF THE STRONGEST AND MOST ARRESTING PROSE TALENTS OF HIS GENERATION" (LARRY MCMURTRY) Leonard Michaels was a writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and '60s—and of continuing to grow up, in the cultural turmoil of the '70s and '80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels's highly personal commentaries on culture and art. Whether he's asking what makes a story, reviewing the history of the word "relationship," or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page. The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters.
First published in 1981, Leonard Michaels's The Men's Club is a scathing, pitying, absurdly dark and funny novel about manhood in the age of therapy. "The climax is fitting, horrific, and wonderfully droll" (The New York Times Book Review). Seven men, friends and strangers, gather in a house in Berkeley. They intend to start a men's club, the purpose of which isn't immediately clear to any of them; but very quickly they discover a powerful and passionate desire to talk.
Un amour passionnel unit Leonard à Sylvia dans le New York des années soixante. Lui est un écrivain tourmenté, elle une amante excessivement jalouse et possessive. Vivant au rythme halluciné du Greenwich Village de l'époque, celui du jazz de Miles Davis et de la prose de Kerouac, Leonard nie la réalité, refusant de voir l'issue tragique où l'entraîne sa relation destructrice...
A collection of autobiographical fiction focuses on the themes of expectation, the shocks of maturity and reconciliation with personal limits, and the poignant events and painful lessons of the past
While the mystery of the cat can never ultimately be defined, Michaels comes as close as possible to revealing its essence. A cat is content to be a cat. A cat is not owned by anybody. A cat imagines things about you, nothing you can know for sure. A cat reminds us that much in this world remains unknown. In his novels, stories, and essays, Leonard Michaels proved himself to be one of the most incisive observers of human behavior, but few know that he was every bit as perspicacious a chronicler of America’s favorite pet: the domestic cat. Elusive, elegant, and often humorous—much like his subject—Michaels gives us this unfathomable animal as we have never quite seen it before, and yet as we have always known it to be. Through a series of meditations, aphorisms, and anecdotes, along with original illustrations from Frances Lerner, A Cat is a both a compendium of feline behavior and a love letter to this marvelous creature.
NONFICTION FROM "ONE OF THE STRONGEST AND MOST ARRESTING PROSE TALENTS OF HIS GENERATION" (LARRY MCMURTRY) Leonard Michaels was a writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and '60s—and of continuing to grow up, in the cultural turmoil of the '70s and '80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels's highly personal commentaries on culture and art. Whether he's asking what makes a story, reviewing the history of the word "relationship," or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page. The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters.
“Elmore Leonard is an awfully good writer of the sneaky sort; he is so good you don’t even notice what he’s up to.” —New York Times Book Review Before there was Raylan, there was Sisco... U.S. Marshal Karen Sisco is on the hunt for world-class gentleman felon Jack Foley in Out of Sight, New York Times bestselling author Elmore Leonard’s sexy thriller that moves from Miami to the Motor City. Based on Miami, Florida's Gold Coast, U.S. Marshal Karen Sisco isn’t about to let an expert criminal like Jack Foley successfully bust out of Florida's Glades Prison. But there’s a major score waiting for him in Detroit, and a shotgun-wielding marshal isn’t going to stop Foley from getting it. Neither counted on sharing a cramped car trunk—or on a sizzling chemistry that’s working overtime. As soon as Sisco escapes, Foley is already missing her. Sisco can’t forget Foley either—and she isn’t about to let him go. Too bad the next time their paths cross, it’s going to be about business, not pleasure.
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