One of our most acclaimed poets brings the work of the great Persian mystic and poet, Hafez, to a new audience. There is no poet in our tradition who carries the amount of admiration and devotion that the Persians have for Hafez. Children learn to sing Hafez poems in the third grade, and almost every family has a copy of the collected Hafez on the dining room table. Robert Bly and the great Islamic scholar Leonard Lewisohn have worked for 15 years on this book of Hafez, the first that carries into English his nimbleness, his outrageous humor, his defenses of the private life in the face of the fundamentalists, and the joy of his love poems. He writes in the ghazal form, one of the greatest inventions in the history of poetry. This is Rumi’s wild younger brother, now brought into an English that makes his genius visible.
Shabistari's poetry frequently offers a deconstruction of the literalists' views concerning faith and infidelity. Essential to his understanding of Sufism is the need for personally experiencing the liberated state of the 'heart' that lies beyond so-called faith and infidelity. Professor Leonard Lewisohn has, not surprisingly, named his masterful study of Shabistari's teachings, Beyond Faith and Infidelity. Professor Lewisohn presents us with a comprehensive study of the historical context and the cultural and literary environment of Shabistari's era. In addition to the more audacious hermeneutical teachings of Sufism like the one explored above, the Garden of Mystery summarizes the Islamic/Hellenistic philosophical tradition, including its cosmological doctrines. Similar teachings can be found in two of Shabistari's less celebrated didactic poems, The Book of Felicity (Sa'adat-nama), and the Truth of Certainty about the Knowledge of the Lord of the Worlds (Haqq al-yaqin fi ma'rifat rabb al-'alamin). Shabistari's poetic style and language are occasionally quite obscure, even for an educated Persian speaker. Shabistari had chosen to render complex metaphysical doctrines into verse and, in so doing, was constrained by the conventions of meter and rhyme expected in his day. He claimed that the concise, aphoristic flashes of his spiritual insights came through selfless inspiration, nearly through revelation. Not surprisingly, many of his couplets need years of thought and meditation to digest. Shabistari's genius can only be appreciated through attentive study, usually with the help of well-informed commentaries. Professor Lewisohn's Beyond Faith and Infidelity is as close as non-Persian speakers will get to the best of the original commentaries. His profound understanding of Persian history and the Sufi literary tradition, along with his many years as a practicing Sufi, make this book one of the finest works ever written on Islamic spirituality.
This collection - the second of a three-volume study - examines the roots of the artistic, literary and cultural renaissance of Sufism from the 12th to the 15th centuries. It includes essays on Rumi's poetry and imagery; Sufi music and the idea of ecstacy; sainthood and Neoplatonism; comparative metaphysics and literature; and unity of religion theory in Sufi philosophy.
The notion of esoteric knowledge is one of the pillars of Islamic intellectual tradition. Though most visible in Sufism, it also dominated the first three and a half centuries of Shi‘ite thought. In this rich anthology, Leonard Lewisohn explores Islamic esotericism through the works of eleven authors who flourished in Persia, Central Asia and Asia Minor from the eleventh to the nineteenth centuries. He presents excerpts from each text in translation, accompanying these with introductions to the author’s life, works and thought. In the course of his erudite and enlightening commentary, he explores the common ground of esoteric thought and terminology, revealing a unity of perspective among Muslim thinkers.
This is the definitive introduction to the writings of 'Ali, who was the son-in-law to the Prophet Muhammad, the fourth caliph to Sunni Muslims, and the central figure in Shi'a Islam. Two essays in this anthology won awards at the International Congress on Iman 'Ali, Tehran, 2001. Seyyed Hossein Nasr, pronounced them, among the best writings on this extraordinary figure in Western languages and are obligatory reading for anyone interested in 'Ali.
The notion of esoteric knowledge is one of the pillars of Islamic intellectual tradition. Though most visible in Sufism, it also dominated the first three and a half centuries of Shi‘ite thought. In this rich anthology, Leonard Lewisohn explores Islamic esotericism through the works of eleven authors who flourished in Persia, Central Asia and Asia Minor from the eleventh to the nineteenth centuries. He presents excerpts from each text in translation, accompanying these with introductions to the author’s life, works and thought. In the course of his erudite and enlightening commentary, he explores the common ground of esoteric thought and terminology, revealing a unity of perspective among Muslim thinkers.
This is the definitive introduction to the writings of 'Ali, who was the son-in-law to the Prophet Muhammad, the fourth caliph to Sunni Muslims, and the central figure in Shi'a Islam. Two essays in this anthology won awards at the International Congress on Iman 'Ali, Tehran, 2001. Seyyed Hossein Nasr, pronounced them, among the best writings on this extraordinary figure in Western languages and are obligatory reading for anyone interested in 'Ali.
Leonard N. Simons (1904-1995) was one of Detroit's most prominent benefactors. Here, republished on the occasion of his eighty-fifth birthday, is presented a selection of his talks and addresses that illustrate a rare combination of wit, sensitivity, and boundless energy that made him a leader in the Detroit community. This collection need not be read in sequence. Let the reader dip into the book here and there to catch revealing glimpses of the people and personalities, of the spirit and beliefs that have animated a community. The author was by profession an advertising agency executive. By inclination he was a lover of books, chronicler of his city's past and present. Here he displays his strong social and religious commitments with brevity and laughter.
A mixture of memoir and biography, Chasing the Ghost: Nobelist Fred Reines and the Neutrino tells a deeply human story that appeals both to scientists and non-scientists. Although the book relates to the important discovery of neutrinos, it is more intimately about Fred Reines than the technical details of neutrino physics. Narrated in a fashion to interest and excite the reader, the science presented here is accessible to a broad audience. Coursing through Reines' life, his various challenges and encounters, the book reveals constants of his persona. Reines displayed a sustained consistency as a respected leader, admired by students and colleagues as a fount of big ideas and ambition. A continuing source of inspiration and motivation to others, his most basic consistency was his passion for science. The quest for knowledge about the wondrous universe is a profoundly human endeavor. Fred Reines' life and his unremitting scientific curiosity are emblematic of that truth.'This book is a most welcome account about Frederick Reines and his great contributions to neutrino physics and astrophysics. The methods he designed in the 1950s to discover neutrinos in nuclear reactor experiments are still being used. His later work included the detection of atmospheric neutrinos which was a forerunner to the discovery of neutrino oscillations, the ability of neutrinos to change from one type to another. This finding was a significant step to other experiments that aim to answer profound questions about the nature of the universe including why it is composed of matter.'Takaaki KajitaNobel Laureate in PhysicsNeutrino Researcher, University of Tokyo 'Cole has provided a compelling personal and scientific account of a remarkable pioneer in Neutrino Physics.'Arthur B McDonaldNobel Laureate in PhysicsDirector of the Sudbury Neutrino ObservatoryProfessor, Queen's University, Ontario, Canada
(Piano/Vocal/Guitar Songbook). Learn to play 38 acoustic hits with this solid collection! The book features piano/vocal/guitar arrangements and plain-English performance notes for each of the popular songs, which include: American Pie * Crazy Little Thing Called Love * Have You Ever Seen the Rain? * I'll Follow the Sun * Imagine * Jack and Diane * Leaving on a Jet Plane * Night Moves * Summer Breeze * Time in a Bottle * Wanted Dead or Alive * You've Got a Friend * and many more.
Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In Athenian and Shakespearean tragedy, self-righteous male or female aristocrats instigate their own disgrace, shame, and guilt, an un-expected diminishment. They are victimized by a magnificent obsession, a fantasy of un-alloyed authority or virtue, a dream of perfect self-sufficiency or trust. The authors of tragedy revised the concept of “nobility” to reflect the strange fact that grandeur elicits its own annulment. “Strengths by strengths do fail,” Shakespeare wrote in Coriolanus. The playwrights made this paradoxical predicament concrete with a narrative format that equates self-assertion with self-detraction, images that revolve between incredible reversals and provisional reinstatements, and speech that sounds impressively weighty but masks deception, disloyalty, cynicism, and insecurity. Three heroic philosophers, Plato, Hegel, and Nietzsche, contributed invaluable but contrasting accounts of these literary languages (Aristotle's Poetics will be discussed in connection with Plato's attitude toward poetry). Their divergent descriptions can be reconciled to show that invalidations as well as affirmations—the transmission of contraries—are essential for tragic composition. An equivocal rhetoric, a mutable imagery, and an ironic progression convey the tortuous pursuit of personal preeminence or (in later tragic works by Kafka and Strindberg) family solidarity and communal safety. I am trying to integrate the disparate arguments offered by several notable theorists with technical procedures fashioned by the Athenian dramatists and recast by Shakespeare and other writers, procedures that articulate the tragic paradox.
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