At a time when the role of journalism is especially critical, the former executive editor of the Washington Post writes about his nearly fifty years at the newspaper and the importance of getting at the truth. In 1964, as a twenty-two-year-old Ohio State graduate with working-class Cleveland roots and a family to support, Len Downie landed an internship with the Washington Post. He would become a pioneering investigative reporter, news editor, foreign correspondent, and managing editor, before succeeding the legendary Ben Bradlee as executive editor. Downie's leadership style differed from Bradlee's, but he played an equally important role over more than four decades in making the Post one of the world's leading news organizations. He was one of the editors on the historic Watergate story and drove coverage of the impeachment of President Bill Clinton. He wrestled with the Unabomber's threat to kill more people unless the Post published a rambling 30,000-word manifesto and he published important national security stories in defiance of presidents and top officials. He managed the Post's ascendency to the pinnacle of influence, circulation, and profitability, producing prizewinning investigative reporting with deep impact on American life, before the digital transformation of news media threatened the Post's future. At a dangerous time, when health and economic crises and partisanship are challenging the news media, Downie's judgment, fairness, and commitment to truth will inspire anyone who wants to know how journalism, at its best, works.
Journeys inside the world of contemporary news media to explain why news reporting is deteriorating, the values that dominate the news business, and how to restore serious, incorruptible, and revelatory journalism.
From Leonard Downie Jr., longtime editor of The Washington Post, an eye-opening novel of corruption, deception, and intrigue in our nation’s capital. Sarah Page, a rising star at the Washington Capital, has been assigned to cover the dark world of politics and money in Washington. But when she begins to investigate an influential lobbyist and his clients, she realizes that little is what it seems. As Sarah digs deeper, one of her sources is murdered and others disappear. She herself is the target of a car bomb, and a late-night caller warns that she is jeopardizing national security. And while she is determined to pursue the story wherever it leads, her own romantic indiscretions leave her vulnerable. Sarah is helped by Pat Scully, an evasive, cryptic source in hiding; Kit Morgan, a ubiquitous presence in the national security community whose employer remains a mystery; and Chris Collins, a cooperative congressman whose motives are obscure. When President Susan Cameron—suddenly thrust into the job when her predecessor dies in the White House—is confronted with what Sarah has found, the scheming of her top aides and her own political survival come into conflict with her duty to the country. No one knows more about Washington, its inner workings and secrets than Leonard Downie Jr. And no novel has better captured the tensions among business interests, politicians, and the press, or the morally ambiguous ways in which all three really work. The Rules of the Game is a riveting and searing debut.
At a time when the role of journalism is especially critical, the former executive editor of the Washington Post writes about his nearly fifty years at the newspaper and the importance of getting at the truth. In 1964, as a twenty-two-year-old Ohio State graduate with working-class Cleveland roots and a family to support, Len Downie landed an internship with the Washington Post. He would become a pioneering investigative reporter, news editor, foreign correspondent, and managing editor, before succeeding the legendary Ben Bradlee as executive editor. Downie's leadership style differed from Bradlee's, but he played an equally important role over more than four decades in making the Post one of the world's leading news organizations. He was one of the editors on the historic Watergate story and drove coverage of the impeachment of President Bill Clinton. He wrestled with the Unabomber's threat to kill more people unless the Post published a rambling 30,000-word manifesto and he published important national security stories in defiance of presidents and top officials. He managed the Post's ascendency to the pinnacle of influence, circulation, and profitability, producing prizewinning investigative reporting with deep impact on American life, before the digital transformation of news media threatened the Post's future. At a dangerous time, when health and economic crises and partisanship are challenging the news media, Downie's judgment, fairness, and commitment to truth will inspire anyone who wants to know how journalism, at its best, works.
The business of journalism has an extensive, storied, and often romanticized history. Newspaper reporting has long shaped the way that we see the world, played key roles in exposing scandals, and has even been alleged to influence international policy. The past several years have seen the newspaper industry in a state of crisis, with Twitter and Facebook ushering in the rise of citizen journalism and a deprofessionalization of the industry, plummeting readership and revenue, and municipal and regional papers shuttering or being absorbed into corporate behemoths. Now billionaires, most with no journalism experience but lots of power and strong views, are stepping in to purchase newspapers, both large and small. This addition to the What Everyone Needs to Know® series looks at the past, present and future of journalism, considering how the development of the industry has shaped the present and how we can expect the future to roll out. It addresses a wide range of questions, from whether objectivity was only a conceit of late twentieth century reporting, largely behind us now; how digital technology has disrupted journalism; whether newspapers are already dead to the role of non-profit journalism; the meaning of "transparency" in reporting; the way that private interests and governments have created their own advocacy journalism; whether social media is changing journalism; the new social rules of old media outlets; how franchised media is addressing the problem of disappearing local papers; and the rise of citizen journalism and hacker journalism. It will even look at the ways in which new technologies potentially threaten to replace journalists.
From Leonard Downie Jr., longtime editor of The Washington Post, an eye-opening novel of corruption, deception, and intrigue in our nation’s capital. Sarah Page, a rising star at the Washington Capital, has been assigned to cover the dark world of politics and money in Washington. But when she begins to investigate an influential lobbyist and his clients, she realizes that little is what it seems. As Sarah digs deeper, one of her sources is murdered and others disappear. She herself is the target of a car bomb, and a late-night caller warns that she is jeopardizing national security. And while she is determined to pursue the story wherever it leads, her own romantic indiscretions leave her vulnerable. Sarah is helped by Pat Scully, an evasive, cryptic source in hiding; Kit Morgan, a ubiquitous presence in the national security community whose employer remains a mystery; and Chris Collins, a cooperative congressman whose motives are obscure. When President Susan Cameron—suddenly thrust into the job when her predecessor dies in the White House—is confronted with what Sarah has found, the scheming of her top aides and her own political survival come into conflict with her duty to the country. No one knows more about Washington, its inner workings and secrets than Leonard Downie Jr. And no novel has better captured the tensions among business interests, politicians, and the press, or the morally ambiguous ways in which all three really work. The Rules of the Game is a riveting and searing debut.
Freedom of the press is a primary American value. Good journalism builds communities, arms citizens with important information, and serves as a public watchdog for civic, national, and global issues. But what happens when the news turns its back on its public role? Leonard Downie Jr., executive editor of The Washington Post, and Robert G. Kaiser, associate editor and senior correspondent, report on a growing crisis in American journalism. From the corporatization that leads media moguls to slash content for profit, to newsrooms that ignore global crises to report on personal entertainment, these veteran journalists chronicle an erosion of independent, relevant journalism. In the process, they make clear why incorruptible reporting is crucial to American society. Rooted in interviews and first-hand accounts, the authors take us inside the politically charged world of one of America’s powerful institutions, the media.
From the very infancy of the film industry, filmmakers have relied heavily upon literature as the foundation for their movie material. Well-known literary works such as Dickens's A Christmas Carol and Hawthorne's The Scarlet Letter were adapted to film in the silent era, as were such books as Thomas Dixon's Jr.'s The Klansman, basis for the film Birth of a Nation. In recent years, Nick Hornsby's About a Boy and each of Helen Fielding's Bridget Jones's Diary novels were the basis for popular movies bearing the same names. A guide to English-language works that have been adapted as theatrical and television films, this volume includes books (both fiction and non-fiction), short stories, newspaper and magazine articles and poems. Entries are arranged alphabetically by literary title with cross-listings for films made under different titles. Each entry includes the original work's title, author, year of first publication, literary prizes, and a brief plot summary. Information on film adaptation(s) of the work, including adaptation titles, director, screenwriter, principal cast and the names of the characters they portray, major awards, and availability in the most common formats (DVD, VHS), is also offered.
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