As I look back over my life, it was a good ride. I experienced many potholes along the way. Im not tired yet. The last thing I think about is death. I am not afraid of it. Why should I be? I cant do anything about it. Its just a sleep. I cant move as fast as I once did, but I can still dance. This may be surprising to some; I still have fun with my wife. Someone may ask, How often? I will say to them, Stop hating. It would be foolish to ignore the bad, the good, and the ugly in my life. Those experiences caused my faith in Christ Jesus to be stronger. My faith in Jesus made it possible for me to be here seventy-five years as of January 17, 2014. I hear what I want to hear, see what I want to see, and remember what I want to remember. I realize that I am only important to myself. And to preserve whatever life I have left, I must be cooperative with matters of confrontation. Exhaustion will kill you before old age. I refuse to call myself old. I call myself blessed. To those people who think that they are too old to enjoy life and that they are walking through one of lifes valleys: Perhaps you are trusting in your exhaustion, not in God. And you are thinking this is how you are supposed to feel as years pass you by. You dont have to be older than you are. When your load gets too heavy to carry, dont give upthis is an opportunity for God, in Christ Jesuss name, to take charge of you. There is no competition or stereotypes in God; just be who you are. Refuse to give up your happiness because you are older and instead think about your accomplishments and enjoy all of your abilities. The thought of loneliness and bitter disappointments brings self-pity and fear. When you dwell too long on bad circumstances, it will make you feel old and rob you of peace of mind. Respond to the love of Godyou no longer need to speculate upon the quality of your life. It is good because God is good.
For readers of Heavy, Punch Me Up to The Gods, and A Little Devil in America, a beautiful, painful, and soaring tribute to everything that Black men are and can be. Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills in his wallet. He absorbed the “facts” that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn’t until years later that Joél understood he didn’t have to be defined by these things. Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and lighthearted, from contemplating male beauty standards and his belly to his decision to seek therapy to the difficulties of making co-parenting work, Joél cracks open his heart to reveal his multitudes. “I learned that being Black is an all-encompassing everything...To be Black, to be a Black man in the era I grew up in, was easily everything and nothing at once.” Crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like “How to Make a Black Friend.” consider challenging, delightful and absurd moments in relationships, while others like “Sensitive Thugs All Need Hugs” and “All Gold Everything” ponder the collective harms of society's lens. With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America.
A searing history of life under Jim Crow that recalls the bloodiest and most repressive period in the history of race relations in the United States—and the painful record of discrimination that haunts us to this day. From the Pulitzer Prize-winning author of Been in the Storm So Long. "The stain of Jim Crow runs deep in 20th-century America.... Its effects remain the nation's most pressing business. Trouble in Mind is an absolutely essential account of its dreadful history and calamitous legacy." —The Washington Post In April 1899, Black laborer Sam Hose killed his white boss in self-defense. Wrongly accused of raping the man's wife, Hose was mutilated, stabbed, and burned alive in front of 2,000 cheering whites. His body was sold piecemeal to souvenir seekers; an Atlanta grocery displayed his knuckles in its front window for a week. Drawing on new documentation and first-person accounts, Litwack describes the injustices—both institutional and personal—inflicted against a people. Here, too, are the Black men and women whose activism, literature, and music preserved the genius of the human spirit.
Bartholomew Dorking goes from the streets of London to a travelling circus, but nothing he can do can set him free from the looming shadow of the murderous villain, Black Jack.
The most successful business leaders always have their own compelling philosophies, but all too often the thoughts and ideologies of high-profile African American leaders are forgotten or passed over. This exciting new study reflects on some of the leading black business pioneers of the late 19th and early 20th century.
In Blacks and the Law, Geraldine R. Segal carefully and completely details the history and current status of black lawyers, judges, law professors, and law students in the United States. Extensive research into all available materials for Philadelphia, supplemented by interviews and questionnaires, results in an unrivaled study of the situation in one city. Her findings are then placed in a national setting by using comparative data from fifteen other American cities. The wealth of data presented here shows the persistence of high degrees of racial exclusion and underrepresentation practiced by the legal profession over many years. Countervailing these findings are success stories of enormously motivated and determined blacks who have overcome great obstacles to attain high positions as lawyers and judges. Within the legal establishment, increasing numbers of whites have dedicated themselves to lowering barriers to black participation. Blacks and the Law brings to light the racial prejudices of the white American legal community as well as its efforts to overcome such biases. It also shows the massive effort black people have made to achieve significant but limited progress toward integration of the legal profession and indicates the amount of work still ahead. This study is therefore of vital interest to all members of the legal profession, students of race relations, social mobility, and the professions, Philadelphians, and others who follow the struggle for racial equality.
Few individuals have had as great an impact on the law--both its practice and its history--as A. Leon Higginbotham, Jr. A winner of the Presidential Medal of Freedom, the nation's highest civilian honor, he has distinguished himself over the decades both as a professor at Yale, the University of Pennsylvania, and Harvard, and as a judge on the United States Court of Appeals. But Judge Higginbotham is perhaps best known as an authority on racism in America: not the least important achievement of his long career has been In the Matter of Color, the first volume in a monumental history of race and the American legal process. Published in 1978, this brilliant book has been hailed as the definitive account of racism, slavery, and the law in colonial America. Now, after twenty years, comes the long-awaited sequel. In Shades of Freedom, Higginbotham provides a magisterial account of the interaction between the law and racial oppression in America from colonial times to the present, demonstrating how the one agent that should have guaranteed equal treatment before the law--the judicial system--instead played a dominant role in enforcing the inferior position of blacks. The issue of racial inferiority is central to this volume, as Higginbotham documents how early white perceptions of black inferiority slowly became codified into law. Perhaps the most powerful and insightful writing centers on a pair of famous Supreme Court cases, which Higginbotham uses to portray race relations at two vital moments in our history. The Dred Scott decision of 1857 declared that a slave who had escaped to free territory must be returned to his slave owner. Chief Justice Roger Taney, in his notorious opinion for the majority, stated that blacks were "so inferior that they had no right which the white man was bound to respect." For Higginbotham, Taney's decision reflects the extreme state that race relations had reached just before the Civil War. And after the War and Reconstruction, Higginbotham reveals, the Courts showed a pervasive reluctance (if not hostility) toward the goal of full and equal justice for African Americans, and this was particularly true of the Supreme Court. And in the Plessy v. Ferguson decision, which Higginbotham terms "one of the most catastrophic racial decisions ever rendered," the Court held that full equality--in schooling or housing, for instance--was unnecessary as long as there were "separate but equal" facilities. Higginbotham also documents the eloquent voices that opposed the openly racist workings of the judicial system, from Reconstruction Congressman John R. Lynch to Supreme Court Justice John Marshall Harlan to W. E. B. Du Bois, and he shows that, ironically, it was the conservative Supreme Court of the 1930s that began the attack on school segregation, and overturned the convictions of African Americans in the famous Scottsboro case. But today racial bias still dominates the nation, Higginbotham concludes, as he shows how in six recent court cases the public perception of black inferiority continues to persist. In Shades of Freedom, a noted scholar and celebrated jurist offers a work of magnificent scope, insight, and passion. Ranging from the earliest colonial times to the present, it is a superb work of history--and a mirror to the American soul.
Drawing on lessons from the October 1917 Russian Revolution, Trotsky explains why uncompromising opposition to racial discrimination and support for the right to national self-determination for Blacks are essential to unite the working class to make a socialist revolution in the United States.
This book is written to expand readers' knowledge and give them different perspective toward Black History. Inclusion of some and exclusion of others do not compel the true aspect of this fundamental/intellectual resource. It is essentially created to the needs of those who truly want to acquire extensive knowledge of this theme. ====================================== Before becoming Doctor of Health Science, Professor Apolon served as a case manager with the Community Health of Dade County, Florida and social services coordinator and director of transportation with the Senior Centers of Dade County. Mr. Apolon is currently a college professor of mathematics and taught in various colleges and universities throughout Florida. Furthermore, the author has a multiple talents. He speaks four languages: Creole, French, English, and Spanish. He is also a musician, guitar player, singer, poet, thinker, reader, photographer, an apostolate, preceptor, thinker, Scientist; creator of the Skeleton Physician a brand new medical system, Geneticist, creator of a brand new genetic system, creator of the Pre-Infectious Diseases a brand new medicine, creator of a brand new spray for burning victims in the capacity of 95%accurate, creator of a brand new medical idea to decrease obesity in the capacity of 85% accurate, creator of a brand new lottery game called Big Time, creator of a multiple proposal (1) Conditional limitation of procreation (2) Pets insurance (3) Firearms insurance, creator of the sanctuary for bi-racial dating, books and songs writer, etc. Nevertheless, many of which from his prospective realizations are yet to become reality simply because the author is a black man.
This book extenda a challenging call for all of us, who claim to be followers of Jesus Christ, to grow in our relationship with Him. The title suggests that this is a special call to Black Christian men, who should be the strength and guardian for the black family, church and community. It addresses, in an abbreviated way, some ot the many problems or conditions that seem to negatively affect many of our black children, youth and young adults. It is hoped that the real answer to our conditions will be recognized, and sought out. This message encourages Christians to cultivate a more sincere and effective daily walk with Christ, regardless of race or gender. This message includes five focal points: (1) Accepting Jesus Christ as Lord and Savior; (2) Answering the call to a life of righteousness, (3) Seeking and receiving the power of the Holy Spirit; (4) Developing a consistent and persistent prayer life; and (5) Being always ready and willing to provide services for others.
He-She Black Widow is a hard hitting, gutsy, tell it like it is murder mystery, that takes place in the black community. #xD;It is a mystery, that pits Detroit gangs against each other, and baffles the Detroit Police Department.#xD;Young black men are turning up dead, and nobody seems to know why.#xD;The truth behind the murders erupts into a volcanic explosion of death and deceit.
The Golden Rule The law of karma, Where there is a curse, There will be an effect, You reap what you sow, What comes around goes around, There is a first curse, Because there will be a final effect, The universe is an orderly unit, Peace is what will reign in the end.
This title traces continuing racial inequality and the ongoing fight for freedom for African American's in America. It tells how despite two major efforts to reconstruct race relations, injustices remain.
This book is about my journey in life growing up through the years. This is a true story of how it was living in Tuscaloosa County, Alabama, during the Jim Crow era, and military life, also my life as a citizen after the Jim Crow era in the United States. This book shows the statutes that a Black citizen had to live by in America. The story that I am telling is not just about me. This is how Black people live in the USA. When you read this story, you can also see the progress that has been made in this country between White and Black relationships. I have come this far without hate but seeking equal rights. When you see Black people protesting, it is not because we hate, but to be able to reach the American Dream. This is what this book is all about.
A selectively curated overview of the little black dress in the twentieth and twenty-first centuries, organized by Vogue contributing editor and fashion force André Leon Talley and published on the occasion of an exhibition at the SCAD Museum of Art (Savannah College of Art and Design), André Leon Talley Gallery. Featuring an impeccably selected group of about sixty dresses from many of the most eminent fashion houses, the book is a celebratory tribute to the iconic little black dress and its deeply resonant cultural and social significance in the modern era. Defined by the simplest parameters—color and shape—yet voluminous in possibility, the little black dress is personalized by the designer who imagined it and the woman who wears it. In one silhouette it can capture a woman's allure, and in one evening worn provide her with a reservoir of memories. It can sum up in one wardrobe reconnaissance the way you wore the way you were. A little black dress in any other color could dent a reputation; in black it can only elevate one. Whether made from the most superior fabrics, or designed in cutting-edge neoprene, the little black dress maintains its status as the game-changer, the free spirit and pleasure-seeker (Audrey Hepburn in Givenchy in Breakfast at Tiffany's), the career-launcher (Elizabeth Hurley in Versace), the going-for-broke risk-taker (Virginie Gautreau as Madame X), inevitably revealing truths about the women who have chosen to wear one. Three original essays offer personal histories in praise of the little black dress. An introduction by André Leon Talley and a foreword by Paula Wallace complete this exquisite volume. Together with a stunning collection of images, this book presents a singularly elegant portfolio.
SAVE THE CHILDREN Sixty children are in danger. Terrorists are looking for them, to torture of even kill them. It's up to Melissa and the tiny town to keep them safe. All the townspeople shelter one or two children, except for Nick, who doesn't like children. He gets to host Melissa, who he thought would be a middle-aged or grandmotherly type. SAVE THE TOWN Someone is killing off the people of the town one by one. The mayor turns to Melissa and Nick for help. He's never handled anything like this and doesn't know what to do. The town learns a lesson about judging others.
Two Brothers is the main play out of the three short plays in this book. John Smith is a minister, and his brother, Bob, is gay. Bob wants his brother to marry him and James in the church they grew up in, which John is the pastor of. The second play, Day Break, is about Mark, who has an addiction and refuses to accept Jesus Christ to get over his addiction and change his life. Rita does not want her sister, Joy, to attend a black college, and says she will pray for God to change her mind. The third play, titled The Price, is about a millionaire who goes to Hell and believes his paperwork must have been mixed up. He has a conversation with Satan which reveals the error of his ways in not accepting Jesus Christ as his Saviour. Lastly, there are ten poems included to sow into the kingdom of God and the body of Christ.
Winner of the Pulitzer Prize and the National Book Award Based on hitherto unexamined sources: interviews with ex-slaves, diaries and accounts by former slaveholders, this "rich and admirably written book" (Eugene Genovese, The New York Times Book Review) aims to show how, during the Civil War and after Emancipation, blacks and whites interacted in ways that dramatized not only their mutual dependency, but the ambiguities and tensions that had always been latent in "the peculiar institution." Contents 1. "The Faithful Slave" 2. Black Liberators 3. Kingdom Comin' 4. Slaves No More 5. How Free is Free? 6. The Feel of Freedom: Moving About 7. Back to Work: The Old Compulsions 8. Back to Work: The New Dependency 9. The Gospel and the Primer 10. Becoming a People
Leon Hugo, a distinguished Shaw scholar from the country in which The Black Girl in Search of God is set, is the ideal critic to examine Shaw's most famous prose tale--an allegory on a par with Voltaire's Candide."--Stanley Weintraub, Pennsylvania State University "An astute reading of the text . . . a book that clearly demonstrates Bernard Shaw is still worth reading. He speaks to all generations."--Gale K. Larson, California State University Leon Hugo's study is a groundbreaking account of the "story behind the story" of Shaw's allegory The Black Girl in Search of God, a short fable written by Shaw in a remote coastal village in South Africa. Illustrated by John Farleigh, the book was published in 1932 and became a best-seller. The story is a fable of a "black girl," converted by Christian missionaries, who tries to find the answer to the question "Where is God?" by making a journey of the soul. Along the way she meets with a number of representations of God, from the New and Old Testaments of the Bible and from the Koran, who disgust and appall her with their hopelessly outdated embodiments of deity. The reaction from critics and readers of the day ranged from cries of blasphemy to allegations that Shaw was moving to madness. The volume was banned in public libraries and in Ireland. Several tracts and books sought to repudiate, ridicule, or develop Shaw's religious argument, and there were adaptations for stage performances and for radio broadcasts. This literary event is recounted, examined, and assessed by Leon Hugo. He surveys the close kinship between Shaw and Voltaire--a dominant presence in a tale that itself echoes Candide. The final chapter considers the "black girl" as a Shavian champion of religious freedom, feminist rights, and political emancipation. Illustrations revive a selection of Farleigh's captivating artwork, and Hugo includes representative illustrations from the rebutting tracts and books that followed Black Girl as well. Leon Hugo (1931-2002) was professor emeritus at the University of South Africa.
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