Over three thousand years separate exodus of biblical Jews from the land of Egypt from the last wave of Jewish migrants to exit Russia. Hundreds of thousands of the modern-day Russian Jews find themselves in the United States, Israel, and elsewhere. What made them leave their motherland this time around? What country are they loyal to? And lastly, what is the reason for the Soviet anti-Semitism? The Fifth Record: Understanding the Last Jewish Exodus is about the people in quest of a better destiny and a principle fiber of community with a split identity. Historical and social conditions of the twentieth century have formed the distinct culture of Soviet Jews - an educated, ambitious, secular, and yet conservative people. A combination of personal experience, focused observations, and subjective reflections about people of the last exodus determined the substance of the book. The book depicts the realities surrounded Russian Jews before and after their last wave of exodus. It outlines the ethical and cultural merits left behind in one world and found in another.
Over three thousand years separate the exodus of biblical Jews from the land of Egypt and the last wave of Jewish migrants to exit Russia. Today, hundreds of thousands of Russian Jews find themselves in the United States, Israel, and elsewhere. What made them depart this time around? What country are they loyal to? And finally, who is a Russian Jew? The Long Lasting Journey is about a people in quest of a better destiny. The story is written against the backdrop of dramatic political developments in two world superpowers in the second half of the twentieth century. Historical and social conditions of the past century have formed the distinct culture of Soviet Jews - an educated, ambitious, secular, and yet conservative people. For these people, the journey is a cultural integration to a new society - a society with a social order polar opposite from that of their own. It is also about the principle fiber of a people with a split identity. They are deeply rooted in Russian culture but maintain an elusive difference from the Russian majority; they consider themselves Jewish but are essentially distant from Judaism; they carry on an American way of life but their mind-set alienates them from the US mainstream. A mixture of personal divisive experiences, focused observations, and subjective reflections about these people of the last exodus determined the substance of this first person narrative. The Long Lasting Journey outlines the cultural merits left behind in one world and found in another.
Over three thousand years separate the exodus of biblical Jews from the land of Egypt and the last wave of Jewish migrants to exit Russia. Today, hundreds of thousands of Russian Jews find themselves in the United States, Israel, and elsewhere. What made them depart this time around? What country are they loyal to? And finally, who is a Russian Jew? The Long Lasting Journey is about a people in quest of a better destiny. The story is written against the backdrop of dramatic political developments in two world superpowers in the second half of the twentieth century. Historical and social conditions of the past century have formed the distinct culture of Soviet Jews - an educated, ambitious, secular, and yet conservative people. For these people, the journey is a cultural integration to a new society - a society with a social order polar opposite from that of their own. It is also about the principle fiber of a people with a split identity. They are deeply rooted in Russian culture but maintain an elusive difference from the Russian majority; they consider themselves Jewish but are essentially distant from Judaism; they carry on an American way of life but their mind-set alienates them from the US mainstream. A mixture of personal divisive experiences, focused observations, and subjective reflections about these people of the last exodus determined the substance of this first person narrative. The Long Lasting Journey outlines the cultural merits left behind in one world and found in another.
A tour de force of biography, history, politics, philosophy and experimental science' ECONOMIST The remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. 'Wonderfully rich and informative ... a rare achievement' Tom Holland 'Fascinating' Lucy Moore 'An ingenious and fluent overview of extraordinary men at an extraordinary moment, with St Paul's standing as its symbolic heart' SUNDAY TELEGRAPH Opening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, THE PHOENIX charts the lives and works of five extraordinary men, who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke and the builder, Nicholas Barbon. At the heart of the story is the rebuilding of London's iconic cathedral, St Paul's. Interweaving science, architecture, history and philosophy, THE PHOENIX tells the story of the formation of the first modern city.
By the middle of the seventeenth century, London was on the verge of collapse. Its ancient infrastructure could no longer support its explosive growth; the English Civil War had torn society apart; and in 1665 the capital was struck by a plague that claimed 100,000 lives. And then, the following year, the Great Fire destroyed huge swaths of the city. As Leo Hollis recounts in his stirring history of the period, modern London was born out of this crucible. Among the catalysts for this rebirth were five extraordinary men, each deeply influenced by the Civil War, whose intersecting lives form the heart of London Rising: famed philosopher John Locke, whose ideas about the individual would outline a new theory of civil society based on natural rights; diarist John Evelyn, who insightfully chronicled the tumult and transformation before him; the polymathic scientist and architect Robert Hooke; developer Nicholas Barbon, who rebuilt much of the city after the fire; and Christoper Wren, astronomer, geometer, and the greatest English architect of his time, whose reconstruction of St. Paul's Cathedral was the essential symbol of London's rebirth. The city today is in great part the result of the myriad advances in literature, planning, science, and social issues forged by these five. Hollis paints a vibrant portrait of one of the world's greatest cities, and of a generation of men whose impact on London is unmatched.
The fifth and final volume in the Essays by Leo Steinberg series, focusing on modern artists. Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to modern art, he combined scholarly erudition with eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis that were always put into the service of interpretation. Following the series publication on Pablo Picasso, this volume focuses on other modern artists, including Cézanne, Monet, Matisse, Max Ernst, Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Hans Haacke, and Jeff Koons. Included are seven unpublished lectures and essays, Steinberg’s landmark essay “Encounters with Rauschenberg,” a survey of twentieth-century sculpture, and an examination of the role of authorial predilections in critical writing. The final chapter presents a collection of Steinberg’s humorous pieces, witty forays penned for his own amusement. Modern Art is the fifth and final volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis, but always put into the service of interpretation. This volume begins and ends with thematic essays on two fundamental precepts of Steinberg’s art history: how dependence on textual authority mutes the visual truths of images and why artists routinely copy or adapt earlier artworks. In between are fourteen chapters on masterpieces of renaissance and baroque art, with bold and enlightening interpretations of works by Mantegna, Filippo Lippi, Pontormo, El Greco, Caravaggio, Steen and, finally, Velázquez. Four chapters are devoted to some of Velázquez’s best-known paintings, ending with the famously enigmatic Las Meninas. Renaissance and Baroque Art is the third volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
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