A biography of Walter French, the only man who played for both a World Series winner and NFL Championship team. Before Bo Jackson and Deion Sanders, there were only nineteen men, throughout history, who played in the Major Leagues of baseball and in the National Football League, in the same season. Only one man from that group, Walter French, can lay claim to having played for a World Series winner and an NFL Championship team. In 1925, he starred for the Pottsville (PA) Maroons in their win over the Chicago Cardinals, in what was believed to be the NFL championship game, only to see the title stripped by a league office decision, a controversial move still being argued about today. Then in 1929, he was on the Philadelphia Athletics when they beat the Chicago Cubs in five games to win the World Series. Walter E. French was born in Moorestown, New Jersey in 1899 and he just might have been the best, but least known, all-around athlete to emerge from the decade of the 1920s, commonly referred to as the “Golden Age of Sports.” One analyst ranked him as the fastest man in football at the time, even placing him ahead of Red Grange. Although his exploits have dropped from the consciousness of all but the most ardent of sports fans in the last one hundred years, in his day, he was constantly in the news. He played with and against the biggest stars the decade of the 1920s had to offer, including Babe Ruth, Lou Gehrig, Walter Johnson, Ty Cobb, and twenty-seven other ballplayers who would eventually wind up in the Baseball Hall of Fame. In football, he went up against the likes of Notre Dame’s George Gipp, the “Four Horsemen,” Curly Lambeau, Geoge Halas, Ira “Buck” Rogers and many more. The top sports writers of his day, from Grantland Rice to Ed Sullivan, made regular mention of him in their columns. Other well-known figures from the period such as Paul Robeson, Knute Rockne, Connie Mack, and General Douglas MacArthur are part of his journey as well, and make appearances in this book.
A biography of Walter French, the only man who played for both a World Series winner and NFL Championship team. Before Bo Jackson and Deion Sanders, there were only nineteen men, throughout history, who played in the Major Leagues of baseball and in the National Football League, in the same season. Only one man from that group, Walter French, can lay claim to having played for a World Series winner and an NFL Championship team. In 1925, he starred for the Pottsville (PA) Maroons in their win over the Chicago Cardinals, in what was believed to be the NFL championship game, only to see the title stripped by a league office decision, a controversial move still being argued about today. Then in 1929, he was on the Philadelphia Athletics when they beat the Chicago Cubs in five games to win the World Series. Walter E. French was born in Moorestown, New Jersey in 1899 and he just might have been the best, but least known, all-around athlete to emerge from the decade of the 1920s, commonly referred to as the “Golden Age of Sports.” One analyst ranked him as the fastest man in football at the time, even placing him ahead of Red Grange. Although his exploits have dropped from the consciousness of all but the most ardent of sports fans in the last one hundred years, in his day, he was constantly in the news. He played with and against the biggest stars the decade of the 1920s had to offer, including Babe Ruth, Lou Gehrig, Walter Johnson, Ty Cobb, and twenty-seven other ballplayers who would eventually wind up in the Baseball Hall of Fame. In football, he went up against the likes of Notre Dame’s George Gipp, the “Four Horsemen,” Curly Lambeau, Geoge Halas, Ira “Buck” Rogers and many more. The top sports writers of his day, from Grantland Rice to Ed Sullivan, made regular mention of him in their columns. Other well-known figures from the period such as Paul Robeson, Knute Rockne, Connie Mack, and General Douglas MacArthur are part of his journey as well, and make appearances in this book.
THE NEW YORK TIMES BESTSELLER “I see my story as a suite of songs that have a magical connection.” Let Love Rule is a work of deep reflection. Lenny Kravitz looks back at his life with candor, self-scrutiny, and humor. “My life is all about opposites,” he writes. “Black and white. Jewish and Christian. The Jackson 5 and Led Zeppelin. I accepted my Gemini soul. I owned it. I adored it. Yins and yangs mingled in various parts of my heart and mind, giving me balance and fueling my curiosity and comfort.” Let Love Rule covers a vast canvas stretching from Manhattan’s Upper East Side, Brooklyn’s Bedford-Stuyvesant, Los Angeles’s Baldwin Hills and Beverly Hills, and finally to France, England, and Germany. It’s the story of a wildly creative kid who, despite tough struggles at school and extreme tension at home, finds salvation in music. We see him grow as a musician and ultimately become a master songwriter, producer, and performer. We also see Lenny’s spiritual growth—and the powerful way in which spirit informs his music. The cast of characters surrounding Lenny is extraordinary: his father, Sy, a high-powered news executive; his mother, Roxie Roker, a television star; and Lisa Bonet, the young actress who becomes his muse. The central character, of course, is Lenny, who, despite his great aspirational energy, turns down record deal after record deal until he finds his true voice. The creation of that voice, the same voice that is able to declare “Let Love Rule” to an international audience, is the very heart of this story. “Whether recording, performing, or writing a book,” says Lenny, “my art is about listening to the inspiration inside and then sharing it with people. Art must bring the world closer together.”
The first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.
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