The first major behind-the-scenes account of the history, passage, and impact of the Americans with Disabilities Act (ADA)—the landmark moment for disability rights The Americans with Disabilities Act (ADA) is the widest-ranging and most comprehensive piece of civil rights legislation ever passed in the United States, and it has become the model for disability-based laws around the world. Yet the surprising story behind how the bill came to be is little known. In this riveting account, acclaimed disability scholar Lennard J. Davis delivers the first on-the-ground narrative of how a band of leftist Berkeley hippies managed to make an alliance with upper-crust, conservative Republicans to bring about a truly bipartisan bill. Based on extensive interviews with all the major players involved including legislators and activists, Davis recreates the dramatic tension of a story that is anything but a dry account of bills and speeches. Rather, it’s filled with one indefatigable character after another, culminating in explosive moments when the hidden army of the disability community stages scenes like the iconic “Capitol Crawl” or an event when students stormed Gallaudet University demanding a “Deaf President Now!” From inside the offices of newly formed disability groups to secret breakfast meetings surreptitiously held outside the White House grounds, here we meet countless unsung characters, including political heavyweights and disability advocates on the front lines. “You want to fight?” an angered Ted Kennedy would shout in an upstairs room at the Capitol while negotiating the final details of the ADA. Congressman Tony Coelho, whose parents once thought him to be possessed by the devil because of his epilepsy, later became the bill’s primary sponsor. There’s Justin Dart, adorned in disability power buttons and his signature cowboy hat, who took to the road canvassing 50 states, and people like Patrisha Wright, also known as “The General,” Arlene Myerson or “the brains,” “architect” Bob Funk, and visionary Mary Lou Breslin, who left the hippie highlands of the West to pursue equal rights in the marble halls of DC.
Since its publication, the first edition of Fingerprints and Other Ridge Skin Impressions has become a classic in the field. This second edition is completely updated, focusing on the latest technology and techniques—including current detection procedures, applicable processing and analysis methods—all while incorporating the expansive growth of literature on the topic since the publication of the original edition. Forensic science has been challenged in recent years as a result of errors, courts and other scientists contesting verdicts, and changes of a fundamental nature related to previous claims of infallibility and absolute individualization. As such, these factors represent a fundamental change in the way training, identifying, and reporting should be conducted. This book addresses these questions with a clear viewpoint as to where the profession—and ridge skin identification in particular—must go and what efforts and research will help develop the field over the next several years. The second edition introduces several new topics, including Discussion of ACE-V and research results from ACE-V studies Computerized marking systems to help examiners produce reports New probabilistic models and decision theories about ridge skin evidence interpretation, introducing Bayesnet tools Fundamental understanding of ridge mark detection techniques, with the introduction of new aspects such as nanotechnology, immunology and hyperspectral imaging Overview of reagent preparation and application Chapters cover all aspects of the subject, including the formation of friction ridges on the skin, the deposition of latent marks, ridge skin mark identification, the detection and enhancement of such marks, as well the recording of fingerprint evidence. The book serves as an essential reference for practitioners working in the field of fingermark detection and identification, as well as legal and police professionals and anyone studying forensic science with a view to understanding current thoughts and challenges in dactyloscopy.
Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.
The dramatic story of explorer Douglas Mawson and "the most outstanding solo journey ever recorded in Antarctic history" (Sir Edmund Hillary, mountaineer and explorer) For weeks in Antarctica, Douglas Mawson faced some of the most daunting conditions ever known to man: blistering wind, snow, and cold; the loss of his companion, dogs, supplies, and even the skin on his hands and feet. But despite constant thirst, starvation, disease, and snow blindness—he survived. Sir Douglas Mawson is remembered as the young Australian who would not go to the South Pole with Robert Scott in 1911. Instead, he chose to lead his own expedition on the less glamorous mission of charting nearly 1,500 miles of Antarctic coastline and claiming its resources for the British Crown. His party of three set out through the mountains across glaciers in 60-mile-per-hour winds. Six weeks and 320 miles out, one man fell into a crevasse—along with the tent, most of the equipment, the dogs' food, and all except a week's supply of the men's provisions. Mawson's Will is the unforgettable story of one man's ingenious practicality, unbreakable spirit, and how he continued his meticulous scientific observations even in the face of death. When the expedition was over, Mawson had added more territory to the Antarctic map than anyone else of his time. Thanks to Bickel's moving account, Mawson can be remembered for the vision and dedication that make him one of the world's great explorers.
Sir Edmund Hillary described Douglas Mawson’s epic and punishing journey across 600 miles of unknown Antarctic wasteland as ‘the greatest story of lone survival in polar exploration’. This Accursed Land tells that story; how Mawson declined to join Captain Robert Scott’s ill-fated British expedition and instead lead a three-man husky team to explore the far eastern coastline of the Antarctic continent. But the loss of one member and most of the supplies soon turned the hazardous trek into a nightmare. Mawson was trapped 320 miles from base with barely nine days’ food and nothing for the dogs. Eating poisoned meat, watching his body fall apart, crawling over chasms and crevices of deadly ice, his ultimate and lone struggle for survival, starving, poisoned, exhausted and indescribably cold, is an unforgettable story of human endurance. Grippingly told by Lennard Bickel, this is the most extraordinary journey from the brutal golden age of Antarctic exploration. Perfect for fans of Jon Krakauer’s Into Thin Air or Michael Palin’s Erebus.
Considers how dangerous beasts in horror films illuminate the human-animal relationship. It’s always been a wild world, with humans telling stories of killer animals as soon as they could tell stories at all. Movies are an especially popular vehicle for our fascination with fierce creatures. In Brute Force, Dominic Lennard takes a close look at a range of cinematic animal attackers, including killer gorillas, sharks, snakes, bears, wolves, spiders, and even a few dinosaurs. Lennard argues that animal horror is not so much a focused genre as it is an impulse, tapping into age-old fears of becoming prey. At the same time, these films expose conflicts and uncertainties in our current relationship with animals. Movies considered include King Kong, Jaws, The Grey, Them!, Arachnophobia, Jurassic Park, Snakes on a Plane, An American Werewolf in London, and many more. Drawing on insights from film studies, art history, cognitive science, and evolutionary psychology, Brute Force is an engaging critical exploration—and appreciation—of cinema’s many bad beasts. “The brilliance of Dominic Lennard’s Brute Force is not only that it is long overdue, but one didn’t realize it was due in the first place! Yet upon reflection and, of course, through Lennard’s engaging book, one realizes not only the ubiquity of animals in horror, but their utter centrality to so many classic horror films. In reading this, we can hear the distant rumble of footsteps of a genetically reborn Tyrannosaurus or the hurried pounding of our beloved Rover who has decided that he wants more than kibbles and bits for dinner—and we look mighty appetizing. ‘Groundbreaking’ is often overused, but in this case it truly fits.” — David Desser, coeditor of Tough Ain’t Enough: New Perspectives on the Films of Clint Eastwood
A historically informed and informing study guide to of Scott's four great novels of British India - The Jewel in the Crown, The Day of the Scorpion, The Towers of Silence, A Division of the Spoils - and of the popular coda, Staying On. The book covers Paul Scott's Life and works, the British Raj, imperial decay, civil and military India, the Indian independence movement, the birth of India and Pakistan, Ghandi, Jinnah, Congress and the Muslim League, the characters of the novel, especially Edwina Crane, Daphne Manners, Ronald Merrick and Hari Kumar.John Lennard's The Poetry Handbook (OUP, 1996; 2/e 2005), with Mary Luckhurst The Drama Handbook (OUP, 2002), and Of Modern Dragons and other essays on Genre Fiction (HEB, 2007). He is General Editor of HEB's Genre Fiction Sightlines and Monographs series, for which he has written on Reginald Hill, Walter Mosley, Octavia E. Butler, Ian McDonald, and Tamora Pierce. For Literature Insights he has also written on Shakespeare's Hamlet and Nabokov's Lolita.
Through a series of penetrating conversations originally published in the New York Times and the Los Angeles Review of Books, Brad Evans and Natasha Lennard talk with a wide range of cutting edge thinkers--including Oliver Stone, Simon Critchley, and Elaine Scarry--to explore the problem of violence in everyday life, politics, culture, media, language, memory, and the environment. "To bring out the best of us," writes Evans, "we have to confront the worst of what humans are capable of doing to one another. In short, there is a need to confront the intolerable realities of violence in this world." These lively, in-depth exchanges among historians, theorists, and artists offer a timely and bracing look at how the increasing expression and acceptance of violence--in all strata of society--has become a defining feature of our times. "Many of us live today with a pervasive sense of unease, worried that our own safety is at risk, or that of our loved ones, or that of people whose bad circumstances appear to us through networked media. Violence feels ever-present. Natasha Lennard and Brad Evans help us to analyze those feelings, talking with a wide range of thinkers in order to gain insight into the worst of what humans do, and challenging us to imagine a world in which violence is no longer a given. Their book is full of surprising insights and intelligent compassion."--Sarah Leonard, co-editor of The Future We Want: Radical Ideas for the New Century "In Violence, Brad Evans and Natasha Lennard have created, alongside their interview subjects, a kaleidoscopic exploration of the concept of violence, in terrains expected and not, in prose taut and unexpectedly gorgeous. Their philosophical rigor provides the reader with an intellectual arsenal against the violence of the current moment."--Molly Crabapple, author of Drawing Blood "We would be wise to read this collection with a similar eye toward service, and in so doing, open ourselves up to the rare mercy of no longer having to stand on our own."--Alana Massey, author of All The Lives I Want "The range of interviews with leading academics, to filmmakers and artists, is impressive, at once immediate and relevant, but also profoundly philosophical. More essentially, though, the conversations underline the need and suggest ways to resist and organize in a visionary way, in the extraordinary times we live in."--Razia Iqbal, BBC News "Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence. . . . A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past."--Kirkus Reviews "The purpose of the work is to challenge humanity to create more meaningful solutions when it comes to these kinds of violence--or at least to name violence without inadvertently inciting even more anger. . . . passion roars through every chapter . . . This book delivers on what it promises, which is an achievement. "--Alison Gately, The Los Angeles Review of Books "If you wish to read the intellectualization of violence, Violence is a phenomenal anthology. . . . Brad Evans and Natasha Lennard, the interviewers and the 'authors' of the anthology, have done a remarkable job in bringing together perceptive and intelligent contributors from various fields to scout the reaches of violence. Their piercing questions brought out brilliant responses from the interviewees."--L. Ali Khan, New York Journal of Books "Violence: Humans in Dark Times is an intriguing beginning to a much-needed sustained intellectual and aesthetic response to the horrors of modern times."—Zoe Vorsino
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