The sixty poems collected in Beach Synchronization are set either on the ocean, or on the beach, or in transit to or from the beach or, finally, in the mind of the narrator when he is simply thinking about the beach and the ocean. The first person narrator of these poems is the poet. This suggests what is indeed fact, that the poet has spent a great deal of time enjoying the many beautiful beaches along the west central Florida coast. However, while the beach is often beautiful, anyone who has spent any time near or on the ocean knows marine weather can be harsh, even life-threatening. Indeed, the beach is an arena where dramas of life and death are played out daily. To truly appreciate the shore and the ocean, then, one must respect the marine environment and the lessons it has to teach us. One must, in other words, be in synch with the various moods of the sea and nature. The poems herein are loosely organized around the premise that the moods of the sea and marine weather have their various rhythms. An overarching theme of the poems is that one who is in tune with the rhythms of marine life will find himself or herself in communion with a transcendent reality. In other words, one who is synchronized to the natural world is likely to feel that the world of the senses is not the only world. In many of the poems in this collection, the narrator is overcome with a premonition or an inkling that the world he knows with his senses provides evidence of a higher reality, a reality in which the significance of his human experience whatever it has been -- will become fully clear and will be justified.
People Matter: Sarasota Portraits & Others is a collection of poems, most of which describe individuals. These descriptions are often presented by an omniscient third-person narrator who is familiar with the subjects history, present circumstances and personal thoughts and feelings. In other instances, however, the poem may be a steam-of-conscious presentation of the subjects thoughts and feelings. For this reason, these poems are called portraits. These portraits, however, describe the psychological and emotional states of the subject characters. The first section of the collection presents sixteen poems focused distinctly on types of individual the author observed residing in Sarasota and its northern neighbor Bradenton, Florida. The people described are of various ages, backgrounds and occupations and, together, they suggest at least the outlines of a community. The focus of the second section of 26 poems is more general in nature, presenting figures of historical or cultural significance from ancient to contemporary times such as the Roman emperor Hadrian, the artist Vincent Van Gogh, the English novelist Thomas Hardy and entertainers Rosemary Clooney and Madonna. These portraits are supplemented by poems which consider in a general way human nature and the human condition. The overriding theme of all the poems is the significance of the individual human life. Contemporary Western culture often gives lip service only to the dignity and value of the individual. This collection asserts that, in fact, people matter, that people are more important than money or power.
An historical narrative of epic scope, An American Passion is a story of adventure, political intrigue, war, and romance set on the Northern Plains during the last several decades of the Nineteenth Century. While faithfully adhering to the sketchy and often contradictory historical record, the epic offers a vivid, imaginatively realized account of the life of the mysterious Crazy Horse, legendary war chief of the Lakota Sioux. A man who typically let his actions do his speaking for him and who died young, assassinated at the hands of the U.S. Government in his mid-thirties, Crazy Horse's story is related by five different narrators. An American Passion opens with a prologue spoken by the Missouri River, the mighty river of the Great Plains. With the historical context established, Crazy Horse's life, from his birth to his death little more than a year following his great victory over George Armstrong Custer at the Little Big Horn, is related retrospectively by his grieving father Worm, a notable medicine man of the tribe. The net major section of the epic is narrated by the woman for whom Crazy Horse risked his life and the welfare of his people. Black Buffalo Woman's tale is a tragedy in the vein of Romeo and Juliet's. Unlike the story of Shakespeare's fallen lovers, however, the love story of Crazy Horse and Black Buffalo Woman has never been related in its full, gripping complexity as it is in An American Passion. Amazingly, after his nearly fatal attempt to take Black Buffalo Woman as his wife Crazy Horse went on to marry, and the third major narration of An American Passion is that of Black Shawl, his fiercely loyal and devoted widow and the mother of his only known child. Telling her story at about the time Sitting Bull was returning to the reservation after having been released from prison by the U.S. Government, a bitter but not a hopeless woman, Black Shawl focuses on the early death of her daughter by Crazy Horse and on her final days in captivity with Crazy Horse. The epic concludes with the account of He Dog, a loyal friend of Crazy Horse, having fought beside him throughout his days as the greatest warrior among the Sioux. He Dog lived to be nearly a hundred years old and served as a respected judge in the Indian courts on the reservation. Told from the vantage point of 1910, some 33 years after the killing of Crazy Horse, He Dog's narration is largely a tribute to his friend, a consideration of the differences in character and temperament between himself and Crazy Horse, and an elegy to what might have been and, perhaps, may some day yet be. In the depth and breadth of its portrayal of major figures in Crazy Horse's life who are little more than footnotes in the historical record, and in the insight it offers into the heart and mind of a great and complicated man, a man who lived and died, ultimately, as an enigma even to the people who revered (and revere) him, An American Passion is a unique, emotionally engaging account of the final days of the resistance of the Native Americans of the Northern Plains to that juggernaut of forces which, having achieved its objective, destroyed a culture, though not a people.
The seven acts of the drama The First Day are set in the Kingdom of the Great Spirit as this Kingdom might have been imagined by Crazy Horse, the legendary war chief of the Lakota Sioux who was assassinated by the U.S. government in 1877, after he had surrendered. The action occurs on January 5, 1960 when Crazy Horse welcomes the French philosopher and writer Albert Camus to the Kingdom. Camus had been killed in an automobile accident the night before. Following introductions, the two begin a walk that lasts from dawn to dusk and traverses a variety of landscapes. Periodically they stop to converse with others in the Kingdom. These include Native Americans Chief Joseph and Chief Seattle, Jesus, and the poets Emily Dickinson, Walt Whitman and Federico Garcia Lorca. Walt Whitman is accompanied by a young friend named Jimmy, and Jesus finds himself leading a band of some twenty children. The travelers discuss various subjects, personal, historical and philosophical. Their principal interest, however, is the mysterious Almighty Power whose grace makes possible their eternal life. Considering this mystery, they also discuss justice and injustice among mortals, why men who struggled to do good often suffered at the hands of those who did evil, and whether poets and poetry are an influence for good in the affairs of mortals. At the end of the day, having bid good day to their fellow travelers and sitting on a mountain ledge overlooking expansive valleys as the night sky is illuminated by an astounding show of lights, Crazy Horse and Camus are joined by Socrates. Socrates explains why it is no evil on Earth can ultimately hurt a virtuous person and how it is the Almighty is revealed to humans during their mortal lives.
Mariah Cass preaches objective positivism, believing that Western culture generally undermines the self-interest which motivates the rational individual. Though married, Mariah has an affair with Trey Heyward, thirty years younger than she. A disciple of objective positivism, he is a willing lover. However, Trey becomes enamored of Samantha Burnham. This infuriates Mariah, who ultimately fires Trey. Sammie's father is furious. His anger is aggravated when Sammie becomes involved with Eddie Hernandez. When Sammie refuses to stop seeing Eddie, her father ceases to support her financially. Three practitioners of objective positivism are thwarted. Sammie and Eddie, however, appear on the verge of a happy future, together.
People Matter: Sarasota Portraits & Others is a collection of poems, most of which describe individuals. These descriptions are often presented by an omniscient third-person narrator who is familiar with the subject's history, present circumstances and personal thoughts and feelings. In other instances, however, the poem may be a steam-of-conscious presentation of the subject's thoughts and feelings. For this reason, these poems are called portraits. These portraits, however, describe the psychological and emotional states of the subject characters. The first section of the collection presents sixteen poems focused distinctly on types of individual the author observed residing in Sarasota and its northern neighbor Bradenton, Florida. The people described are of various ages, backgrounds and occupations and, together, they suggest at least the outlines of a community. The focus of the second section of 26 poems is more general in nature, presenting figures of historical or cultural significance from ancient to contemporary times such as the Roman emperor Hadrian, the artist Vincent Van Gogh, the English novelist Thomas Hardy and entertainers Rosemary Clooney and Madonna. These portraits are supplemented by poems which consider in a general way human nature and the human condition. The overriding theme of all the poems is the significance of the individual human life. Contemporary Western culture often gives lip service only to the dignity and value of the individual. This collection asserts that, in fact, people matter, that people are more important than money or power.
An historical narrative of epic scope, An American Passion is a story of adventure, political intrigue, war, and romance set on the Northern Plains during the last several decades of the Nineteenth Century. While faithfully adhering to the sketchy and often contradictory historical record, the epic offers a vivid, imaginatively realized account of the life of the mysterious Crazy Horse, legendary war chief of the Lakota Sioux. A man who typically let his actions do his speaking for him and who died young, assassinated at the hands of the U.S. Government in his mid-thirties, Crazy Horse's story is related by five different narrators. An American Passion opens with a prologue spoken by the Missouri River, the mighty river of the Great Plains. With the historical context established, Crazy Horse's life, from his birth to his death little more than a year following his great victory over George Armstrong Custer at the Little Big Horn, is related retrospectively by his grieving father Worm, a notable medicine man of the tribe. The net major section of the epic is narrated by the woman for whom Crazy Horse risked his life and the welfare of his people. Black Buffalo Woman's tale is a tragedy in the vein of Romeo and Juliet's. Unlike the story of Shakespeare's fallen lovers, however, the love story of Crazy Horse and Black Buffalo Woman has never been related in its full, gripping complexity as it is in An American Passion. Amazingly, after his nearly fatal attempt to take Black Buffalo Woman as his wife Crazy Horse went on to marry, and the third major narration of An American Passion is that of Black Shawl, his fiercely loyal and devoted widow and the mother of his only known child. Telling her story at about the time Sitting Bull was returning to the reservation after having been released from prison by the U.S. Government, a bitter but not a hopeless woman, Black Shawl focuses on the early death of her daughter by Crazy Horse and on her final days in captivity with Crazy Horse. The epic concludes with the account of He Dog, a loyal friend of Crazy Horse, having fought beside him throughout his days as the greatest warrior among the Sioux. He Dog lived to be nearly a hundred years old and served as a respected judge in the Indian courts on the reservation. Told from the vantage point of 1910, some 33 years after the killing of Crazy Horse, He Dog's narration is largely a tribute to his friend, a consideration of the differences in character and temperament between himself and Crazy Horse, and an elegy to what might have been and, perhaps, may some day yet be. In the depth and breadth of its portrayal of major figures in Crazy Horse's life who are little more than footnotes in the historical record, and in the insight it offers into the heart and mind of a great and complicated man, a man who lived and died, ultimately, as an enigma even to the people who revered (and revere) him, An American Passion is a unique, emotionally engaging account of the final days of the resistance of the Native Americans of the Northern Plains to that juggernaut of forces which, having achieved its objective, destroyed a culture, though not a people.
The sixty poems collected in Beach Synchronization are set either on the ocean, or on the beach, or in transit to or from the beach or, finally, in the mind of the narrator when he is simply thinking about the beach and the ocean. The first person narrator of these poems is the poet. This suggests what is indeed fact, that the poet has spent a great deal of time enjoying the many beautiful beaches along the west central Florida coast. However, while the beach is often beautiful, anyone who has spent any time near or on the ocean knows marine weather can be harsh, even life-threatening. Indeed, the beach is an arena where dramas of life and death are played out daily. To truly appreciate the shore and the ocean, then, one must respect the marine environment and the lessons it has to teach us. One must, in other words, be in synch with the various moods of the sea and nature. The poems herein are loosely organized around the premise that the moods of the sea and marine weather have their various rhythms. An overarching theme of the poems is that one who is in tune with the rhythms of marine life will find himself or herself in communion with a transcendent reality. In other words, one who is synchronized to the natural world is likely to feel that the world of the senses is not the only world. In many of the poems in this collection, the narrator is overcome with a premonition or an inkling that the world he knows with his senses provides evidence of a higher reality, a reality in which the significance of his human experience - whatever it has been -- will become fully clear and will be justified.
People Matter: Sarasota Portraits & Others is a collection of poems, most of which describe individuals. These descriptions are often presented by an omniscient third-person narrator who is familiar with the subjects history, present circumstances and personal thoughts and feelings. In other instances, however, the poem may be a steam-of-conscious presentation of the subjects thoughts and feelings. For this reason, these poems are called portraits. These portraits, however, describe the psychological and emotional states of the subject characters. The first section of the collection presents sixteen poems focused distinctly on types of individual the author observed residing in Sarasota and its northern neighbor Bradenton, Florida. The people described are of various ages, backgrounds and occupations and, together, they suggest at least the outlines of a community. The focus of the second section of 26 poems is more general in nature, presenting figures of historical or cultural significance from ancient to contemporary times such as the Roman emperor Hadrian, the artist Vincent Van Gogh, the English novelist Thomas Hardy and entertainers Rosemary Clooney and Madonna. These portraits are supplemented by poems which consider in a general way human nature and the human condition. The overriding theme of all the poems is the significance of the individual human life. Contemporary Western culture often gives lip service only to the dignity and value of the individual. This collection asserts that, in fact, people matter, that people are more important than money or power.
The seven acts of the drama The First Day are set in the Kingdom of the Great Spirit as this Kingdom might have been imagined by Crazy Horse, the legendary war chief of the Lakota Sioux who was assassinated by the U.S. government in 1877, after he had surrendered. The action occurs on January 5, 1960 when Crazy Horse welcomes the French philosopher and writer Albert Camus to the Kingdom. Camus had been killed in an automobile accident the night before. Following introductions, the two begin a walk that lasts from dawn to dusk and traverses a variety of landscapes. Periodically they stop to converse with others in the Kingdom. These include Native Americans Chief Joseph and Chief Seattle, Jesus, and the poets Emily Dickinson, Walt Whitman and Federico Garcia Lorca. Walt Whitman is accompanied by a young friend named Jimmy, and Jesus finds himself leading a band of some twenty children. The travelers discuss various subjects, personal, historical and philosophical. Their principal interest, however, is the mysterious Almighty Power whose grace makes possible their eternal life. Considering this mystery, they also discuss justice and injustice among mortals, why men who struggled to do good often suffered at the hands of those who did evil, and whether poets and poetry are an influence for good in the affairs of mortals. At the end of the day, having bid good day to their fellow travelers and sitting on a mountain ledge overlooking expansive valleys as the night sky is illuminated by an astounding show of lights, Crazy Horse and Camus are joined by Socrates. Socrates explains why it is no evil on Earth can ultimately hurt a virtuous person and how it is the Almighty is revealed to humans during their mortal lives.
The playing and post-playing careers of all 1,560 players who appeared in a major league box score between 1950 and 1959--the "golden age," many say--are profiled in this exhaustive work. From Aaron to Zuverink: this treasure-trove of anecdotes, many gathered from personal interviews, is full of historical facts, controversy, and trivia. Readers will be reminded, that Milwaukee Braves pitcher Humberto Robinson was asked by a gambler to fix a game against the Phillies (he refused), Joe Adcock chased Giants pitcher Ruben Gomez around the field with a bat, Bob Turley reached the top of the corporate ladder after his playing days, Casey Wise became an orthodontist, Bobby Brown became a heart surgeon and president of the AL, and that Chuck Conners became an actor. All of this and much more can be found here.
Five Generation of Descendants of Henry Clay Hendershot as they migrate from Ohio to Arkansas to Oklahoma during the Civil War and then Oklahoma land rush. Created by Family Book Creator through Family Tree Maker.
This book will interest clinicians who have wondered what professional practice would be like in the corporate setting and want to learn more about the psychological and organizational dynamics that 'drive' executive behavior. Based on the premise that leadership effectiveness is a function of both leader productivity and health, this book reviews the latest information and research data and offers case studies to illustrate specific strategies for maximizing executive health. Len Sperry has been consulting to executives and organizations for 30 years and has written numerous articles and several books on executives and workplace dynamics.
Explores the role of ETs in the military, government, technology, history, and the coming new age • Surveys contact with ETs, abductions, alien technology and exopolitics, genetic tampering by ETs, and the history behind the Nazis and UFOs • Contains interviews with Jesse Marcel, Michael Salla, Paul LaViolette, Robert Bauval, Helen Wambach, and others at the forefront of the ET-derived New Science movement The extraterrestrial presence on Earth is widening and, as we enter the Aquarian Age, will be admitted officially, causing shock and an urgent universal need to understand the social and technological changes derived from our space brothers. A primer for the explosive advances humanity will experience scientifically and spiritually in the coming years, this compendium explores the ET phenomenon and its influence on humanity past and present. The book surveys contact with ETs and abduction accounts, unexplained public and undisclosed military technology from aliens including anti-gravity devices, exopolitics (the influence of ETs in human affairs), the Iraqi Stargate, the Hybrid Project of alien interbreeding by abduction, Nazi ties to UFOS and their secret underground base in Antarctica, government cover-ups of alien interactions including Roswell, and the transformation triggered by the Hale-Bopp comet. Based on interviews with people who are witnessing the coming changes as well as those visionaries who are actually bringing them about--including John Mack, Major Jesse Marcel, Paul LaViolette, Robert Bauval, Michael Salla, and Helen Wambach--this book sketches out a breathtaking vision of the planetary revolution just around the corner.
Planning Armageddon provides the first detailed account of Britain's Command, Control, Intelligence and Communications infrastructure. A central theme of the book is the British-American atomic relationship and its implications for NATO strategy. Based on the recollections of officials and military officers in both Britain and the United States and
This wonderful and easy read helps new and future youth workers set patterns in life and ministry that will keep them whole and healthy, and away from burnout.
The Punisher literally kills the Marvel Universe in a classic tale by one of Frank Castle's signature writers, Garth Ennis! But don't worry, the MU is back for round two -- kind of -- in a post-apocalyptic war zone filled with cannibalistic super types. Plus: Bullets fly in some of Frank's best clashes with the costumes and capes! He'll come between old pals Luke Cage and Iron Fist, and gatecrash Spider-Man's volatile first meeting with Nightcrawler -- this ain't no team-up! Watch him make Spidey, Daredevil and Wolverine look like a Confederacy of Dunces, and prepare to be amazed when the Punisher takes on the Avengers! Yes, even Thor! Collecting PUNISHER KILLS THE MARVEL UNIVERSE, AMAZING SPIDER-MAN (1963) #161-162, HEROES FOR HIRE (1997) #9, PUNISHER (2001) #33-37, PUNISHER WAR ZONE (2012) #1-5 and MARVEL UNIVERSE VS. PUNISHER #1-4.
Is Being Pro-Choice a Sin? studies the wording in the Roman Catholic Church's official pronouncements, compares the related ambiguities and inconsistencies in the Church's official teachings regarding abortion, and brings to the forefront many yet unanswered questions about one of the most controversial issues of our time. Len Belter relies on his personal experience as a practicing Catholic as he shares a detailed examination of the human reproductive process, formal church documents, and natural law concepts. Intended for church bishops and others who share Belter's misgivings, Belter questions why every fertilized human egg existing outside a woman's womb must be considered of equivalent moral value as a born human. While detailing where clarification and change are needed within church doctrine, Belter delves into such topics as: Why the Church ignores that many fertilized human eggs are naturally shed The significance of the historical understanding of the "male seed" What role fertility treatments play in the church's position The alleged sin of cooperating with evil Is Being Pro-Choice a Sin? raises many reflective questions for those both within and outside the walls of the Catholic Church while encouraging a reduction in accusatory rhetoric and an open dialogue.
Experienced researchers and clinicians from a wide variety of theoretical background have come together to give a comprehensive analysis of couples diagnosed with major psychopathology, personality disorders, and social challenges. Bipolar disorder, panic disorder, psychosis, sexual disfunction, physical illness, narcissisistic/borderline diagnoses --these are among the common problems addressed in this text as the contributors tackle the complex task of assessment, offering definitions, interpretations, interventions and instructive case material along the way.
Based on a true story:My son Michael disappeared in 1980. He was sixteen. In 1989 the FBI informed me that a "e;lifer"e; had confessed to killing Michael and burying him in a swamp. I went to meet that prisoner near an alligator slide in the Alabama woods so he could lead us to where he had buried my son. This novel is the result of my journey there, looking for a corpse and finding lives ones. -- Len WilliamsBilly Ray Billings grew up dirt poor and tough, and he got into petty crime early on. When he's wrongly convicted of a fourth felony, he is sentenced to life, a victim of Alabama's three-strike law. In prison he meets an inmate who encourages him to take advantage of an education program, and he thrives on it. Yet his intellectual awakening fuels his ambitions and he dreams of escape. Seeing the story of a missing child on a milk carton, Billy Ray falsely confesses to burying the child in the swamp, and gets away while supposedly leading authorities to a grave.Beginning life anew as Harry Brown, he earns a law degree and achieves success, but he can't forget the two cops who framed him and nearly stole his life. That's when he and an old friend devise a complicated and daring strategy to get finally the justice that'd been deferred for many years.
Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, Westward Ho! starring a young John Wayne, who would stay with Republic for the next 17 years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as "The Thrill Factory." Occasionally, Republic would produce and distribute "A" features, such as Macbeth and The Quiet Man, but it was the "B" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of "B" Westerns, serials, dramas, series pictures and musicals. The Republic Pictures Checklist provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.
Molecular self-assembly is a widespread phenomenon in both chemistry and biochemistry. Yet it was not until the rise of supramolecular chemistry that attention has increasingly been given to the designed self-assembly of a variety of synthetic molecules and ions. To a large extent, success in this area has reflected knowledge gained from nature. However, an increased awareness of the latent steric and electronic information implanted in individual molecular components has also contributed to this success. Whilst not yet approaching the sophistication of biological assemblies, synthetic systems of increasing subtlety and considerable aesthetic appeal have been created. Self-Assembly in Supramolecular Systems surveys highlights of the progress made in the creation of discrete synthetic assemblies and provides a foundation for new workers in the area, as well as background reading for experienced supramolecular chemists.
If you're interested in learning about how to write, how to be a writer, or about the writing life in general, what greater resource and pleasure than frank, in-depth interviews with best-selling authors? In The Crime Interviews Volume One, Len Wanner interviews: Ian Rankin• Stuart MacBride• Karen Campbell• Neil Forsyth• Chris Brookmyre• Paul Johnston• Alice Thompson• Allan Guthrie• Louise Welsh So much more than a collection of writing tips, The Crime Interviews Volume One is brimming with pithy, witty and sometimes just plain weird revelations. It provides a unique and unforgettable insight into how authors think... and how they write. See also The Crime Interviews Volume Two and Volume Three. [Two Ravens Press published a previous edition of this book in 2011 under the title Dead Sharp: Scottish Crime Writers On Country And Craft] What they're saying.... This is fascinating reading and a real treat. A rare insight into the minds of a diverse group of crime writers, writing in one genre, living in proximity, but all with utterly different, individual voices."•-Peter James, author of Dead Like You "Len Wanner is the perfect interrogator, subtle, accommodating and incisive, and these interviews elicit many layers of deep, dark and vital intelligence."•-John Banville, author of The Sea•
Three Strikes, You're Dead is a tale ripped from today's headlines. The novel reveals a world where baseball, a pillar of American culture, is threatened by sinister forces. As a plethora of fentanyl overdose sweeps the nation, cases involving high school and college baseball players arouse the attention of Richard Moreland, a seasoned DEA agent now stationed in Seattle. Unsanctioned by his higher-ups, Moreland masterminds an ad hoc mission to investigate one apparent fountainhead of the drugs--Colombia's Winter League. Vic Jennings, an amateur umpire; Whitney Westin, a DEA agent who's already demonstrated a flair for undercover assignments, and Diego Leon, a Colombian crew chief umpire, uncover an international scheme that leads back to minor leagues in the U.S. Its ultimate ambition may threaten all of America's pastime.
Horizontal Augmentation of the Alveolar Ridge in Implant Dentistry: A Surgical Manual presents the four main methods of horizontal ridge augmentation in a clinically focused surgical manual. After an introductory section and requirements for dental implants, sections are devoted to each procedure: ridge-split, intraoral onlay block bone grafting, guided bone regeneration, and horizontal distraction osteogenesis. Chapters written by international experts in each augmentation procedure Step-by-step instruction for each technique More than 1,100 clinical photographs and illustrations
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