In this compelling, accessible examination of one of America's greatest cultural and literary figures, Robert Leigh Davis details the literary and social significance of Walt Whitman's career as a nurse during the American Civil War. Davis shows how the concept of "convalescence" in nineteenth-century medicine and philosophy—along with Whitman's personal war experiences—provide a crucial point of convergence for Whitman's work as a gay and democratic writer. In his analysis of Whitman's writings during this period—Drum-Taps, Democratic Vistas, Memoranda During the War, along with journalistic works and correspondence—Davis argues against the standard interpretation that Whitman's earliest work was his best. He finds instead that Whitman's hospital writings are his most persuasive account of the democratic experience. Deeply moved by the courage and dignity of common soldiers, Whitman came to identify the Civil War hospitals with the very essence of American democratic life, and his writing during this period includes some of his most urgent reflections on suffering, sympathy, violence, and love. Davis concludes this study with an essay on the contemporary medical writer Richard Selzer, who develops the implications of Whitman's ideas into a new theory of medical narrative.
ÒFaith cometh by hearingÓÑso said Saint Paul, and devoted Christians from Augustine to Luther down to the present have placed particular emphasis on spiritual arts of listening. In quiet retreats for prayer, in the noisy exercises of Protestant revivalism, in the mystical pursuit of the voices of angels, Christians have listened for a divine call. But what happened when the ear tuned to GodÕs voice found itself under the inspection of Enlightenment critics? This book takes us into the ensuing debate about Òhearing thingsÓÑan intense, entertaining, even spectacular exchange over the auditory immediacy of popular Christian piety. The struggle was one of encyclopedic range, and Leigh Eric Schmidt conducts us through natural histories of the oracles, anatomies of the diseased ear, psychologies of the unsound mind, acoustic technologies (from speaking trumpets to talking machines), philosophical regimens for educating the senses, and rational recreations elaborated from natural magic, notably ventriloquism and speaking statues. Hearing Things enters this labyrinthÑall the new disciplines and pleasures of the modern earÑto explore the fate of Christian listening during the Enlightenment and its aftermath. In SchmidtÕs analysis the reimagining of hearing was instrumental in constituting religion itself as an object of study and suspicion. The mysticÕs ear was hardly lost, but it was now marked deeply with imposture and illusion.
This collection represents a serious re-examination of existing work on the Aboriginal history of nineteenth-century Victoria, deploying the insights of postcolonial thought to wrench open the inner workings of territorial expropriation and its historically tenacious variability. Colonial historians have frequently asserted that the management and control of Aboriginal people in colonial Victoria was historically exceptional; by the end of the century, colonies across mainland Australia looked to Victoria as a ‘model’ for how to manage the problem of Aboriginal survival. This collection carefully traces the emergence and enactment of this ‘model’ in the years after colonial separation, the idiosyncrasies of its application and the impact it had on Aboriginal lives. It is no exaggeration to say that the work on colonial Victoria represented here is in the vanguard of what we might see as a ‘new Australian colonial history’. This is a quite distinctive development shaped by the aftermath of the history wars within Australia and through engagement with the ‘new imperial history’ of Britain and its empire. It is characterised by an awareness of colonial Australia’s positioning within broader imperial circuits through which key personnel, ideas and practices flowed, and also by ‘local’ settler society’s impact upon, and entanglements with, Aboriginal Australia. The volume heralds a new, spatially aware, movement within Australian history writing. – Alan Lester This is a timely, astutely assembled and well nuanced collection that combines theoretical sophistication with empirical solidity. Theoretically, it engages knowledgeably but not uncritically with a broad range of influences, including postcolonialism, the new imperial history, settler colonial studies and critical Indigenous studies. Empirically, contributors have trawled an impressive array of archival sources, both standard and relatively unknown, bringing a fresh eye to bear on what we thought we knew but would now benefit from reconsidering. Though the collection wears its politics openly, it does so lightly and without jeopardising fidelity to its sources. – Patrick Wolfe
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