A history of contemporary Kuwait as seen through the life of an individual Kuwaiti. This book reviews and analyzes the modern history of Kuwait through the life of Abd al-Aziz Sa‘ud al-Babtain, a wealthy businessman, philanthropist, and poet. He is the head of a large, influential international cultural foundation based in Kuwait City. Abd al-Aziz’s life story tightly interweaves with modern discussions on the history of the state of Kuwait. There are very few books taking a collective grip on the history of the state of Kuwait. Likewise, there are very few studies about the generation of Gulf individuals who experienced, benefitted from, and even suffered from the discovery of oil, and who has been a crucial part of socioeconomic and cultural developments in countries like Kuwait in recent history. By constructing a cohesive overview of the modern history of Kuwait enriched by the life of an individual that has lived through the better part of that particular history, this book fills a lacuna in contemporary scholarship on the Middle East, and especially the Arabian or the Persian Gulf.
A history of contemporary Kuwait as seen through the life of an individual Kuwaiti. This book reviews and analyzes the modern history of Kuwait through the life of Abd al-Aziz Sa‘ud al-Babtain, a wealthy businessman, philanthropist, and poet. He is the head of a large, influential international cultural foundation based in Kuwait City. Abd al-Aziz’s life story tightly interweaves with modern discussions on the history of the state of Kuwait. There are very few books taking a collective grip on the history of the state of Kuwait. Likewise, there are very few studies about the generation of Gulf individuals who experienced, benefitted from, and even suffered from the discovery of oil, and who has been a crucial part of socioeconomic and cultural developments in countries like Kuwait in recent history. By constructing a cohesive overview of the modern history of Kuwait enriched by the life of an individual that has lived through the better part of that particular history, this book fills a lacuna in contemporary scholarship on the Middle East, and especially the Arabian or the Persian Gulf.
From a master of Scandinavian crime fiction--the first in a brilliant series of novels centered around the investigations of one irascible, obdurate, and very thirsty Swedish police officer: Detective Superintendent Evert Bäckström of the National Murder Squad. Detective Bäckström is Persson's persistently repulsive yet undeniably brilliant comic creation--an unforgettable cop winding his way through the black comedy of a crime scene, and managing to upset nearly everyone in the process.When a newspaper delivery boy finds a 68 year-old alcoholic lying dead in his apartment--beaten with a saucepan lid and hammer, and then strangled--everyone expects an open-and-shut murder case, everyone that is but Hawaiian-shirt clad Detective Bäckström who's been assigned to lead the investigation team. Under strict orders from his doctor to improve his health as quickly as possible, Bäckström has begun stumbling to work on foot, and even eating vegetables. The police force isn't what it used to be though, and now that it's crowded with women and foreigners resisting a drink is harder than ever before. But when the newspaper boy goes missing Bäckström's suspicions are proven correct, giving his irrepressible mix of luck and laziness a chance to save the day, while managing to upset nearly everyone in the process.
The twentieth century in Europe was an urban century: it was shaped by life in, and the view from, the street. Women were not liberated in legislatures, but liberated themselves in factories, homes, nightclubs, and shops. Lenin, Hitler, and Mussolini made themselves powerful by making cities ungovernable with riots rampaging through streets, bars occupied one-by-one. New forms of privacy and isolation were not simply a by-product of prosperity, but because people planned new ways of living, new forms of housing in suburbs and estates across the continent. Our proudest cultural achievements lie not in our galleries or state theatres, but in our suburban TV sets, the dance halls, pop music played in garages, and hip hop sung on our estates. In Streetlife, Leif Jerram presents a totally new history of the twentieth century, with the city at its heart, showing how everything distinctive about the century, from revolution and dictatorship to sexual liberation, was fundamentally shaped by the great urban centres which defined it.
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