Fritz Leiber's work bridges the gap between the pulp era of H. P. Lovecraft and the paperback era of P. K. Dick, and arguably is as influential as both these authors. From a historical context, Leiber, in fact, knew both of the authors, and his work can be seen as a bridge connecting the many different flavors of genres of science fiction, fantasy, and horror. Edited by award-winning editors Jonathan Strahan and Charles Brown, this new collection of the grand master's fiction covers all facets of his work, and features an Introduction by Neil Gaiman and an Afterword by Michael Chabon.
Fritz Reuter Leiber, Jr. (December 24, 1910 – September 5, 1992) was an American writer of fantasy, horror, and science fiction. He was also a poet, actor in theater and films, playwright and chess expert. With writers such as Robert E. Howard and Michael Moorcock, Leiber can be regarded as one of the fathers of sword and sorcery fantasy. Moreover, he excelled in all fields of speculative fiction, writing award-winning work in fantasy, horror, and science fiction.This volume contains the following great stories:The Night of the Long Knives, The Big Time, The Creature from Cleveland Depths,The Moon is Green, Bread Overhead, No Great Magic, What's He Doing in There?
He went where no Martian ever went before--but would he come out--or had he gone for good?ExcerptThe Professor was congratulating Earth's first visitor from another planet on his wisdom in getting in touch with a cultural anthropologist before contacting any other scientists (or governments, God forbid!), and in learning English from radio and TV before landing from his orbit-parked rocket, when the Martian stood up and said hesitantly, "Excuse me, please, but where is it?"That baffled the Professor and the Martian seemed to grow anxious--at least his long mouth curved upward, and he had earlier explained that it curling downward was his smile--and he repeated, "Please, where is it?"He was surprisingly humanoid in most respects, but his complexion was textured so like the rich dark armchair he'd just been occupying that the Professor's pin-striped gray suit, which he had eagerly consented to wear, seemed an arbitrary interruption between him and the chair--a sort of Mother Hubbard dress on a phantom conjured from its leather.The Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying with equal rapidity, "Top of the stairs, end of the hall, last door."The Martian's mouth curled happily downward and he said, "Thank you very much," and was off.Comprehension burst on the Professor. He caught up with his guest at the foot of the stairs."Here, I'll show you the way," he said."No, I can find it myself, thank you," the Martian assured him.
Fritz Reuter Leiber, Jr. (1910 - 1992) was an American writer of fantasy, horror, and science fiction. He was also a poet, actor in theater and films, playwright and chess expert. With writers such as Robert E. Howard and Michael Moorcock, Leiber can be regarded as one of the fathers of sword and sorcery fantasy. Moreover, he excelled in all fields of speculative fiction, writing award-winning work in fantasy, horror, and science fiction. In this book: The Night of the Long Knives The Moon is Green The Big Time The Creature from Cleveland Depths Bread Overhead No Great Magic What's He Doing in There?
While Howard Phillips Lovecraft was closing the final chapter of his writing career, Fritz Reuter Leiber was only beginning to open his own. The year was 1936 and Jonquil Leiber, Fritz's first wife, sent a letter on her own initiative to Lovecraft, knowing that her husband had been an avid admirer of his work, ever since his first reading of "The Colour out of Space" and hoping that Lovecraft's presence in Fritz's slow-paced writing career might be the source of inspiration he so dearly needed. Lovecraft replied promptly on November 2 of that year, the seed of an invigorating correspondence, which lasted till Lovecraft's passing. Fritz Leiber and H.P. Lovecraft: Writers of the Dark presents Lovecraft's letters to Leiber, an impressive selection of Leiber's fiction which shows Lovecraft's influence, and a selection of Leiber's essays on Lovecraft and Matters Lovecraftian. Features an introduction by Ben J. S. Szumskyj and an afterword by S.T. Joshi.
Fritz Reuter Leiber, Jr. (1910-1992) was an American writer of fantasy, horror, and science fiction. He was also a poet, actor in theater and films, playwright and chess expert. With writers such as Robert E. Howard and Michael Moorcock, Leiber can be regarded as one of the fathers of “sword and sorcery” fantasy (in fact, he coined the term). Moreover, he excelled in all fields of speculative fiction, writing award-winning work in fantasy, horror, and science fiction. This volume assembles 10 classics, including the novel THE BIG TIME. Here are: Later Than You Think The Wolf Pack The Moon Is Green The Big Time Bread Overhead The Night of the Long Knives The Creature from Cleveland Depths The Snowbank Orbit No Great Magic Spider Mansion If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!
Known in his lifetime primarily to readers of science fiction and fantasy, Fritz Leiber is now recognized as one of the finest writers of popular fiction of the twentieth century. An intimate of H. P. Lovecraft, Leiber crafted the twentieth century’s first great stories of urban horror, created the sword and sorcery tale almost singlehandedly, and wrote strong, resonant science fiction. Nothing less than a visionary American author, Leiber is considered by critics and fans alike to be one of our most original and versatile storytellers. The seventeen tales selected for this volume showcase Leiber’s virtuoso range and unforgettable characters: from the fabled, decadent streets of god-haunted Lankhmar to the eerie underworld of a Martian gambling hall; from a sunless, frozen Earth to the shattered, bombed, and violent wreckage of a post-atomic New York, and beyond. Edited by master anthologist Jonathan Strahan and Locus magazine founder Charles N. Brown, Fritz Leiber: Selected Stories presents a wide sampling of the grand master's best short fiction, covering all facets of his work, so that a new generation of twenty-first-century readers can continue to discover and enjoy his groundbreaking and memorable fiction.
A collection of fifteen tales of horror by the award-winning Grand Master of Science Fiction and Fantasy and author of the Lankhmar series. In Horrible Imaginings, buckle up for a disturbing ride. Meet a mysterious woman in black, a gun with a score to settle, a man who seeks eternal life, a peculiar painting of a dead woman, and more . . . Assembled from magazine submissions, fanzines, and even “lost” manuscripts discovered among the author’s personal papers, this book features two Nebula Award finalists: “Horrible Imaginings” and “Answering Service,” as well as the stories “The Automatic Pistol,” “Crazy Annaoj,” “The Hound,” “Alice and the Allergy,” “Skinny’s Wonderful,” “Scream Wolf,” “Mysterious Doings in the Metropolitan Museum,” “When Brahma Wakes,” “The Glove,” “The Girl With the Hungry Eyes,” “While Set Fled,” “Diary in the Snow,” and “The Ghost Light.” Find out why Fritz Leiber is a must-read for any fan of science fiction, fantasy, or horror. Suspense, surprise, wit, and weirdness—they’re all here for fans both old and new. Praise for Fritz Leiber “For anyone who loves great literature, Fritz Leiber walked on water.” —Harlan Ellison, author of I Have No Mouth, and I Must Scream “A master . . . The prose should be savored.” —Locus “High quality.” —The New York Times
A collection of supernatural horror stories from the SFWA Grand Master and Hugo and Nebula Award–winning author of the Fafhrd and the Gray Mouser novels. Assembled here is a selection of Mr. Leiber's best horrific tales, many of which have been virtually unobtainable for decades. From the riveting “Spider Mansion” and “The Phantom Slayer” from Weird Tales to the more recent “Lie Still, Snow White” and “Black Has Its Charms” from rare, small‑press magazines, this collection provides an overview of Leiber’s fifty‑plus years as an acknowledged master of the weird tale. This edition was edited by John Pelan and Steve Savile.
A horror author is drawn into a mysterious curse in this World Fantasy Award–winning novel from the author of the Fafhrd and the Gray Mouser series. Fritz Leiber may be best known as a fantasy writer, but he published widely and successfully in the horror and science fiction fields. His fiction won the Hugo, Nebula, Derleth, Gandalf, Lovecraft, and World Fantasy Awards, and he was honored with the Life Achievement Lovecraft Award and the Grand Master Nebula Award. One of his best novels is the classic dark fantasy Our Lady of Darkness, winner of the 1978 World Fantasy Award. Our Lady of Darkness introduces San Francisco horror writer Franz Westen. While studying his beloved city through binoculars from his apartment window, he is astonished to see a mysterious figure waving at him from a hilltop two miles away. He walks to Corona Heights and looks back at his building to discover the figure waving at him from his apartment window—and to find himself caught in a century‐spanning curse that may have destroyed Clark Ashton Smith and Jack London.
In 1973, comics industry titan Denny O'Neil joined noted artists Howard Chaykin and Walt Simonson to adapt stories starring Fritz Leiber's timeless fantasy characters, the barbarian Fafhrd and the nimble rogue the Gray Mouser. Now, for the first time ever, Dark Horse Books is collecting all of those exciting tales of swords and deviltry into one handsome collection!
Fritz Leiber was a giant in the genre field. He won five Hugo Awards, three Nebula Awards, three world Fantasy Awards, and one Stoker Award and was a Science Fiction Writers of America Grand Master. His influence on science fiction, fantasy, and horror cannot be overstated. Included in this massive five hundred page plus anthology are 25 of Leiber's best stories. Stories included herein are: A Pail of Air Appointment in Tomorrow Coming Attraction The Moon Is Green Kreativity for Kats The Big Engine The Snowbank Orbit Lean Times in Lankhmar The Wolf Pack Damnation Morning No Great Magic The Ship Sails At Midnight The Night He Cried Mariana The Creature from Cleveland Depths The Green Millennium The Mind Spider The Unholy Grail The Cloud of Hate When The Sea-King's Away Bazaar of the Bizarre Schizo Jimmie The Casket-Demon Scream Wolf Yesterday House Later Than You Think
The Big Time, The Creature from Cleveland Depths, The Night of the Long Knives, Hitch in Space, A Pail of Air, The Moon is Green, Later Than You Think, No Great Magic, Appointment in Tomorrow
The Big Time, The Creature from Cleveland Depths, The Night of the Long Knives, Hitch in Space, A Pail of Air, The Moon is Green, Later Than You Think, No Great Magic, Appointment in Tomorrow
This carefully created Fritz Leiber collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: The Big Time The Creature from Cleveland Depths The Night of the Long Knives A Hitch in Space A Pail of Air The Moon is Green Later Than You Think Nice Girl with Five Husbands No Great Magic Appointment in Tomorrow Bread Overhead Bullet with His Name The Big Engine Coming Attraction X Marks the Pedwalk KreativityFor Kats Time in the Round A Bad Day for Sales DrKometevsky s Day The Last Letter Yesterday House
“Come on, Gussy,” Fay prodded quietly, “quit stalking around like a neurotic bear and suggest something for my invention team to work on. I enjoy visiting you and Daisy, but I can't stay aboveground all night.”“If being outside the shelters makes you nervous, don't come around any more,” Gusterson told him, continuing to stalk. “Why doesn't your invention team think of something to invent? Why don't you? Hah!” In the “Hah!” lay triumphant condemnation of a whole way of life.
Join the renowned barbarian and thief in this sword-and-sorcery adventure from a Grand Master of Science Fiction and Fantasy. While The Lord of the Rings took the world by storm, Fritz Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Gray Mouser, adventured and stumbled deep within the caves of Inner Earth as well. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon, and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar, is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche. Fafhrd and Mouse are not innocents; their world is no land of honor and righteousness. It is a world of human complexities and violent action, of discovery and mystery, of swords and sorcery. Swords Against Death, the second volume in the Lankhmar series, finds Fafhrd and the Gray Mouser beginning their real journey. Their hearts altered by the loss of first true love, they embark on a long and winding path of drunken debauchery and womanizing until crossing paths with two cross wizards, Sheelba of the Eyeless Face and Ningauble of the Seven Eyes. A most violent of clashes ensues. Fafhrd and the Gray Mouser descend into Thieves House to discover the exacting skill of the united backstabbing Thieves of Lankhmar and their rival guild, the Slayer’s Brotherhood, the city’s unionized killers. They would wander along the Bleak Shore to a howling tower to show how fear is not the product of murder but the cause. Fafhrd and the Gray Mouser must resume their plundering and drunken debauchery until once again darkness had taken the balance for its favor and then a change would come. These are just a few of the encounters our swindling swordsmen will willingly endure in ridding their hearts of their first true loves. But did they know it would make them indentured swordsman servants to their former foes, the formidable Sheelba and Ningauble?
Fafhrd and the Gray Mouser search for treasure in book four of the genre-defining Sword and Sorcery series from the Grand Master of Science Fiction. Fafhrd and Mouse are not innocents; their world is no land of honor and righteousness. It is a world of human complexities and violent action, of discovery and mystery, of swords and sorcery. With Swords Against Wizardry, ,the story unfolds behind the curtain in the Witch’s Tent. Fafhrd and Gray Mouser are there to consult a sorceress who holds the secret to their escape, but when would they ever need to escape? Would they need this knowledge when they journey to Stardock? Where is there to escape up there? No doubt the icy seduction of “the cruel one,” with her greed for both gore and graciousness, could offer them several ways out. Their luck has been good so far; one way out should work. Their luck continues as thieves. They are the best thieves in Lankhmar until better positions arise: the Lords of Quarmall. Gray Mouser and Fafhrd steal a kingdom within a hill and declare themselves lords. Before The Lord of the Rings took the world by storm, Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Gray Mouser, adventured deep within the caves of Inner Earth, albeit a different one. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche. Drawing on themes from Shakespeare, Edgar Allan Poe, and H. P. Lovecraft, master manipulator Fritz Leiber is a worldwide legend within the fantasy genre and actually coined the term Sword and Sorcery that describes the subgenre he helped create.
This volume assembled six of Leiber's classic works: "Dr. Kometevsky's Day," "The Big Trek," "The Enchanted Forest," "Deadly Moon," "The Snowbank Orbit," and "The Ship Sails at Midnight.
Jack Berry is told not to take his boat out into deep waters. But as any young man who has been told not to do a thing would he does it anyway and discovers on island. When exploring the island he meets a beautiful young woman named Mary. She lives with her aunts on the island and has never been to the mainland. Mary is convinced that it's the year 1933. Jack is sure she's just been misinformed and plans to prove to her that it's many years later than that. But is he right?
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