Unsettles, expands and deepens our understanding of the black meme...necessary reading; brilliant and utterly convincing." –Christina Sharpe, author of Ordinary Notes "You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence." –Margo Jefferson, author of Constructing a Nervous System A history of Black imagery that recasts our understanding of visual culture and technology In Black Meme, Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the “meme” as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media. Russell argues that without the contributions of Black people, digital culture would not exist in its current form. These meditations include the circulation of lynching postcards; why a mother allowed Jet magazine to publish a picture of her dead son, Emmett Till; and how the televised broadcast of protesters in Selma changed the debate on civil rights. Questions of the media representation of Blackness come to the fore as Russell considers how a citizen-recorded footage of the LAPD beating Rodney King became the first viral video. And the Anita Hill hearings shed light on the media’s creation of the Black icon. The ownership of Black imagery and death is considered in the story of Tamara Lanier’s fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard. Meanwhile the live broadcast on Facebook of the murder of Philando Castile by the police after he was stopped for a broken taillight forces us to bear witness to the persistent legacy of the Black meme. Through imagery, memory and technology Black Meme shows us how images of Blackness have always been central to our understanding of the modern world.
The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.
A New York Times Best Art Book of 2020 A new manifesto for cyberfeminism: finding liberation in the glitch between body, gender, and technology The divide between the digital and the real world no longer exists. We are connected all the time. How do we find out who we are in this digital era? Where do we create the space to explore our identity? How can we come together in solidarity? A glitch is normally thought of as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology, and the body. The glitch offers an opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art, and critical theory, as well as the work of contemporary artists—including Juliana Huxtable, Sondra Perry, boychild, Victoria Sin, and Kia LaBeija—who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how error can lead to revolution.
In BLACK MEME, Legacy Russell, awardwinning author of the groundbreaking GLITCH FEMINISM, explores the "meme" as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media. Russell argues that without the contributions of Black people, digital culture would not exist in its current form. These meditations include the circulation of lynching postcards; why a mother allowed JET magazine to publish a picture of her dead son, Emmett Till; and how the televised broadcast of protesters in Selma changed the debate on civil rights. Questions of the media representation of Blackness come to the fore as Russell considers how citizen-recorded footage of the LAPD beating Rodney King became the first viral video. Why the Anita Hill hearings shed light on the media's creation of the Black icon. The ownership of Black imagery and death is considered in the story of Tamara Lanier's fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard. Meanwhile the live broadcast on Facebook of the murder of Philando Castile by the police after he was stopped for a broken taillight forces us to bear witness to the persistent legacy of the Black meme. Through imagery, memory, and technology, BLACK MEME shows us how images of Blackness have always been central to our understanding of the modern world.
Harvard’s searing and sobering indictment of its own long-standing relationship with chattel slavery and anti-Black discrimination. In recent years, scholars have documented extensive relationships between American higher education and slavery. The Legacy of Slavery at Harvard adds Harvard University to the long list of institutions, in the North and the South, entangled with slavery and its aftermath. The report, written by leading researchers from across the university, reveals hard truths about Harvard’s deep ties to Black and Indigenous bondage, scientific racism, segregation, and other forms of oppression. Between the university’s founding in 1636 and 1783, when slavery officially ended in Massachusetts, Harvard leaders, faculty, and staff enslaved at least seventy people, some of whom worked on campus, where they cared for students, faculty, and university presidents. Harvard also benefited financially and reputationally from donations by slaveholders, slave traders, and others whose fortunes depended on human chattel. Later, Harvard professors and the graduates they trained were leaders in so-called race science and eugenics, which promoted disinvestment in Black lives through forced sterilization, residential segregation, and segregation and discrimination in education. No institution of Harvard’s scale and longevity is a monolith. Harvard was also home to abolitionists and pioneering Black thinkers and activists such as W. E. B. Du Bois, Charles Hamilton Houston, and Eva Beatrice Dykes. In the late twentieth century, the university became a champion of racial diversity in education. Yet the past cannot help casting a long shadow on the present. Harvard’s motto, Veritas, inscribed on gates, doorways, and sculptures all over campus, is an exhortation to pursue truth. The Legacy of Slavery at Harvard advances that necessary quest.
Paintings and drawings exploring the contradictions of attachment and separation Over the past 20 years, French-born, New York-based artist Camille Henrot (born 1978) has developed a critically acclaimed practice deploying mediums such as drawing, painting, sculpture, installation and film to address subjects ranging from self-help and cultural anthropology to social media in its engagement with the changing status of information distribution and interpersonal connections. Mother Tongue is Henrot's first publication focused solely on painting and drawing, bringing together over 200 works from the series System of Attachment, Wet Job and Soon, spanning the past five years, which address ambivalent aspects of care and the tension between the human developmental need for attachment and separation, beginning at infancy and continuing throughout life. The book is accompanied by texts from Emily Labarge, Legacy Russell, Marcus Steinweg, Hélene Cixous and Seamus Kealy, and a conversation between Camille Henrot and curator Julika Bosch.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.