Television has taken firm hold of American life ever since the first flickering images replaced the disembodied voices innocently crackling from the radio. Ever present and evolving, television thrives at the crossroads of commerce, art, and entertainment. In Not Remotely Controlled cultural critic Lee Siegel collects his reportage and musings on this most hybrid medium. Whether chronicling the history of the "cop" drama, revealing the inherent irony in Donald Trump's character on "The Apprentice," or shedding light on those unheralded gems that Neilsen ratings swept away prematurely, Siegel gives each episode, series, or documentary the attention and respect usually reserved for high-art and dusty literature. Going far beyond mere pans and praise, Siegel has given long-overdue attention to America's most pervasive art form: television.
Sex and the City, Saul Bellow, Eyes Wide Shut, Dante and the American self, Barbara Kingsolver, acting in Hollywood, Soviet painting in Soho, Angels in America, Jane Austen in the present, J.K. Rowling -- nothing escapes Lee Siegel's incandescent eye. Siegel possesses an intellectual range and independent perspective unmatched by his peers, and Falling Upwards brings together the best of his essays, all of them rich with the trades mark wit and intelligence that have won him many friends and a few enemies. In these essential writings, Siegel deftly uses the occasion of a book, film, painting, or television show not merely to appraise it, but to make sense of life in a way that is more defiant of impoverished cultural "norms" than most contemporary artistic expression. Guided by the belief that a calculating self-interest in art-making diminishes the prospects for the imagination in life, Siegel celebrates authentic sensibilities and lambasts manufactured sentiments. With uncanny insight, yet also with incomparable logic and analytical rigor, he has invented a new idiom in which the language of criticism embodies the playful, creative, synthesizing power that has been largely abdicated by the arts in our time. In writing about works of culture, Siegel has created a standard by which to judge them.
“It was the best of times, it was the worst of times” begins one chapter of critically acclaimed Lee Siegel’s new novel, Love and the Incredibly Old Man. “In the beginning” starts another. What else can a novelist do when hired as a ghostwriter by an elderly, irascible, conquistador-costumed man claiming to be the 540-year-old Juan Ponce de León? The fantastic life of that legendary explorer—inventor of rum, cigars, Coca-Cola, and popcorn—is the frame for Siegel’s fourth chronicle of love, lies, luck, loss, and labia. Summoned with cold hard cash and a pinch of flattery, a professor and novelist named Lee Siegel finds himself in Eagle Springs, Florida, attempting to give form to the life of the man who, contrary to popular and historical opinion, did indeed find the Fountain of Youth. Spending humid days listening to the romantic ramblings of the old man and sleepless nights doubting yet trying to craft these reminiscences into a narrative that will satisfy the literary aspirations of his subject, Siegel the ghostwriter spins an improbable tale filled with Native Americans, insatiable monarchs, philandering cantors, deliriously passionate nuns, delicate actresses, androgynous artists, and deceptions small and large. For de León, and for Siegel too, centuries of conquest and colonialism, fortune and identity, are all refracted through the memories of the conquistador’s lovers, each and every one of them adored “more than any other woman ever.” Comic, melancholic, lusty, and fully engaged with the act of invention, whether in love or on the page, Love and the Incredibly Old Man continues the real Lee Siegel’s exuberant exploration of that sentiment which Ponce de León confesses has “transported me to the most joyous heights, plunged me to the most dismal depths, and dropped me willy-nilly and dumbfounded at all places in between.”
LeeSiegel, author of Falling Upwards, Not RemotelyControlled, and Against the Machine delivers a provocative critique ofmodern lightness and frivolity, and a timely guide to being serious in an unserious age. In the vein of The Culture of Narcissism, Shop Class as Soulcraft, and How Proust Can Change Your Life,Siegel offers a revelatory look at how a serious bearing is vital toaccomplishing any worthwhile goal in an era increasingly defined by a sardonicapproach to life.
-A young boy's awakening to the conflict between innate gifts and social class is at the center of this searing memoir about the unforgiving sovereignty of money. Hoping to make a killing in New Jersey real estate, the author's father, Monroe Siegel, takes a draw from his employer against unearned commission. When the recession hits in the 1970s, Monroe finds himself owing a small fortune to his firm. He sinks toward divorce and bankruptcy, while Lola, Lee's mother, suffers a nervous breakdown that turns her into a different person. Shamed and enraged by his father's fate, Lee grows up wondering what society owes a person who has failed materially but preserved his humanity. 'Other men got rewarded for their cold-heartedness, and often for their dishonesty, while he, Monroe Siegel, who had never hurt anyone, had to groan and stumble through life. Did not kindness deserve an income?' As a teen, Lee tries to make a different life for himself. He goes to a private college in the Midwest, is forced to leave due to his father's bankruptcy, and returns to New Jersey to work a series of menial jobs. He enrolls at a state college and then drops out to seek a better existence abroad, only to return to the United States in debt and in despair. Suddenly, a promising new life opens to him. At a price. The Draw touches on fundamental questions: How do we balance our obligations to ourselves with our obligations to others? What do we owe society when its rules have a legal basis but not a moral one? Written with startling candor and psychological acuity, Lee Siegels The Draw is for anyone who has ever struggled with money, or who has tried to break through the barriers of family and class. ---
Hailed by the New York Times as a book that "examines the role that argument has played throughout history and how it has shaped human existence" "An invigorating reflection on the nature and value of disagreement. . . . Sharp and taut. . . . A lesson in a well-constructed argument itself."--Publishers Weekly, starred review "Perhaps more than any other commentary, Why Argument Matters illuminates the root causes of our partisan, venomous, irrational times--and yet somehow rescues from the morass the true nature of argument, its power and beauty."--Michael Wolff, author of Fire and Fury: Inside the Trump White House From Eve's crafty exchange with the serpent, to Martin Luther King Jr.'s soaring, subtle ultimatums, to the throes of Twitter--argument's drainpipe--the human desire to prevail with words has been not just a moral but an existential compulsion. In this dazzling reformulation of argument, renowned critic Lee Siegel portrays the true art of argument as much deeper and far more embracing than mere quarrel, dispute, or debate. It is the supreme expression of humanity's longing for a better life, born of empathy and of care for the world and those who inhabit it. With wit, passion, and striking insights, Siegel plumbs the emotional and psychological sources of clashing words, weaving through his exploration the untold story of the role argument has played in societies throughout history. Each life, he maintains, is an argument for that particular way of living; every individual style of argument is also a case that is being made for that person's right to argue. Argument is at the heart of the human experience, and language, at its most liberated and expressive, inexorably bends toward argument.
From the author hailed by the New York Times Book Review for his “drive-by brilliance” and dubbed by the New York Times Magazine as “one of the country’s most eloquent and acid-tongued critics” comes a ruthless challenge to the conventional wisdom about the most consequential cultural development of our time: the Internet. Of course the Internet is not one thing or another; if anything, its boosters claim, the Web is everything at once. It’s become not only our primary medium for communication and information but also the place we go to shop, to play, to debate, to find love. Lee Siegel argues that our ever-deepening immersion in life online doesn’t just reshape the ordinary rhythms of our days; it also reshapes our minds and culture, in ways with which we haven’t yet reckoned. The web and its cultural correlatives and by-products—such as the dominance of reality television and the rise of the “bourgeois bohemian”—have turned privacy into performance, play into commerce, and confused “self-expression” with art. And even as technology gurus ply their trade using the language of freedom and democracy, we cede more and more control of our freedom and individuality to the needs of the machine—that confluence of business and technology whose boundaries now stretch to encompass almost all human activity. Siegel’s argument isn’t a Luddite intervention against the Internet itself but rather a bracing appeal for us to contend with how it is transforming us all. Dazzlingly erudite, full of startlingly original insights, and buoyed by sharp wit, Against the Machine will force you to see our culture—for better and worse—in an entirely new way.
From the author hailed by the New York Times Book Review for his “drive-by brilliance” and dubbed by the New York Times Magazine as “one of the country’s most eloquent and acid-tongued critics” comes a ruthless challenge to the conventional wisdom about the most consequential cultural development of our time: the Internet. Of course the Internet is not one thing or another; if anything, its boosters claim, the Web is everything at once. It’s become not only our primary medium for communication and information but also the place we go to shop, to play, to debate, to find love. Lee Siegel argues that our ever-deepening immersion in life online doesn’t just reshape the ordinary rhythms of our days; it also reshapes our minds and culture, in ways with which we haven’t yet reckoned. The web and its cultural correlatives and by-products—such as the dominance of reality television and the rise of the “bourgeois bohemian”—have turned privacy into performance, play into commerce, and confused “self-expression” with art. And even as technology gurus ply their trade using the language of freedom and democracy, we cede more and more control of our freedom and individuality to the needs of the machine—that confluence of business and technology whose boundaries now stretch to encompass almost all human activity. Siegel’s argument isn’t a Luddite intervention against the Internet itself but rather a bracing appeal for us to contend with how it is transforming us all. Dazzlingly erudite, full of startlingly original insights, and buoyed by sharp wit, Against the Machine will force you to see our culture—for better and worse—in an entirely new way.
When Lee Siegel went to India to do research for a book on Sanskrit horror literature, a friend in New Delhi told him about an itinerant teller of ghost and vampire tales, a man with clusters of amulets around his neck and a silk top hat with peacock plumes on his head. Siegel set out in search of the old man—called Brahm Kathuwala—to hear his stories and to learn about his uncommon life. But what started out as a study of other people's stories became a compelling story itself. City of Dreadful Night is an astonishing work of fiction, a tangle of tales that transports the reader from the Medieval India of magicians, witches, and vampires, through the British India of Brahm Kathuwala's childhood, into the chaos and political terror of contemporary India. Vividly recreating Indian literary and oral traditions, Siegel weaves a web of possession, reincarnation, and magical transformation unlike any found in the Western tradition. Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell. Siegel pursues Brahm Kathuwala from the ghastly lights of the cremation ground at Banaras through villages all over north India. Brahm's life story is revealed through countless tales along the way. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula. We hear of his marriage to the daughter of a cremation ground attendant, his battles against her demonic possession, and their painful parting. We come to understand the daily life and motivations of this "horror professional," who uses terrifying tales to ward off the evil he himself fears. This unorthodox book is more than a story; it blends scholarship, fantasy, travelogue, and autobiography—fusing and overlapping historical accounts and newscasts, literary texts and films, dreams and nocturnal tales. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre. This book is the product of Siegel's deep knowledge of both Indian and Western literary and philosophical traditions. It is also an attempt to come to grips with the omnipresence of political and religious terror in contemporary India. Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present.
Listen to what I am about to tell you: do not read this book alone. You really shouldn’t. In one of the most playful experiments ever put between two covers, every other section of Trance-Migrations prescribes that you read its incantatory tales out loud to a lover, friend, or confidant, in order to hypnotize in preparation for Lee Siegel’s exploration of an enchanting India. To read and hear this book is to experience a particular kind of relationship, and that’s precisely the point: hypnosis, the book will demonstrate, is an essential aspect of our most significant relationships, an inherent dimension of love, religion, medicine, politics, and literature, a fundamental dynamic between lover and beloved, deity and votary, physician and patient, ruler and subject, and, indeed, reader and listener. Even if you can’t read this with a partner—and I stress that you certainly ought to—you will still be in rich company. There is Shambaraswami, an itinerant magician, hypnotist, and storyteller to whom villagers turn for spells that will bring them wealth or love; José-Custodio de Faria, a Goan priest hypnotizing young and beautiful women in nineteenth-century Parisian salons; James Esdaile, a Scottish physician for the East India Company in Calcutta, experimenting on abject Bengalis with mesmerism as a surgical anesthetic; and Lee Siegel, a writer traveling in India to learn all that he can about hypnosis, yoga, past life regressions, colonialism, orientalism, magic spells, and, above all, the power of story. And then there is you: descending through these histories—these tales within tales, trances within trances, dreams within dreams—toward a place where the distinctions between reverie and reality dissolve. Here the world within the book and that in which the book is read come startlingly together. It’s one of the most creative works we have ever published, a dazzling combination of literary prowess, scholarly erudition, and psychological exploration—all tempered by warm humor and a sharp wit. It is informing, entertaining, and, above all, mesmerizing.
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.
Scholar and magician, Siegel uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers. Siegel's journeys take him from ancient Sanskrit texts to the slums of New Dehli as he explores India's remarkable magical tradition." --Publisher's description.
The flamboyant hero of this zany, wildly comic novel is Isaac Schlossberg--circus performer, entertainer, world traveler. Raucous and inventive, this three-ring circus of a novel is at once silly and grand, absurd yet full of meaning.
Enthält: The Siegel modular variety of degree two and level four / Ronnie Lee, Steven H. Weintraub. Cohomology of the Siegel modular group of degree two and level four / J. William Hoffman, Steven H. Weintraub.
FIRST-GENERATION COLLEGE STUDENTS "…a concise, manageable, lucid summary of the best scholarship, practices, and future-oriented thinking about how to effectively recruit, educate, develop, retain, and ultimately graduate first-generation students." —from the foreword by JOHN N. GARDNER First-generation students are frequently marginalized on their campuses, treated with benign disregard, and placed at a competitive disadvantage because of their invisibility. While they include 51% of all undergraduates, or approximately 9.3 million students, they are less likely than their peers to earn degrees. Among students enrolled in two-year institutions, they are significantly less likely to persist into a second year. First-Generation College Students offers academic leaders and student affairs professionals a guide for understanding the special challenges and common barriers these students face and provides the necessary strategies for helping them transition through and graduate from their chosen institutions. Based in solid research, the authors describe best practices and include suggestions and techniques that can help leaders design and implement effective curricula, out-of-class learning experiences, and student support services, as well as develop strategic plans that address issues sure to arise in the future. The authors offer an analysis of first-generation student expectations for college life and academics and examine the powerful role cultural capital plays in shaping their experiences and socialization. Providing a template for other campuses, the book highlights programmatic initiatives at colleges around the county that effectively serve first-generation students and create a powerful learning environment for their success. First-Generation College Students provides a much-needed portrait of the cognitive, developmental, and social factors that affect the college-going experiences and retention rates of this growing population of college students.
Collecting Strange Tales Annual #2 And Material From Strange Tales (1951) #101-134. After the Fantastic Fours groundbreaking debut, readers couldnt get enough of Marvels innovative new heroes especially the Human Torch! So Stan Lee and Jack Kirby gave the fiery teen sensation his own series in the pages of STRANGE TALES! After a hot streak of solo stories, the Torch was joined by the ever-lovin blue-eyed Thing, and the two teammates tackled some of the wildest neer-do-wells of the Silver Age: the Wizard, the Sandman, the Rabble Rouser, Plantman and the one and only Paste-Pot Pete! Also featuring Marvels first fire-and-ice battle between the Torch and the X-Mens Iceman and guest stars Spider-Man, Mister Fantastic and the Invisible Woman!
Enthält: The Siegel modular variety of degree two and level four / Ronnie Lee, Steven H. Weintraub. Cohomology of the Siegel modular group of degree two and level four / J. William Hoffman, Steven H. Weintraub.
The complete 12-part saga from SUPERMAN #204-215 written by Brian Azzarello with sensational art by Jim Lee! A cataclysmic event has struck the Earth. Millions of people have vanished without a trace. No one is left unaffected; not even Superman!But after a year, Superman is left with many questions. For a hero who tries to have all the answers, it's torture. And, just as the action heats up and the stakes are raised, one huge question emerges: Just how far is Superman willing to go 'For Tomorrow?
Enthält: The Siegel modular variety of degree two and level four / Ronnie Lee, Steven H. Weintraub. Cohomology of the Siegel modular group of degree two and level four / J. William Hoffman, Steven H. Weintraub.
Millions of years ago, the North American continent was dragged over the world's largest continental hotspot (a huge column of molten rock rising from the earth's interior), tracing a 5 mile wide, 500 mile long path northeastward across Idaho and generating huge volcanic eruptions and earthquakes. The hotspot lifted the Yellowstone Plateau to more than 7000 feet and pushed the Northern Rockies to new heights. This book is the story of those events and how the landscape of the two great national parks was shaped by earthquakes, volcanoes, geysers and, in the uplifted Rocky Mountains, mountain glaciers. The story is also a 'window' into the earth's interior, revealing the dynamic processes within.
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