First published over 20 years ago, this book remains the definitive study of Fidel Castro. Based on interviews conducted between 1958 and 1966, the book covers a wide range of topics, including aid to other revolutions, relations with the United States and the Soviet Union, and individual freedom in a Communist society. For this edition the author
Mr. Lockwood's exciting book...holds many surprises for the reader who has seen the Cuban reality up to now only through the distorting prism of propaganda.... [During Mr. Lockwood's latest, 14-week visit to Cuba in 1965] he had 'a seven-day marathon conversation' with [Fidel], the transcription of which, with excellent photographs, constitutes the heart of the book.... A first-rate psychological document, this book is also an historical one in that it contains information necessary to the understanding of several conversional questions, such as the priority given agriculture in the development of the Cuban economy, the dissension between Moscow and Havana, or even the intellectual road by which Castro came to Marxism. Moreover, it provides particulars up to now unknown." Claude Julien, 'The New York Times Book Review' "Lockwood gives us crowds, posters, individual studies, Fidel in every possible mood; the cities, farms, country towns - most of Cuba is in the photographs.... Lockwood's text consists mainly of excerpts from several interviews he got from Fidel in 1965.... In one way or another Fidel touches on all the events of crucial importance from the beginning of the insurrection until 1965, and the interviews thus become an explanation of the revolution that we badly need." Jose Yglesias, 'The New Republic' "The author's questions [to Fidel] are tough and penetrating and they elicited the same kind of answers.... The lively record deserves and encourages serious study." K. G. Jackson, 'Harper's Magazine' "Given the paucity of scholarly work on contemporary Cuba and the difficulty of visiting the island, the photographs, interview materials, and interpretations of this gifted journalist must go high on the reading list of anyone, professional or lay person, who maintains a serious interest in Cuban affairs and in that most dramatic and important of twentieth-century Latin American leaders, Fidel Castro." Richard Fagan, 'Hispanic American Historical Review
Many fall for Cuba's music, its dance, the enduring strength and charm of its people. Award-winning actor Lee Brooks fell for one of its women. But how to pluck this forbidden fruit away from the so-called island frozen in time, where even romance can be illegal? Out-foxing the Castro regime's state military apparatus, only to be forced into a shady web of human smugglers and a months-long limbo at sea, Brooks and his Cuban princess show that not only does love conquer all, but that when it comes to Cuba, fact is often much wilder than any kind of fiction. Stealing Castro's Daughter is a tour de force of adventure romance set against the lush tapestry of Caribbean's crown jewel, at one of the most important junctures of the island's rich history. Surrounded by poverty, struggle and sacrifice, this is the real Cuba, and two people's real determination to overcome the odds and escape into love's lasting embrace. With its gritty hairpin turns, heartfelt honesty and sensual prose, Brooks captures the aching beauty of Cuba, and a desire that defies all obstacles. Read and be awed. Ben Corbett: Author of This is Cuba
“A remarkable accomplishment, one that belongs next to such works of graphical history as the March series and Shigeru Mizuki's Showa books. By foregrounding the tension between myth and truth, Che illuminates the present state of our politics as well as the past.” —NPR The graphic adaptation of the groundbreaking and definitive biography of Che Guevara Che Guevara's legend is unmatched in the modern world. Since his assassination in 1967 at the age of thirty-nine, the Argentine revolutionary has become an internationally recognized icon, as revered as he is controversial. As a Marxist ideologue who sought to end global inequality by bringing down the American capitalist empire through armed guerrilla warfare, Che has few rivals in the Cold War era as an apostle of revolutionary change. In Che: A Revolutionary Life, Jon Lee Anderson and José Hernández present the man behind the myth, creating a complex and human portrait of this passionate idealist. Adapted from Jon Lee Anderson's definitive masterwork, Che vividly transports us from young Ernesto's medical school days as a sensitive asthmatic to the battlefields of the Cuban revolution, from his place of power alongside Castro, to his disastrous sojourn in the Congo, and his violent end in Bolivia. Through renowned Mexican artist José Hernández's drawings we feel the bullets wing past the head of the young rebel in Cuba, we smell the thick smoke of his and Castro's cigars, and scrutinize his proud face as he's called "Comandante" for the first time. With astonishing precision, color, and drama, Anderson and Hernández's Che makes us a witness to the revolutionary life and times of Che Guevara.
A new and necessary examination of how nineteenth-century Cuban white elites viewed the natural world, material culture, and political power as intertwined In the decades before the Cuban wars of independence, white elites exploited the island’s natural history and culture to redefine racial identity and reassert authority. These practices occurred in the face of challenges to their political power from Cubans of mixed race and as Cuba’s dependence on sugar led to ecological and economic precarity. Lee Sessions uses close visual analysis to investigate how white elites wielded power by manipulating material culture, placing in conversation for the first time the natural history museums, botanical gardens, and thousands of paintings, drawings, and prints produced in and about Cuba from 1820 to 1860. This important and novel book explores how groups used material culture to imagine their own future at a moment when racial and political dynamics were changing rapidly, while facing an ecological disaster of unimaginable scale.
A new and necessary examination of how nineteenth-century Cuban white elites viewed the natural world, material culture, and political power as intertwined In the decades before the Cuban wars of independence, white elites exploited the island's natural history and culture to redefine racial identity and reassert authority. These practices occurred in the face of challenges to their political power from Cubans of mixed race and as Cuba's dependence on sugar led to ecological and economic precarity. Lee Sessions uses close visual analysis to investigate how white elites wielded power by manipulating material culture, placing in conversation for the first time the natural history museums, botanical gardens, and thousands of paintings, drawings, and prints produced in and about Cuba from 1820 to 1860. This important and novel book explores how groups used material culture to imagine their own future at a moment when racial and political dynamics were changing rapidly and intersecting with an ecological disaster of unimaginable scale.
In This We Hear the Light," is a exceptional collection of Cuba theme poetry by award winning poet, John B. Lee, - without a doubt some of his most outstanding work, juxtaposed by an equally splendid assembly of Cuba theme photography by Richard M. Grove. The poems and photographs represent the inspiration from many years of travelling in Cuba. Since first traveling to Cuba, John B. Lee came to love the island and to admire her people. "In This We Hear the Light," is an ekphrastic project, its literary efforts are beautifully complemented by Grove's exquisite photographs. The poems and the photographs aspire to capture something more deeply felt than the reflections of a mere tourist. Poetry and photography both hold the deep felt mysteries that come from understanding Cuba on an intimate and cherished level.
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Examines the history of Cuban immigration to the United States, discussing why they came, what they did when they got here, where they settled, and customs they brought with them.
Making use of unprecedented access to Guevara's personal archives, his guerrilla cohorts, and Cuban government archives, an exhaustive biography traces the life of the Latin American communist revolutionary.
A new and necessary examination of how nineteenth-century Cuban white elites viewed the natural world, material culture, and political power as intertwined In the decades before the Cuban wars of independence, white elites exploited the island’s natural history and culture to redefine racial identity and reassert authority. These practices occurred in the face of challenges to their political power from Cubans of mixed race and as Cuba’s dependence on sugar led to ecological and economic precarity. Lee Sessions uses close visual analysis to investigate how white elites wielded power by manipulating material culture, placing in conversation for the first time the natural history museums, botanical gardens, and thousands of paintings, drawings, and prints produced in and about Cuba from 1820 to 1860. This important and novel book explores how groups used material culture to imagine their own future at a moment when racial and political dynamics were changing rapidly, while facing an ecological disaster of unimaginable scale.
Examines the history of Cuban immigration to the United States, discussing why they came, what they did when they got here, where they settled, and customs they brought with them.
This is a 'must read' for anyone with an interest in the Kennedy assassination, its impact on the American political system, and the controversies that surrounded it then."- Midwest Book Review (Oregon, WI) "Reading the words of this infamous man is more illuminating than a dozen volumes of analysis of his character. This book fills a definite niche in American history and is long overdue Holloway uses professionalism and competent knowledge of history to create an engaging biography of an enigmatic man."- Morgan Ann Adams, Charlotte Austin Review. "A breath of fresh air in the JFK assassination literature."- Judge Robert Finn, former FBI agent. Lee Harvey Oswald, accused assassin of President John Kennedy, has remained a mystery for 45 years. Using Oswald's letters, speeches, radio interviews, brief autobiography, job/college applications, diary, book about Russia, and words according to those who knew him, the editor has fashioned his autobiography from childhood to death. Jack Ruby's testimony and lie detector test are included for readers to learn his motivation in killing Oswald. New materials such as papers given to President Clinton by Premier Boris Yeltsin and documents found in 2008 in the Dallas safe of District Attorney Henry Wade are included.
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