Kerux Commentaries enable pastors and teachers to understand and effectively present the main message in a biblical text. Unlike any other commentary series, each volume is written by an expert in biblical exegesis and an experienced homiletician in partnership. Inclusion of a preaching author means that the commentary is focused on biblical insights that are useful in biblical teaching, with communication strategies and illustrations for each passage that are powerful and engaging. Each volume is divided into distinct preaching segments, in which the authors guide the reader through a well-tested sequence: exegetical analysis, theological focus, and teaching strategy. Based on the text-driven Big Idea model, Kerux enhances the reader's ability to deliver a message that is biblical, cohesive, and dynamic.
Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.
Gothic to Multicultural: Idioms of Imagining in American Literary Fiction, twenty-three essays each carefully revised from the past four decades, explores both range and individual register. The collection opens with considerations of gothic as light and dark in Charles Brockden Brown, war and peace in Cooper’s The Spy, Antarctica as world-genesis in Poe’s The Narrative of Arthur Gordon Pym, the link of “The Custom House” and main text in Hawthorne’s The Scarlet Letter, reflexive codings in Melville’s Moby-Dick and The Confidence-Man, Henry James’ Hawthorne as self-mirroring biography, and Stephen Crane’s working of his Civil War episode in The Red Badge of Courage. Two composite lineages address apocalypse in African American fiction and landscape in women’s authorship from Sarah Orne Jewett to Leslie Marmon Silko. There follow culture and anarchy in Henry James’ The Princess Casamassima, text-into-film in Edith Wharton’s The Age of Innocence, modernist stylings in Fitzgerald, Faulkner and Hemingway, and roman noir in Cornell Woolrich. The collection then turns to the limitations of protest categorization for Richard Wright and Chester Himes, autofiction in J.D. Salinger’s The Catcher in the Rye, and the novel of ideas in Robert Penn Warren’s late fiction. Three closing essays take up multicultural genealogy, Harlem, then the Black South, in African American fiction, and the reclamation of voice in Native American fiction.
Brian Lee's study of American fiction from 1865 to 1940 draws on a wealth of material by, amongst others, Twain, James, Dreiser, Hemingway, Fitzgerald and Faulkner. Though the works of these writers have been closely scrutinised by postwar critics in Europe and America, few attempts have yet been made to utilise the new critical approaches and theories in the service of literary history. Brian Lee does so in this book, relating the writers of the period - both major and minor - to its patterns of immense economic, social and intellectual change.
These interviews and profiles tell the story of one woman's discovery of her coal-mining hometown as a potential "literary place" and how she used them to pursue her dream career.
An NPR Best Book of the Year A dazzling debut novel following the lives of three groundbreaking women--Marlene Dietrich, Anna May Wong, and Leni Riefenstahl--cinema legends who lit up the twentieth century At a chance encounter at a Berlin soirée in 1928, the photographer Alfred Eisenstaedt captures three very different women together in one frame: up-and-coming German actress Marlene Dietrich, who would wend her way into Hollywood as one of its lasting icons; Anna May Wong, the world's first Chinese American star, playing bit parts while dreaming of breaking away from her father's modest laundry; and Leni Riefenstahl, whose work as a director of propaganda art films would first make her famous--then, infamous. From this curious point of intersection, Delayed Rays of a Star lets loose the trajectories of these women's lives. From Weimar Berlin to LA's Chinatown, from a bucolic village in the Bavarian Alps to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, victim, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours. Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of identity, complicity, desire, and difference. Intimate and clear-eyed, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its oblique calculations, and its eventual betrayals--and announces a bold new literary voice.
The dissident voice in US culture might almost be said to have been born with the territory. Its span runs from Roger Williams to Thoreau, Anne Bradstreet to Gertrude Stein, Ambrose Bierce to the New Journalism, The Beats to the recent Bad Subjects cyber-crowd. This new study analyses three recent literary tranches in the tradition: a re-envisioning of the whole Beat web or circuit; a consortium of postwar "outrider" voices – Hunter Thompson to Frank Chin, Joan Didion to Kathy Acker; and a latest purview of what, all too casually, has been designated "ethnic" writing. The aim is to set up and explore these different counter-seams of modern American writing, those which sit outside, or at least awkwardly within, agreed literary canons.
In this penetrating and provocative assessment of the current state of religion and its effects on society at large, Philip J. Lee criticizes conservatives and liberals alike as he traces gnostic motifs to the very roots of American Protestantism. With references to an extraordinary spectrum of writings from sources as diverse as John Calvin, Martin Buber, Tom Wolfe, Margaret Atwood, and Emily Dickinson, he probes the effects of gnostic thinking on a wide range of issues. Calling for the restoration of a dialectical faith and practice, the book points to positive ways of restoring health to endangered Protestant churches.
Judy leads what appears to be the perfect teen life. She is a vivacious, intelligent, active girl. She loves her horses, her barrel riding, her BFF Helen and adores her adoptive father. But she is hiding a not so well kept secret. Her adoptive mother has mental issues that are a threat to Judy. Her adoptive father is convinced that if she and her adoptive mother spend enough time together they will develop a mother daughter relationship. A small network of protectors try to keep her safe but know it is a situation that could turn into serious situation at any moment. Judy may not survive Her mothers abusive rants and her unpredictable assaults. One last explosive violent act changes life for everyone concerned.
Examining the literature of slavery and race before the Civil War, Maurice Lee, in this 2005 book, demonstrates how the slavery crisis became a crisis of philosophy that exposed the breakdown of national consensus and the limits of rational authority. Poe, Stowe, Douglass, Melville, and Emerson were among the antebellum authors who tried - and failed - to find rational solutions to the slavery conflict. Unable to mediate the slavery controversy as the nation moved toward war, their writings form an uneasy transition between the confident rationalism of the American Enlightenment and the more skeptical thought of the pragmatists. Lee draws on antebellum moral philosophy, political theory, and metaphysics, bringing a different perspective to the literature of slavery - one that synthesizes cultural studies and intellectual history to argue that romantic, sentimental, and black Atlantic writers all struggled with modernity when facing the slavery crisis.
Kerux Commentaries enable pastors and teachers to understand and effectively present the main message in a biblical text. Unlike any other commentary series, each volume is written by an expert in biblical exegesis and an experienced homiletician in partnership. Inclusion of a preaching author means that the commentary is focused on biblical insights that are useful in biblical teaching, with communication strategies and illustrations for each passage that are powerful and engaging. Each volume is divided into distinct preaching segments, in which the authors guide the reader through a well-tested sequence: exegetical analysis, theological focus, and teaching strategy. Based on the text-driven Big Idea model, Kerux enhances the reader's ability to deliver a message that is biblical, cohesive, and dynamic.
Offers insight into the lesser-known complexities of the general's personality, in a biography based on his unpublished personal correspondence and covering such topics as his early years, relationships with family and slaves, and thoughts on military str
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