In the aftermath of a traumatic event, a young man navigates small-town gossip, grief and recovery amidst a culture of toxic masculinity. “A heart-soaring act of literary bravery,” Car Crash is a hopeful, raw coming-of-age story for our times (Trent Dalton). “Bruisingly insightful.”—The Guardian • “Delivers from the first arresting page.”—Inside Story • “Moving, lyrical, warmly told and very funny.”—Brooke Davis, author of Lost & Found • “Shines with a fierce intelligence.”—Kristina Olsson, author of Shell Why did he get to live, and not them? This question has plagued Lech Blaine ever since he was a teenager, when he got into a car that never arrived at its destination. Of his crew of friends who were in the car, Blaine was the only passenger who made it out unscathed. In the aftermath of the accident that sent shockwaves through his small town, Blain was thrust into the local spotlight, fielding questions from journalists, police, and feeling pressure to perform his grief in public and on social media. In a community where men were expected to be strong and silent, Blaine felt that he had no one to turn to with his complicated emotions. In Car Crash, Blaine offers an intimate, brave account of what it’s like to survive a tragedy that others didn’t––and a moving portrait of a young person struggling to define his own masculinity. Blaine was raised to believe that being masculine meant projecting toughness, stoicism, and dominance, and this belief leads him to alcohol and disordered eating to cope with his pain. But as Blaine finally learns to open up with family, friends, and a therapist, he comes to realize the meaning of true strength, and the power of vulnerability to bring hope and healing. “Some books just have to be written. And some books just have to be read.”—Trent Dalton, author of Boy Swallows Universe
Where will Dutton lead the Coalition? Who is Peter Dutton, and what happened to the Liberal Party? In Bad Cop, Lech Blaine traces the making of a hardman – from Queensland detective to leader of the Opposition, from property investor to minister for Home Affairs. This is a story of ambition, race and power, and a politician with a plan. Dutton became Liberal leader with a strategy to win outer-suburban and regional seats from Labor. Since then we have seen his demolition of the Voice and a rolling campaign of culture wars. What does Peter Dutton know about the Australian electorate? Has he updated Menzies' Forgotten People pitch for the age of anxiety, or will he collapse the Liberals' broad church? This revelatory portrait is sardonic, perceptive and altogether compelling. "Dutton doesn't need to become prime minister to redraw the battle lines of Australian politics. His fight with Albanese over parochial voters was always going to drag the political conversation rightwards: on race, immigration, gender and the pace of a transition away from fossil fuels ... Dutton's raison d'être? Make Australia Afraid Again. Then he will offer himself as the lesser of two evils. A serious strongman for the age of anxiety."—Bad Cop, Lech Blaine
Who can be a larrikin and how is it used politically? The figure of the larrikin goes deep in Australian culture. But who can be a larrikin, and what are its political uses? This brilliant essay looks at Australian politics through the prisms of class, egalitarianism and masculinity. Lech Blaine examines some “top blokes,” with particular focus on Scott Morrison and Anthony Albanese, but stretching back to Bob Hawke and Kerry Packer. He shows how Morrison brought a cohort of voters over to the Coalition side, “flipping” what was once working-class Labor culture. Blaine weaves his own experiences through the essay as he explores the persona of the Aussie larrikin. What are its hidden contradictions – can a larrikin be female, or Indigenous, say? – and how has it been transformed by an age of affluence and image?
In the aftermath of a traumatic event, a young man navigates small-town gossip, grief and recovery amidst a culture of toxic masculinity. “A heart-soaring act of literary bravery,” Car Crash is a hopeful, raw coming-of-age story for our times (Trent Dalton). “Bruisingly insightful.”—The Guardian • “Delivers from the first arresting page.”—Inside Story • “Moving, lyrical, warmly told and very funny.”—Brooke Davis, author of Lost & Found • “Shines with a fierce intelligence.”—Kristina Olsson, author of Shell Why did he get to live, and not them? This question has plagued Lech Blaine ever since he was a teenager, when he got into a car that never arrived at its destination. Of his crew of friends who were in the car, Blaine was the only passenger who made it out unscathed. In the aftermath of the accident that sent shockwaves through his small town, Blain was thrust into the local spotlight, fielding questions from journalists, police, and feeling pressure to perform his grief in public and on social media. In a community where men were expected to be strong and silent, Blaine felt that he had no one to turn to with his complicated emotions. In Car Crash, Blaine offers an intimate, brave account of what it’s like to survive a tragedy that others didn’t––and a moving portrait of a young person struggling to define his own masculinity. Blaine was raised to believe that being masculine meant projecting toughness, stoicism, and dominance, and this belief leads him to alcohol and disordered eating to cope with his pain. But as Blaine finally learns to open up with family, friends, and a therapist, he comes to realize the meaning of true strength, and the power of vulnerability to bring hope and healing. “Some books just have to be written. And some books just have to be read.”—Trent Dalton, author of Boy Swallows Universe
Who can be a larrikin and how is it used politically? The figure of the larrikin goes deep in Australian culture. But who can be a larrikin, and what are its political uses? This brilliant essay looks at Australian politics through the prisms of class, egalitarianism and masculinity. Lech Blaine examines some “top blokes,” with particular focus on Scott Morrison and Anthony Albanese, but stretching back to Bob Hawke and Kerry Packer. He shows how Morrison brought a cohort of voters over to the Coalition side, “flipping” what was once working-class Labor culture. Blaine weaves his own experiences through the essay as he explores the persona of the Aussie larrikin. What are its hidden contradictions – can a larrikin be female, or Indigenous, say? – and how has it been transformed by an age of affluence and image?
Where will Dutton lead the Coalition? Who is Peter Dutton, and what happened to the Liberal Party? In Bad Cop, Lech Blaine traces the making of a hardman – from Queensland detective to leader of the Opposition, from property investor to minister for Home Affairs. This is a story of ambition, race and power, and a politician with a plan. Dutton became Liberal leader with a strategy to win outer-suburban and regional seats from Labor. Since then we have seen his demolition of the Voice and a rolling campaign of culture wars. What does Peter Dutton know about the Australian electorate? Has he updated Menzies' Forgotten People pitch for the age of anxiety, or will he collapse the Liberals' broad church? This revelatory portrait is sardonic, perceptive and altogether compelling. "Dutton doesn't need to become prime minister to redraw the battle lines of Australian politics. His fight with Albanese over parochial voters was always going to drag the political conversation rightwards: on race, immigration, gender and the pace of a transition away from fossil fuels ... Dutton's raison d'être? Make Australia Afraid Again. Then he will offer himself as the lesser of two evils. A serious strongman for the age of anxiety."—Bad Cop, Lech Blaine
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