The fabulous forsome from TV's Felicity Keri Russell, stars as Felicity Scott Speedman plays Ben Scott Foley portrays Noel Amy Jo Johnson plays Julie How do these giffed actors feel about the characters they play? Are they similar to them in any way? what are their lives like on and off the set of TV's hottest show? Find out the real story of Felicity's hot yong stars.
As the clock counts down to midnight, Molly Sullivan's picture-perfect boyfriend asks her to marry him. She should say yes, especially considering the baby-sized surprise she's carrying. But something in her heart is telling her to say no. Now, Molly's future can follow two paths: one where she stays with her baby's father despite her misgivings and one where she ventures out on her own into the daunting world of single motherhood. And, by the time the next New Year is rung in, Molly will know which was right - following her head or listening to her heart.
Straightforward, practical guidance for working fraud examiners and forensic accountants In Data Sleuth: Using Data in Forensic Accounting Engagements and Fraud Investigations, certified fraud examiner, former FBI support employee, private investigator, and certified public accountant Leah Wietholter delivers a step-by-step guide to financial investigation that can be applied to almost any forensic accounting use-case. The book emphasizes the use of best evidence as you work through problem-solving data analysis techniques that address the common challenge of imperfect and incomplete information. The accomplished author bridges the gap between modern fraud investigation theory and practical applications and processes necessary for working practitioners. She also provides: Access to a complimentary website with supplementary resources, including a Fraud Detection Worksheet and case planning template Strategies for systematically applying the Data Sleuth® framework to streamline and grow your practice Methods and techniques to improve the quality of your work product Data Sleuth is an indispensable, hands-on resource for practicing and aspiring fraud examiners and investigators, accountants, and auditors. It’s a one-of-a-kind book that puts a practical blueprint to effective financial investigation in the palm of your hand.
The Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms.
Personal accounts of adultery, cruelty, desertion and nullity fill this exposition of divorce and separation in Scotland in the seventeenth, eighteenth and early nineteenth centuries. Leah Leneman brings vividly to life the marriages and affairs, loves and hates, tenderness and harshness experienced by men and women whose marriages broke down in this period. Their stories, told in their own words, come from the entire spectrum of Scottish society, from the aristocracy to the 'common' people. Contrary to popular belief, divorce and legal separation were available on equal terms to men and women in eighteenth- and early nineteenth-century Scotland. Alienated Affections offers an overall picture of this phenomenon, richly illustrated by the experiences of individuals.
When Leah Reinhart was six years old, her family moved to an unlikely neighborhood on a hill much like the country—a place where everyone dressed and lived like they were living a real-life Little House on the Prairie. Yet their new home was in Oakland, California, and everything surrounding Leah’s neighborhood was the polar opposite of their old-fashioned lifestyle. As an already scared little white girl in a predominantly African American city, Leah quickly learned that would have to face many of her fears—or get eaten alive. And in her search for love and belonging, she also found that things aren’t always as they appear. As she got to know her neighbors, most of whom belonged to the neighborhood church, she began to realize that the hood was sometimes much safer than the country. Over the course of her life—learning from the streets, a cult, trial and error, and many years of therapy—Leah developed an eye for patterns. She learned how the belief system she’d absorbed during her childhood manifested in her teenage years and young adulthood. Ultimately, she learned how to change her thoughts and accept herself—and in doing so, she broke free of the cycle she’d been imprisoned by.
In spite of South Africa’s progressive constitution, citizen’s intolerance of non-citizens, refugees and economic migrants has escalated in recent years. What is more, xenophobic attacks are covered in the public discourse as mere episodes of crisis and often rather fuel rhetoric of national machismo than leading to an acknowledgement of the stories and experiences of people seeking refuge and being exposed to hostility on an everyday basis. This ethnography engages with the strategies employed by a group of refugee men from different African countries in surviving and stabilising their existence in the ‘mother city’ Cape Town in the face of precarity. It grapples with questions of how the men manage to bring about certainty in the face of unpredictability and extends its focus to the men’s dreams and the modes by which these are sought to be achieved. It thereby highlights the ways in which objectifications as refugees and less-than-human are somewhat transcended by navigating spaces with care, purpose and imagination.
Dr. Fliss Wakefield has sworn off love—her last relationship was a disaster! Having sought solace in picturesque Mount Prdye, she is looking forward to her new A&E job. But Fliss is totally unprepared for the attraction she feels for her handsome workaholic boss, Callum O’Byrne Callum is guarded. He’s been burned before and his hope for a family has been dashed in the past. He can’t indulge in the dream of happily ever after—even with the beautiful Fliss. Until the knowledge that he’s going to be a father gives him the courage to take another chance…
From the acclaimed writer of some of the most unforgettable love stories on television comes a new kind of hybrid: compelling romance, vivid guidebook and delectable cookbook all in one. After losing her Wall Street job, dumping her boyfriend, and moving back in with her parents, Claudia Davis needs a new life. Then, she reads about Le Marche, a region of Italy with breathtaking scenery, a rich heritage and a tradition of farm-to-table culinary delights. She's never heard of it, but since it's undiscovered it's still affordable -- and she's got just enough to make it through a year. On the back of a Vespa, with her handsome Italian teacher as her guide, Claudia discovers the treasures -- and foods -- of the region. But things get complicated when she crosses paths -- and swords -- with Giancarlo Russo, a brilliant but embittered chef. With his potential and her ambition, it's clear they could build something together. But can they make room for love when there's a Michelin star at stake? Featuring recipes by Lucio Pompili
Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which «transgression» itself has become a site of struggle.
If you have ever Loved and lost, and loved again; coped with an impossible family member; juggled marriage, children, career and a mortgage, while somehow trying to find time for yourself; been embroiled in a lawsuit in which only the lawyers won; battled the bulge and/or struggled with body image; suffered the tragic loss of a loved one; or become one of the sandwich generation, raising kids while caring for older parents; this is a book you will want to read. We Are Becoming...is the story of an ordinary woman who found she possessed extraordinary abilities. Her journey encompasses the common milestones that many women experience. However, her story is viewed through a third eye lens as an intuitive who learns to own and develop her healing gifts. This account of one womans spiritual quest is amusing, poignant and at the same time, illuminating. May it empower you to discover your own gifts and, ultimately, to embrace the shining spirit that inhabits us all.
In this fascinating book, Marcus argues that the colonial context in which Shakespeare was edited and disseminated during the heyday of British empire has left a mark on Shakespeare’s texts to the present day. Marcus traces important ways in which the colonial enterprise of setting forth the best possible Shakespeare for world consumption has continued to be visible in the recent treatment of Shakespeare’s texts today, despite our belief that we are global or post-colonial in approach.
This important publication is the first from the Yale University Art Gallery dedicated to Indigenous North American art. Accompanying a student-curated exhibition, it marks a milestone in the collection, display, and interpretation of Native American art at Yale and seeks to expand the dialogue surrounding the University’s relationship with Indigenous peoples and their arts. The catalogue features an introduction by the curators that surveys the history of Indigenous art on campus and outlines the methodology used while researching and mounting the exhibition; a discussion of Yale’s Native American Cultural Center; and a preface by the Medicine Woman and Tribal Historian of the Mohegan Nation. Also included are images of nearly 100 works—basketry, beadwork, drawings, photography, pottery, textiles, and wood carving, from the early 1800s to the present day—drawn from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Beinecke Rare Book and Manuscript Library. The objects are grouped into four sections, each introduced with a short essay, that center on the themes in the book’s title. Together, these texts and artworks seek to amplify Indigenous voices and experiences, charting a course for future collaborations.
A vibrant, heartwarming collection of 15 middle grade stories and poems that celebrates the joy, strength, and experience of Black girlhood, including stories from Ibi Zoboi, Sharon M. Draper, and Leah Johnson, as well as cover art from Caldecott winner Vashti Harrison. Black girl power is... Bringing your favorite stuffed animal to your first real sleepover. . . Escaping an eerie dollhouse that’s got you trapped inside. . . Making new friends one magical baked good at a time. . . Finding the courage to dance to the beat of your own drum. . . And more! From 15 legendary Black women authors comes a dazzling collection of stories and poems about the power we find in the everyday and the beauty of Black girlhood. Contributors include: Amerie, Kalynn Bayron, Roseanne A. Brown, Elise Bryant, Dhonielle Clayton, Natasha Diaz, Sharon M. Draper, Sharon Flake, Leah Johnson, Kekla Magoon, Janae Marks, Tolá Okogwu, Karen Strong, Renée Watson, and Ibi Zoboi
A daughter’s remarkable and unflinching exploration of the unconventionally intimate relationship she shared with her mother—a brilliant and charismatic woman haunted by past trauma. When her daughter is eight, Leah McLaren’s mother abruptly fled her life as rural house wife in search a glamorous career in the city. In the chaotic years that follow, Cecily lurches from one apartment, job and toxic romance to the next. In a home without rules or emotional boundaries, Leah and Cecily become confidants—a state of enmeshment that suits them both. Their bond is loving but also marked by casual indifference. Cecily’s self-described parenting style of “benign neglect” is a hilarious party joke, but for her daughter it’s reality. In Leah’s first year of high school, Cecily makes a disclosure that will forever alter their relationship: From 12 to 15, Cecily confides, she was the lover of her 45-year-old married pony club instructor. The trauma of the “Horseman,” she explains, is the reason for all her ill-conceived life choices, including marriage and motherhood itself which she now bitterly regrets. For years after, into adulthood, Leah is haunted by the specter of the Horseman. He is the nameless darkness she observes in Cecily and worse yet, recognizes in herself. Eventually she sets out to discover truth of what became of her mother’s rapist. Leah believes she will find solace in the facts, but first she must grasp a deeper truth: That this story—her story—is not the Horseman’s after all. A riveting and devastating portrait of mother and daughter, Where You End and I Begin explores the way intergenerational trauma is shared between women and how acts of harm can be confused with acts of love.
Miriam Caine, aged seventy, is dining with her son when she bursts into flames in the restaurant of a five-star hotel. The restaurant’s manager, Troy Berrigan, is first to her aid, but the woman later dies of her injuries. When investigators find accelerants on the victim’s face and clothing, the incident becomes a police matter, and attention is turned to Berrigan, a fallen hero cop, who fits the arsonist profil e. Berrigan knows he’s not the killer, but he also knows that at the time of the incident, he was the only person close enough to have set her on fire. When he’s connected to another death, Troy must do all he can to discover what really happened to Miriam Caine. Her death preludes a spate of apparently unconnected acid and arson attacks around Sydney. Is it the beginning of an orchestrated campaign of terror? And is Troy Berrigan the perpetrator or an innocent bystander caught up in a terrible train of events? While on study leave, Detective Sergeant Jill Jackson becomes caught up in the investigation. Working with Federal Agent Gabriel Delahunt, she is determined to find out what happened to Miriam Caine, because this case for her is not only about murder and maiming in Sydney: this case will change Jill Jackson’s life forever.
This guide to Dominican Republic and Haiti provides information on the best locales for surfing and diving; the most interesting and challenging hikes in the Central Highlands; where to see the orchids of Punte Rucia; coverage of national parks; and how to get around Hispaniola.
Constitutional Law, Ninth Edition by Geoffrey R. Stone, Louis M. Seidman, Cass R. Sunstein, Mark V. Tushnet, Pamela S. Karlan, Aziz Z. Huq, and Leah M. Litman guides students through all facets of constitutional law, exploring traditional constitutional doctrine through the lens of varying critical and social perspectives informed by political theory, philosophy, sociology, ethics, history, and economics. Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Constitutional Law, Ninth Editiontakes a comprehensive approach to the way in which constitutional law arises. It offers instructors carefully edited cases and rich, interdisciplinary material for classroom discussion. Logically organized for a two-semester course, the first part of Constitutional Law tackles issues concerning separation of powers and federalism; the second part addresses all facets of individual rights and liberties. Constitutional Law, Ninth Edition, also provides thoughtfully selected content on the First Amendment, to give students a well-rounded understanding of religion and free speech issues. New to the Ninth Edition: Extensively revised treatment of the Religion Clauses. Revamped material on abortion rights given Dobbs v. Jackson Women’s Health Organization. More focused and tightened presentation of judicial review, federalism, and other areas. Professors and students will benefit from: The text’s attention to policy, including discussion of competing critical and social perspectives. An interdisciplinary approach that draws on political theory, philosophy, sociology, ethics, history, and economics. Thoughtful editing, including both lightly and more tightly edited cases, that balances close textual analysis with comprehensive converge of important opinions and pivotal cases. Streamlined treatment of First Amendment law, so that it efficiently provides the necessary fundamentals in free speech and religious liberties jurisprudence. A comprehensive coverage that is ideal for a two-semester course.
The Color of Law brilliantly recounted how government at all levels created segregation. Just Action describes how we can begin to undo it. In his best-selling book The Color of Law, Richard Rothstein demolished the de facto segregation myth that black and white Americans live separately by choice, providing “the most forceful argument ever published on how federal, state, and local governments gave rise to the reinforced neighborhood segregation” (William Julius Wilson). This landmark work—through its nearly one million copies sold—has helped to define the fractious age in which we live. The Color of Law’s unrefuted account has become conventional wisdom. But how can we begin to undo segregation’s damage? “It’s rare for a writer to feel obligated to be so clear on solutions to the problems outlined in a previous book,” writes E. J. Dionne, yet Richard Rothstein—aware that twenty-first-century segregation continues to promote entrenched inequality—has done just that, teaming with housing policy expert Leah Rothstein to write Just Action, a blueprint for concerned citizens and community leaders. As recent headlines informed us, twenty million Americans participated in racial justice demonstrations in 2020. Although many displayed “Black Lives Matter” window and lawn signs, few considered what could be done to redress inequality in their own communities. Page by page, Just Action offers programs that activists and their supporters can undertake in their own communities to address historical inequities, providing bona fide answers, based on decades of study and experience, in a nation awash with memes and internet theories. Often forced to respond to social and political outrage, banks, real estate agencies, and developers, among other institutions, have apologized for past actions. But their pledges—some of them real, others thoroughly hollow—to improve cannot compensate for existing damage. Just Action shows how community groups can press firms that imposed segregation to finally take responsibility for reversing the harm, creating victories that might finally challenge residential segregation and help remedy America’s profoundly unconstitutional past.
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