The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
ZURÜCK IN DIE ARME DES GRIECHISCHEN MILLIONÄRS? von GRAHAM, LYNNE Wie Smaragde schimmern Nik Christakis’ Augen - und wecken eine Begierde in Betsy, gegen die sie machtlos ist. Dabei wollte sie eigentlich nur noch eins von dem griechischen Millionär: die Scheidung! Doch ein letztes Mal gibt sie seiner Anziehung nach. Mit ungeahnten Folgen ... SPIEL NICHT MIT DER LIEBE! von PHILLIPS, CHARLOTTE Schon viel zu lange hat Emma gehofft, dass sich ihre Scheinbeziehung mit dem faszinierenden Unternehmer Dan Morgan in echte Liebe verwandelt - vergeblich! Aber ausgerechnet als sie ihre platonische Abmachung beenden will, küsst Dan sie heiß. Empfindet er etwa doch mehr für sie? VERFÜHRT VON EINEM ITALIENISCHEN PLAYBOY von KENNY, JANETTE "Ich kann dir alles geben, was du möchtest." Luciano Duchelinis Angebot ist so verlockend wie gefährlich für Caprice. Zwar könnte sie mit der Hilfe des unwiderstehlichen Playboys ihr Familienanwesen in den Bergen retten. Doch wenn sie ihm dabei zu nahekommt, ist sie verloren ... EINE FILMREIFE AFFÄRE von ASHTON, LEAH Ruby hat eine Regel: Keine Affären bei der Arbeit! Dumm nur, dass der sexy Hollywood-Star Devlin Cooper sich daran nicht im Geringsten stört. Als Ruby bei seinem neuesten Filmdreh als Produktionsassistentin arbeitet, versucht er sie vom ersten Augenblick an zu verführen ...
An indispensible guide for the northern traveller, Milepost's New Roadhouse Recipes reveals the culinary tastes of Alaska and northern Canada. Both a cookbook and a travel guide to this vast region, it offers more of the menus that made Alaska Roadhouse Recipes such a hit with readers-breakfasts, appetizers, main dishes, desserts and more. Included are captivating features on personalities and places along the remote Northern road system, along with memorable meals to try back home.
Troisième opus de Leah Raeder : Intelligente, sexy et provocante, l'histoire d'une passion interdite entre une élève et son jeune professeur. Maise O'Malley vient de fêter ses 18 ans et s'apprête à commencer des études de cinéma. Cette jeune fille au caractère bien trempé, qui prétend n'avoir peur de rien et ment volontiers sur son âge, a toujours eu l'impression d'avoir grandi trop vite. Quand elle rencontre Evan un soir dans une fête foraine, l'attirance est immédiate, intense, et pour elle sans lendemain. Pourtant, dès le jour suivant, Maise ne pense à rien d'autre qu'à lui. Ce trentenaire lui fait découvrir combien l'amour peut être plus qu'une brève rencontre, qu'il peut révéler une complicité inattendue avec un homme qui la comprend réellement. Un homme qui voit derrière ses bravades la petite fille effrayée et courageuse qu'elle est en réalité. Le jour de la rentrée, Maise découvre avec stupeur qu'Evan n'est autre que Mr Wilke, son nouveau professeur de cinéma. Tous deux décident d'interrompre leur liaison, mais leurs sentiments les rattrapent : ils sont incapables de résister à leur attirance mutuelle. Si à l'université et devant les autres, Maise et Evan sont deux acteurs feignant l'indifférence, dès qu'ils partagent des moments ensemble, ils se sentent vivre et être pleinement eux-mêmes. Mais leurs masques sont fragiles et menacent souvent de tomber. Les élèves les observent, les rumeurs courent... Commence alors un jeu dangereux dont il leur sera difficile de sortir indemnes. uatrième de couverture Maise O'Malley vient de fêter ses 18 ans et s'apprête à commencer des études de cinéma. Cette jeune fille au caractère bien trempé, qui prétend n'avoir peur de rien et ment volontiers sur son âge, a toujours eu l'impression d'avoir grandi trop vite. Quand elle rencontre Evan un soir dans une fête foraine, l'attirance est immédiate, intense, et pour elle sans lendemain. Pourtant, dès le jour suivant, Maise ne pense à rien d'autre qu'à lui. Ce trentenaire lui fait découvrir combien l'amour peut être plus qu'une brève rencontre, qu'il peut révéler une complicité inattendue avec un homme qui la comprend réellement. Un homme qui voit derrière ses bravades la petite fille effrayée et courageuse qu'elle est en réalité. Le jour de la rentrée, Maise découvre avec stupeur qu'Evan n'est autre que Mr Wilke, son nouveau professeur de cinéma. Tous deux décident d'interrompre leur liaison, mais leurs sentiments les rattrapent : ils sont incapables de résister à leur attirance mutuelle. Si à l'université et devant les autres, Maise et Evan sont deux acteurs feignant l'indifférence, dès qu'ils partagent des moments ensemble, ils se sentent vivre et être pleinement eux-mêmes. Mais leurs masques sont fragiles et menacent souvent de tomber. Les élèves les observent, les rumeurs courent... Commence alors un jeu dangereux dont il leur sera difficile de sortir indemnes.
A MOST ANTICIPATED BOOK • From renowned organizers and activists Leah Hunt-Hendrix and Astra Taylor, comes the first in-depth examination of Solidarity—not just as a rallying cry, but as potent political movement with potential to effect lasting change. “A window into what is possible when we reject the politics of division, trade individualism for interconnectedness and prioritize coming together for the greater good.”—Heather McGhee, author of The Sum of Us: What Racism Costs Everyone Solidarity is often invoked, but it is rarely analyzed and poorly understood. Here, two leading activists and thinkers survey the past, present, and future of the concept across borders of nation, identity, and class to ask: how can we build solidarity in an era of staggering inequality, polarization, violence, and ecological catastrophe? Offering a lively and lucid history of the idea—from Ancient Rome through the first European and American socialists and labor organizers, to twenty-first century social movements like Occupy Wall Street and Black Lives Matter—Hunt-Hendrix and Taylor trace the philosophical debates and political struggles that have shaped the modern world. Looking forward, they argue that a clear understanding of how solidarity is built and sustained, and an awareness of how it has been suppressed, is essential to warding off the many crises of our present: right-wing backlash, irreversible climate damage, widespread alienation, loneliness, and despair. Hunt-Hendrix and Taylor insist that solidarity is both a principle and a practice, one that must be cultivated and institutionalized, so that care for the common good becomes the central aim of politics and social life.
Debates over the headscarf and niqab, so-called ‘sharia-tribunals’, Female Genital Operations and forced marriages have raged in Europe and North America in recent years, raising the question – does accommodating Islam violate women’s rights? The book takes issue with the terms of this debate. It contrasts debates in France over the headscarf and in Canada over religious arbitration with the lived experience of a specific group of Muslim women: Somali refugee women. The challenges these women eloquently describe first-hand demonstrate that the fray over accommodating culture and religion neglects other needs and engenders a democratic deficit. In Refugee Women: Beyond Gender versus Culture, new theoretical perspectives recast both the story told and who tells the tale. By focusing on the politics underlying how these debates are framed and the experiences of women at the heart of these controversies, women are considered first and foremost as democratic agents rather than actors in the ‘culture versus gender’ script. Crucially, the institutions and processes created to address women’s needs are critically assessed from this perspective. Breaking from scholarship that focuses on whether the accommodation of culture and religion harms women, Bassel argues that this debate ignores the realities of the women at its heart. In these debates, Muslim women are constructed as silent victims. Bassel pleads compellingly for a consideration of women in all their complexity, as active participants in democratic life. The book will appeal to students and scholars throughout the social sciences, particularly of sociology, political science and women’s studies.
A killer monkey. Suburban witchcraft. Motorcycle jousting. A cockroach invasion. Despite this enticing list of other subjects, George A. Romero is best known for the genre-defining 1968 film Night of the Living Dead and subsequent zombie films. The non-zombie films in his decades-long career have gotten varied degrees of critical examination but they remain underexamined compared to the Dead flicks. This book focuses on Romero's "other" work, highlighting lesser-known films such as There's Always Vanilla (1971) and Bruiser (2000), as well as more popular films such as Martin (1977) and The Crazies (1973). It examines how his body of work participates in social critique by delving into issues such as capitalism's pitfalls and excesses, domestic and racial power imbalances, and our patriarchal culture's expectations of masculinity, femininity, and sexuality.
In the late seventeenth and eighteenth centuries, the 'woman writer' emerged as a category of authorship in England. Publishing the Woman Writer in England, 1670-1750 seeks to uncover how exactly this happened and the ways publishers tried to market a new kind of author to the public. Based on a survey of nearly seven hundred works with female authors from this period, this book contends that authorship was constructed, not always by the author, for market appeal, that biography often supported an authorial persona rooted in the genre of the work, and that authorship was a role rather than an identity. Through an emphasis on paratexts, including prefaces, title pages, portraits, and biographical notes, Leah Orr analyses the representation of women writers in this period of intense change to make two related arguments. First, women writers were represented in a variety of ways as publishers sought successful models for a new kind of writer in print. Second, a new approach is needed for studying early women writers and others who occupy gaps in the historical record. This book shows that a study of the material contexts of printed books is one way to work with the evidence that survives. It therefore begins with a very familiar kind of author-centric literary history and deconstructs it to conclude with a reception-centered history that takes a more encompassing view of authorship. In addition to analysis of many little-known and anonymous authors, case studies include Aphra Behn, Catharine Trotter/Cockburn, Laetitia Pilkington, Marie-Catherine d'Aulnoy, and Anne Dacier.
Abigail Dawson is a little red-haired mountain girl who has been so traumatized by incidents in her life that she changes from a bright, sunny two-year-old to a very serious and timid young woman. Her mother plays a very important role in keeping this trauma in the forefront of her mind, although unintentionally. Abigail is taken to the hospital, where she remains for therapy, but Lucas Sutherland appears in her life and helps to break down the barriers holding her in torment. He and his prayers are the source of Abigail's redemption.
Personal accounts of adultery, cruelty, desertion and nullity fill this exposition of divorce and separation in Scotland in the seventeenth, eighteenth and early nineteenth centuries. Leah Leneman brings vividly to life the marriages and affairs, loves and hates, tenderness and harshness experienced by men and women whose marriages broke down in this period. Their stories, told in their own words, come from the entire spectrum of Scottish society, from the aristocracy to the 'common' people. Contrary to popular belief, divorce and legal separation were available on equal terms to men and women in eighteenth- and early nineteenth-century Scotland. Alienated Affections offers an overall picture of this phenomenon, richly illustrated by the experiences of individuals.
In Write-Off, Author Leah J. Salisbury introduces us for the first time to Claire Phillips, a forty-ish businesswoman and accounting manager from a large New England city, who moves with her chronically ill husband to a small Vermont town. It is here, in Dayville, Vermont, that Claire’s moral values and ethics are turned upside down with the onslaught of her predecessor’s mysterious disappearance and the several subsequent murders of friends and co-workers. Claire struggles with the loss of those dearest to her, while learning the hard lesson of not knowing which friends she can really trust. Her dilemma is made even worse by having a difficult and unreasonable boss, by the demands of her job, and by the eventual threats on her own life. Salisbury’s first novel leads us on a journey of intrigue and suspense as she explores the personalities and motives behind white collar crime and the several possible candidates guilty of Dayville’s alarming number of murders, while weaving a tale of romance, love, and suspicion amongst the staff of a private girls’ boarding school
Did you know that hundreds of Tennessee Volunteers fans dock their boats outside the stadium before games? These fans are known as the “Vol Navy.” Learn more about this college team’s history, traditions, uniforms, team records, coaches, and legendary players in Tennessee Volunteers, part of the Inside College Football series
Twenty five years after the release of their multi-platinum, blockbuster album, Rumours, Fleetwood Mac remains one of the most influential groups in rock music. Ten years after their split, their reunion tour sold out across the world. This title chronicles the journey of this musical legend, from the formation of the band by guitarist Peter Green and John McVie in 1967 to the eight years of struggle and many changes in line-up. Features eight pages of b/w photos and four pages of full-colour photos.
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