The Ugliness of Moses Mendelssohn examines the idea of ugliness through four angles: philosophical aesthetics, early anthropology, physiognomy and portraiture in the eighteenth-century. Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise—and expand—our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction—an ugly object (Mendelssohn) made beautiful—illustrates his theory’s possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity. Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.
The Ugliness of Moses Mendelssohn examines the idea of ugliness through four angles: philosophical aesthetics, early anthropology, physiognomy and portraiture in the eighteenth-century. Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise—and expand—our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction—an ugly object (Mendelssohn) made beautiful—illustrates his theory’s possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity. Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.
Together with Leah Crawford, Angela Jenkins and Julie Sargent, Bob Cox has compiled this rich resource, complete with vivid illustrations by Victoria Cox, to help teachers enhance their learners' engagement with challenging texts and develop their writing skills as budding wordsmiths.Working in association with the Opening Doors network of schools, the authors address the vital concept of pitching high but including all pupils and how this approach can be delivered in practice. Opening Doors to Ambitious Primary Englishexplains and models top quality ways of thinking, planning and teaching. Theresources, case studies andauthors' innovative ideas on theorywill help you to make primary English vibrant, creative and challenging in your school. It alsoprovides frameworks and principlesfor any school wishing to be more ambitious in developing pupils' speaking, listening, reading, writing and thinking witha greater sense of curiosity and more originality. Opening Doors to Ambitious Primary Englishcontains chapter by chapter explanations of how English in primary schools can be developed in ambitious ways. Supported by research references, examples of pupils' work and illuminating case studies, the book provides teachers with a toolkit of strategies which schools can adapt and apply to their own contexts. The book is supported by the Opening Doors series of books which contain units of work based around selected texts. The authors hope this book will act as a starting block from which to develop an Opening Doors approach to English, and havesuggested key concepts around which the curriculum can be built, with the units providing examples to work from. Suitable for teachers and curriculum leads in primary settings.
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Two decades after the tragic accident that killed their father, Theodora, Josh, and Claire return to their childhood home to confront painful realities about their incapable mother and the devoted aunt who raised them.
The celebrated author of The Myth of You and Me explores an untraditional love story through the lens of a character actor who must finally become the hero of her own story. After a series of missteps in the face of his newfound fame, actor Charlie Outlaw flees to a remote island in search of anonymity and a chance to reevaluate his recent breakup with his girlfriend, actress Josie Lamar. But soon after his arrival on the peaceful island, his solitary hike into the jungle takes him into danger he never anticipated. As Charlie struggles with gaining fame, Josie struggles with its loss. The star of a cult TV show in her early twenties, Josie has spent the twenty years since searching for a role to equal that one, and feeling less and less like her character, the heroic Bronwyn Kyle. As she gets ready for a reunion of the cast at a huge fan convention, she thinks all she needs to do is find a part and replace Charlie. But she can't forget him, and to get him back she'll need to be a hero in real life.
Searingly honest, beautiful, and full of fragile urgency, The Myth of You and Me is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend. When Cameron was fifteen, Sonia was her best friend—no one could come between them. Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet. When an unexpected letter arrives from Sonia ten years after the incident that ended their friendship, Cameron doesn’t reply, despite Oliver’s urging. But then he passes away, and Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. Now without a job, a home, and a purpose, Cameron decides to honor his request, setting off on the road to find this stranger who was once her inseparable other half. The Myth of You and Me, the story of Cameron and Sonia’s friendship—as intense as any love affair—and its dramatic demise, captures the universal sense of loss and nostalgia that often lingers after the end of an important relationship.
A darkly sophisticated novel about an old woman's curiosity that turns into a dangerous obsession as she becomes involved in her new neighbor's complicated and cloaked life"--
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