Explosively passionate, this story of forbidden love and unmet potential is ... for anyone who’s ever felt the ineffable power of music." —Aja Gabel, author of The Ensemble The Piano Student is a novel about regret, secrecy, and music, involving an affair between one of the 20th century’s most celebrated pianists, Vladimir Horowitz, and his young male student, Nico Kaufmann, in the late 1930s. As Europe hurtles toward political catastrophe and Horowitz ascends to the pinnacle of artistic achievement, the great pianist hides his illicit passion from his wife Wanda, daughter of the renowned conductor Arturo Toscanini. Based on unpublished letters by Horowitz to Kaufmann that author Lea Singer discovered in Switzerland, this is a riveting and sensitive tale of musical perfection, love, and longing denied, with multiple historical layers and insights into artistic creativity.
So, who are you? A poet, musician, painter, sculptor, dancer, actor, a singer, or one of the many striving in the cultural sweatshop? Like most slaves to the Muse you are probably cash-poor, but you need a clear head and healthy body to be an artist. Well ... you can do it on $15 a week. Here is The One Recipe Recipe Book : a thoroughly engaging, ecologically friendly and vegetarian affirmative approach to breakfast, lunch and dinner. Conceived and created with the starving artist (and student) in mind, this culinary jewel appeals not only to the palate and pocketbook, but to our appetite for the picturesque in life.
Sing It, Dance It, Play It, Learn It! is a collection of original songs that teach life lessons through music and other activities while exploring basic music skills. Elementary music teacher's manual includes reproducible song sheets containing the melody and chord symbols. (Full piano accompaniments and Mp3s available separately.)
The Dred Scott case is the most notorious example of slaves suing for freedom. Most examinations of the case focus on its notorious verdict, and the repercussions that the decision set off-especially the worsening of the sectional crisis that would eventually lead to the Civil War-were extreme. In conventional assessment, a slave losing a lawsuit against his master seems unremarkable. But in fact, that case was just one of many freedom suits brought by slaves in the antebellum period; an example of slaves working within the confines of the U.S. legal system (and defying their masters in the process) in an attempt to win the ultimate prize: their freedom. And until Dred Scott, the St. Louis courts adhered to the rule of law to serve justice by recognizing the legal rights of the least well-off. For over a decade, legal scholar Lea VanderVelde has been building and examining a collection of more than 300 newly discovered freedom suits in St. Louis. In Redemption Songs, VanderVelde describes twelve of these never-before analyzed cases in close detail. Through these remarkable accounts, she takes readers beyond the narrative of the Dred Scott case to weave a diverse tapestry of freedom suits and slave lives on the frontier. By grounding this research in St. Louis, a city defined by the Antebellum frontier, VanderVelde reveals the unique circumstances surrounding the institution of slavery in westward expansion. Her investigation shows the enormous degree of variation among the individual litigants in the lives that lead to their decision to file suit for freedom. Although Dred Scott's loss is the most widely remembered, over 100 of the 300 St. Louis cases that went to court resulted in the plaintiff's emancipation. Beyond the successful outcomes, the very existence of these freedom suits helped to reshape the parameters of American slavery in the nation's expansion. Thanks to VanderVelde's thorough and original research, we can hear for the first time the vivid stories of a seemingly powerless group who chose to use a legal system that was so often arrayed against them in their fight for freedom from slavery.
Indian indigenous societies are especially known for their elaborate rituals, which offer an excellent chance for studying religion as practice. However, few detailed ethnographic works exist on the ritual practices of these societies. Based on long-term ethnographic fieldwork in Jharkhand, India this book offers insights into contemporary, previously not described rituals of the Santal, one of the largest indigenous societies of Central India. Its focus lies on culturally specific notions of place as articulated and created during these rituals. In three chapters the book discusses how the Santal "make place" on different local, regional and global levels through their rituals: They reaffirm their ancestral roots in their land during large sacrificial rituals. They offer sacrifices to the dangerous deities of the forest in exchange for rain. And they claim their region to be a "Santal region" through large festivals celebrated in sacred groves, which they link to national and global discourses of indigeneity and environmentalism. Through an analysis of the rituals of a specific society, this book addresses broader issues. It presents an example of how to study religion as a practical activity. It portrays culture-specific perceptions of the environment. And last, the book underlines the potential that lies in choosing place as a lens to study social phenomena in context.
So, who are you? A poet, musician, painter, sculptor, dancer, actor, a singer, or one of the many striving in the cultural sweatshop? Like most slaves to the Muse you are probably cash-poor, but you need a clear head and healthy body to be an artist. Well ... you can do it on $15 a week. Here is The One Recipe Recipe Book : a thoroughly engaging, ecologically friendly and vegetarian affirmative approach to breakfast, lunch and dinner. Conceived and created with the starving artist (and student) in mind, this culinary jewel appeals not only to the palate and pocketbook, but to our appetite for the picturesque in life.
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