ABOUT THE BOOK Based on his personal experiences and observations from living in Key West and Cuba, Hemingway composed the non-stop adventures of the indefatigable yachtsman Harry Morgan, an ex-policeman struggling to survive the Great Depression in the depths of Cuban revolutionary waters. The Morgan story was originally intended to be published in three separate short stories (Baker xvi)a narrative genre which Hemingway himself was redefining at the time. Hemingway had already published the first and second stories of Harry Morgan in Cosmopolitan and Esquire magazines (1934, 1935), and decided to revise all the tales into one novel. Yet the melding of the three stories, along with the intervening story of Richard Gordon, created a novel lacking in unity. Hemingway even admitted that To Have and Have Not was a procedural error (Baker xv), and his least gratifying book (Baker 205). The novel was crafted during a time in Hemingways life that experts describe as an interim period of artistic regression between his better glory days (Baker xvi). The start of the Spanish Civil War also influenced Hemingways time and focus on the novel, in that the main character as an individual comes to share the same fate as the oppressed proletarians of his society (Meyers 267). Hemingway worked and reworked with the manuscript, even relying on the unbiased editorial eyes of trusted friends (Mellow 485), until its final publication by Scribner in 1937. It opened to critical reviews which considered the work to be an anti-capitalist stance against the U.S. government with Marxist undertones, and as a novel divided against itselftelling multiple stories which just didnt cohere as a single novel (Mellow 488; Baker 205, 206). MEET THE AUTHOR LeAnne Bagnall is a professional Los Angeles-based writer and editor who specializes in American literature, culture, lifestyle, health, and community. LeAnne has been writing on topics of charity, philanthropy, health and wellness, and current events for a number of publications over the past five years. She earned a BA in English from the University of California, Santa Barbara with a Specialization in American Cultures and Global Contexts in 2006, and is trained in non-profit board management. She enjoys writing fiction, reading 20th century American and non-Western literature, swing dancing, watching classic film, collecting antiques, volunteering to support veterans, and spending her free time appreciating classic car culture. EXCERPT FROM THE BOOK You know how it is there early in the morning in Havana with the bums still asleep against the walls of the buildings; before even the ice wagons come by with ice for the bars? Most likely, you do not knowand could not possibly even knowwhat it would be like to see this scenario, yet this is the world into which Hemingway plunges his reader at the start of To Have and Have Not. The novel is ultimately about the perils of the Haves and Have Nots trying to survive the economic crisis of the Great Depression within the locale of Key West and Havana. It is a tumultuous political and social climate; the desperate and helpless population (especially those Cubans running their political revolution) are forced to take any means of income available to them, including the black market, murder, robbery, and smuggling. This is the world to which Harry Morgan, the storys main character, belongs as well. Harry is a tough, bold, cynical, and exceptionally smart yachtsman with a wife and three daughters living in Key West. Harry is forced to run contraband as well as human smuggling on his boat to make a living and survive the societal decay of the region. CHAPTER OUTLINE Quicklet on Ernest Hemingway's To Have and Have Not + About the Book + About the Author + Overall Summary + Chapter-by-Chapter Summary + ...and much more Ernest Hemingway's To Have and Have Not
ABOUT THE BOOK No, you shouldn’t only read Common Sense because it’s going to appear on your upcoming AP exam (although this writer was no exception to that rule during her time). A critique of America’s then-state of oppression—whose words helped launched the open debate for independence and paved the way for the American Revolution—holds as much relevance for today’s audience as it did during Paine’s era. Paine, the masterful writer, not only captured the sentiments of his generation of restless colonists eager for freedom, but has continued to do so today through his words’ timeless ability to incite ongoing generations of protesters and civil rights revolutionists in their expeditions for equality and justice. For this writer, Paine’s triumph into fame by way of his daring prose remains a high source of inspiration for my own passion to share through the written word (and a personal reminder to not be afraid of expressing my ideas, as I become my own worst critic). Paine is proof that well-written, passionate prose has the power to stir revolutions! Besides, when can you ever deny needing a little common sense for yourself? MEET THE AUTHOR LeAnne Bagnall is a professional Los Angeles-based writer and editor who specializes in American literature, culture, lifestyle, health, and community. She earned a BA in English from the University of California, Santa Barbara with a Specialization in American Cultures and Global Contexts. EXCERPT FROM THE BOOK In the second section, Paine brusquely refutes the principles of monarchy and of hereditary succession. Paine references the Bible several times to make his case that the foundation of a monarchy is plainly against the path of the scripture. He calls the government of kings outright idolatry, a form of government which did not result from divinity or from nature—but rather from the “Heathens” who sprang from unruly gangs and ruthlessly conquered their way into power against the will of the people. Quite bold for his day, Paine unabashedly refers to the founder of England’s monarchy, William the Conqueror, as “a French bastard” who pillaged his way to prideful leadership against the will of the people. Furthermore, the hereditary succession of kings does not guarantee that moral virtue is also hereditary, and that future generations will continually be ruled by gracious leaders on the throne. The passing of elderly kings to their infant sons can leave nations in a state of vulnerability in which special interest, enemies, and corruption can thrive... Buy a copy to keep reading!
ABOUT THE BOOK No, you shouldn’t only read Common Sense because it’s going to appear on your upcoming AP exam (although this writer was no exception to that rule during her time). A critique of America’s then-state of oppression—whose words helped launched the open debate for independence and paved the way for the American Revolution—holds as much relevance for today’s audience as it did during Paine’s era. Paine, the masterful writer, not only captured the sentiments of his generation of restless colonists eager for freedom, but has continued to do so today through his words’ timeless ability to incite ongoing generations of protesters and civil rights revolutionists in their expeditions for equality and justice. For this writer, Paine’s triumph into fame by way of his daring prose remains a high source of inspiration for my own passion to share through the written word (and a personal reminder to not be afraid of expressing my ideas, as I become my own worst critic). Paine is proof that well-written, passionate prose has the power to stir revolutions! Besides, when can you ever deny needing a little common sense for yourself? MEET THE AUTHOR LeAnne Bagnall is a professional Los Angeles-based writer and editor who specializes in American literature, culture, lifestyle, health, and community. She earned a BA in English from the University of California, Santa Barbara with a Specialization in American Cultures and Global Contexts. EXCERPT FROM THE BOOK In the second section, Paine brusquely refutes the principles of monarchy and of hereditary succession. Paine references the Bible several times to make his case that the foundation of a monarchy is plainly against the path of the scripture. He calls the government of kings outright idolatry, a form of government which did not result from divinity or from nature—but rather from the “Heathens” who sprang from unruly gangs and ruthlessly conquered their way into power against the will of the people. Quite bold for his day, Paine unabashedly refers to the founder of England’s monarchy, William the Conqueror, as “a French bastard” who pillaged his way to prideful leadership against the will of the people. Furthermore, the hereditary succession of kings does not guarantee that moral virtue is also hereditary, and that future generations will continually be ruled by gracious leaders on the throne. The passing of elderly kings to their infant sons can leave nations in a state of vulnerability in which special interest, enemies, and corruption can thrive... Buy a copy to keep reading!
ABOUT THE BOOK Based on his personal experiences and observations from living in Key West and Cuba, Hemingway composed the non-stop adventures of the indefatigable yachtsman Harry Morgan, an ex-policeman struggling to survive the Great Depression in the depths of Cuban revolutionary waters. The Morgan story was originally intended to be published in three separate short stories (Baker xvi)a narrative genre which Hemingway himself was redefining at the time. Hemingway had already published the first and second stories of Harry Morgan in Cosmopolitan and Esquire magazines (1934, 1935), and decided to revise all the tales into one novel. Yet the melding of the three stories, along with the intervening story of Richard Gordon, created a novel lacking in unity. Hemingway even admitted that To Have and Have Not was a procedural error (Baker xv), and his least gratifying book (Baker 205). The novel was crafted during a time in Hemingways life that experts describe as an interim period of artistic regression between his better glory days (Baker xvi). The start of the Spanish Civil War also influenced Hemingways time and focus on the novel, in that the main character as an individual comes to share the same fate as the oppressed proletarians of his society (Meyers 267). Hemingway worked and reworked with the manuscript, even relying on the unbiased editorial eyes of trusted friends (Mellow 485), until its final publication by Scribner in 1937. It opened to critical reviews which considered the work to be an anti-capitalist stance against the U.S. government with Marxist undertones, and as a novel divided against itselftelling multiple stories which just didnt cohere as a single novel (Mellow 488; Baker 205, 206). MEET THE AUTHOR LeAnne Bagnall is a professional Los Angeles-based writer and editor who specializes in American literature, culture, lifestyle, health, and community. LeAnne has been writing on topics of charity, philanthropy, health and wellness, and current events for a number of publications over the past five years. She earned a BA in English from the University of California, Santa Barbara with a Specialization in American Cultures and Global Contexts in 2006, and is trained in non-profit board management. She enjoys writing fiction, reading 20th century American and non-Western literature, swing dancing, watching classic film, collecting antiques, volunteering to support veterans, and spending her free time appreciating classic car culture. EXCERPT FROM THE BOOK You know how it is there early in the morning in Havana with the bums still asleep against the walls of the buildings; before even the ice wagons come by with ice for the bars? Most likely, you do not knowand could not possibly even knowwhat it would be like to see this scenario, yet this is the world into which Hemingway plunges his reader at the start of To Have and Have Not. The novel is ultimately about the perils of the Haves and Have Nots trying to survive the economic crisis of the Great Depression within the locale of Key West and Havana. It is a tumultuous political and social climate; the desperate and helpless population (especially those Cubans running their political revolution) are forced to take any means of income available to them, including the black market, murder, robbery, and smuggling. This is the world to which Harry Morgan, the storys main character, belongs as well. Harry is a tough, bold, cynical, and exceptionally smart yachtsman with a wife and three daughters living in Key West. Harry is forced to run contraband as well as human smuggling on his boat to make a living and survive the societal decay of the region. CHAPTER OUTLINE Quicklet on Ernest Hemingway's To Have and Have Not + About the Book + About the Author + Overall Summary + Chapter-by-Chapter Summary + ...and much more Ernest Hemingway's To Have and Have Not
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