Vibrant, dynamic, spirited and forceful. The contemporary women’s movement in India, which began in the late 1970s protested against the dark times, the violence and the misogyny. It also colourfully celebrated liberation, solidarity among women and breaking the shackles of patriarchy. It sang, performed and painted, to draw attention to the burning issues of the time: dowry death, widow immolation, acid throwing and rape. Over the past three decades, the women’s movement has matured and broadened to include a gamut of issues related to women’s health, sexuality, the environment, literacy, the impact of religion and communalism on women’s lives, political participation, labour rights, disability rights, class and caste issues, and many more. Indeed, feminism meant looking at the world through women’s eyes. This book constructs a pictorial history of the complex and multi-layered women’s movement through its visual representation: posters, drawings, pamphlets, reports, brochures, stickers, wall-writing and photographs. The posters reproduced here are part of Zubaan’s Poster Women project, which has attempted to locate and archive as many posters of the movement as possible to be able to visually map the women’s movement and its concerns. The Poster Women archive can be accessed at www.posterwomen.org. Published by Zubaan.
Women are often the worst affected by militarisation but their stories rarely get heard. Garrisoned Minds, which brings together insights and analysis from some of the major conflict zones of South Asia, is a welcome and valuable corrective, one which must be read by both policy-makers and the public.' -- Siddharth Varadarajan, Founding Editor of thewire.in Militarisation and violence as a response to conflict are now part of the global social order. In this book, twelve journalists explore the impact of such militarisation on the lives of women in four conflict-affected zones of South Asia: Pakistan's frontier provinces which share a border with Afghanistan; Nepal during and after its decade-long civil war; Northeast India under the shadow of AFSPA; and the Kashmir valley amidst the overwhelming presence of the Indian army. These essays range from evocative accounts of women's personal lives during combat in Nepal and while travelling through the changing political landscape of Manipur, to detailed explorations of the violent restrictions imposed on specific communities, such as the Hazaras of Pakistan, the dancing girls of Swat Valley, or the ostracised widows of counter-insurgents in Kashmir. They represent the lived realities of a diverse set of women forced to come to terms with horrific circumstances, and determined to wage peace.
Vibrant, dynamic, spirited and forceful. The contemporary women’s movement in India, which began in the late 1970s protested against the dark times, the violence and the misogyny. It also colourfully celebrated liberation, solidarity among women and breaking the shackles of patriarchy. It sang, performed and painted, to draw attention to the burning issues of the time: dowry death, widow immolation, acid throwing and rape. Over the past three decades, the women’s movement has matured and broadened to include a gamut of issues related to women’s health, sexuality, the environment, literacy, the impact of religion and communalism on women’s lives, political participation, labour rights, disability rights, class and caste issues, and many more. Indeed, feminism meant looking at the world through women’s eyes. This book constructs a pictorial history of the complex and multi-layered women’s movement through its visual representation: posters, drawings, pamphlets, reports, brochures, stickers, wall-writing and photographs. The posters reproduced here are part of Zubaan’s Poster Women project, which has attempted to locate and archive as many posters of the movement as possible to be able to visually map the women’s movement and its concerns. The Poster Women archive can be accessed at www.posterwomen.org. Published by Zubaan.
A number of public enterprise (PE) executives have long felt the need for a book which would provide necessary information and analysis of various dimensions of PE management and privatisation. The book provides at one place, a precise and authoritative account of the concept, policy, and analysis of major issues confronting PEs. Public ownership per se does not make PE performance sub-optimal. The operation of the Government system, of which PE is a sub-system, has not been conducive to performance. During the last six decades, inadequate political will and vested interests have come in the way of freeing PEs from excessive and throttling controls, and demoralising accountability. Not letting the managers manage with the freedom required in the liberalised and globalised set-up is the problem. The multifarious and complex managerial problems of PEs, which get compounded by faltering moves towards privatisation, cannot be wished away. These have been considered in the book at some length. The book, first published in 1980, continues to be a standard work on the subject. This latest edition has been revised by Dr. R.K.Mishra, Director, Institute of Public Enterprise,Hyderabad.
Role of rural women is a set of expectations held from her. What is expected from a rural woman and how well she fulfils them are the two inseparable questions to be analysed and understood in the study of roles? Role expectation and role performance of a rural woman has been of paramount importance in fulfilling the goals of economic oriented rural development programmes. Her role expectations have been studied to find out her role performance and role prediction in Farm and Home Management in this book.
Introduction Part I: Caste, Community and performance A ritual performance of Kerala, Vayala Vasudevan Pillai The Patuas of Bengal, Makbul Islam Bards and goddesses: The Pombalas in Tirupati, Anand Akundy Explorations in the art forms of the Cindu madigas in Andhra, Y A Sudhakar Reddy and R R Harischandra Caste identity and performance in a fisher-village of Assam, Kishore Bhattacharjee Part II: Performance Beyond Caste Telugu pady natakam in Andhra: Performance dynamics, P Subbachary Modernising tradition: The yaksagana in Karnataka, Guru Rao Bapat Kalarippayatt as aesthetics and the politics of invisibility in Kerala, P K Sasidharan India People’s Theatre Association in colonial Andhra, V Ramakrishna Gaddar and the politics and pain of singing, D Venkat Rao Reviving moghal tamsa in Orissa, Sachi Mohanty Part III: Classical Dance and its Successors New directions in Indian dance, Sunil Kothari Transpositions in kuchipudi dance, Aruna Bhikshu The impact of commercialization in dance, K Subadra Murthy Art addressing social problems, Ananda Shankar Jayant
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