Antonio wants someone to read his favorite book with him, but his mother and other adults in his neighborhood are all too busy except one, very unexpected new friend.
A young boy is awake before his moms and sister. It’s too early to make a sound...but what’s that noise?! Two rumbling tummies need to be fed! Letting themselves into the kitchen, the boy and his cat finish their breakfast just in time to say “Good morning” when the rest of the family wakes up. The cadence of this adorable rhyming board book will delight readers young and old.
Bruno's home is a bit different, but he wouldn't trade it for the world. Bruno's friend Sanjay is lucky: He doesn’t have to share his room (well, except with a pet iguana), and he can leave his toy soldiers all over the house. And Bruno’s brother, Mateo, who is visually impaired, is pretty lucky too: He has a dog named Rocco who helps him get around. Plus, Mateo can keep reading after dark by using just his fingers (while Bruno has to use a flashlight). Still, Bruno has it pretty good. He can leave his bed a total mess. He can play dinosaurs with Sanjay and his iguana. And he can listen to Mateo’s made-up adventure stories (Mateo is a great storyteller). If he had to compare, he’d say he was the luckiest of all to have such a great friend and great brother.
The cadence of this adorable rhyming board book will delight readers young and old. A young girl is getting ready for bed when her puppy tries to play. First Rex brings his ball over, but she ignores him. Then he crashes story time, but she still doesn’t give in! Finally, as a last resort, Rex steals her teddy and the chase is on! Under the table, over the chair, her daddies give chase and, at last, rescue the bear. Now it’s really time for bed! Goodnight, Rex.
The cadence of this adorable rhyming board book will delight readers young and old. A young girl is getting ready for bed when her puppy tries to play. First Rex brings his ball over, but she ignores him. Then he crashes story time, but she still doesn’t give in! Finally, as a last resort, Rex steals her teddy and the chase is on! Under the table, over the chair, her daddies give chase and, at last, rescue the bear. Now it’s really time for bed! Goodnight, Rex.
“Lawrence Schimel’s short stories ring contemporary changes into the romances and märchen that comprise the blueprints of our literary heritage. Schimel’s stories are both spry and sly, and the best of them are grounded in humor or pathos. Some of them are over almost before they start; this is good, for both in magic and desire there should always be more than meets the eye.”
Celebrate Cuba's people, culture, and natural world in bilingual haikus written in Spanish and English! Celebra la gente, cultura y mundo natural de Cuba en haikus bilingües en español e inglés. Is it an island or a tiny ship floating upon the waters? HaiCuba/HaiKuba is a celebration of Cuba through bilingual haikus written in Spanish and English. Discover the red, white, and blue tocororo bird (whose feathers resemble the flag of Cuba), the crowded guagua, a Havana neighborhood, salsa music and dancing, and guayaberas, through poetry that captures the rhythm of life in Cuba. Co-authored by award-winning Cuban-American author Carlos Pintado and prolific bilingual author and translator Lawrence Schimel, HaiCuba/HaiKuba introduces the people, culture, and natural world of Cuba through these tropical verses and vibrant illustrations. Includes an introduction to the art of haikus as well as back matter on the topics covered in the book. ¿Es una isla o un barco flotando sobre las aguas? HaiCuba/HaiKuba es una celebración de Cuba en haikus bilingües en español e inglés. Descubre el tocororo con sus plumas rojas, blancas, y azules (igual que la bandera de Cuba), la guagua apretada, un barrio habanero, la salsa (su música y baile) y las guayabera, a través de poemas que capturan el ritmo de la vida en Cuba. Co escrito por el galardonado poeta cubano-americano Carlos Pintado y el prolífico escritor y traductor bilingüe Lawrence Schimel, HaiCuba/HaiKuba presenta la gente, cultura y mundo natural de Cuba en estos versos tropicales e ilustraciones coloridas. Incluye una introducción a la arte del haiku además de un anexo final con información adicional sobre los temas cubiertos en el libro.
Will you read a book with me? Antonio wants someone to read with him, but nobody seems to have any time--not his mom, not their neighbor, and not any of his friends on the street. It's only when he looks in an unexpected place that he discovers the perfect reading partner, and a chance to make a new friend. A celebration of the power of stories and communities, Read a Book with Me will remind audiences young and old that there's nothing to bring people together like the power of a good book.
A young boy is awake before his moms and sister. It’s too early to make a sound...but what’s that noise?! Two rumbling tummies need to be fed! Letting themselves into the kitchen, the boy and his cat finish their breakfast just in time to say “Good morning” when the rest of the family wakes up. The cadence of this adorable rhyming board book will delight readers young and old.
Psychology has stepped down from the university chair into the marketplace" was how the New York Times put it in 1926. Another commentator in 1929 was more biting. Psychoanalysis, he said, had over a generation, "converted the human scene into a neurotic." Freud first used the word around 1895, and by the 1920s psychoanalysis was a phenomenon to be reckoned with in the United States. How it gained such purchase, taking hold in virtually every aspect of American culture, is the story Lawrence R. Samuel tells in Shrink, the first comprehensive popular history of psychoanalysis in America. Arriving on the scene at around the same time as the modern idea of the self, psychoanalysis has both shaped and reflected the ascent of individualism in American society. Samuel traces its path from the theories of Freud and Jung to the innermost reaches of our current me-based, narcissistic culture. Along the way he shows how the arbiters of culture, high and low, from public intellectuals, novelists, and filmmakers to Good Housekeeping and the Cosmo girl, mediated or embraced psychoanalysis (or some version of it), until it could be legitimately viewed as an integral feature of American consciousness.
Providing a global summary of the biology of disturbance ecology, this text offers both the conceptual underpinnings and practical advice required to comprehend and address the unprecedented environmental challenges facing humans. It examines both natural and anthropogenic disturbances in aquatic and terrestrial habitats.
Re/Writing the Center illuminates how core writing center pedagogies and institutional arrangements are complicated by the need to create intentional, targeted support for advanced graduate writers. Most writing center tutors are undergraduates, whose lack of familiarity with the genres, preparatory knowledge, and research processes integral to graduate-level writing can leave them underprepared to assist graduate students. Complicating the issue is that many of the graduate students who take advantage of writing center support are international students. The essays in this volume show how to navigate the divide between traditional writing center theory and practices, developed to support undergraduate writers, and the growing demand for writing centers to meet the needs of advanced graduate writers. Contributors address core assumptions of writing center pedagogy, such as the concept of peers and peer tutoring, the emphasis on one-to-one tutorials, the positioning of tutors as generalists rather than specialists, and even the notion of the writing center as the primary location or center of the tutoring process. Re/Writing the Center offers an imaginative perspective on the benefits writing centers can offer to graduate students and on the new possibilities for inquiry and practice graduate students can inspire in the writing center. Contributors: Laura Brady, Michelle Cox, Thomas Deans, Paula Gillespie, Mary Glavan, Marilyn Gray, James Holsinger, Elena Kallestinova, Tika Lamsal, Patrick S. Lawrence, Elizabeth Lenaghan, Michael A. Pemberton, Sherry Wynn Perdue, Doug Phillips, Juliann Reineke, Adam Robinson, Steve Simpson, Nathalie Singh-Corcoran, Ashly Bender Smith, Sarah Summers, Molly Tetreault, Joan Turner, Bronwyn T. Williams, Joanna Wolfe
Bruno's home is a bit different, but he wouldn't trade it for the world. Bruno's friend Sanjay is lucky: He doesn’t have to share his room (well, except with a pet iguana), and he can leave his toy soldiers all over the house. And Bruno’s brother, Mateo, who is visually impaired, is pretty lucky too: He has a dog named Rocco who helps him get around. Plus, Mateo can keep reading after dark by using just his fingers (while Bruno has to use a flashlight). Still, Bruno has it pretty good. He can leave his bed a total mess. He can play dinosaurs with Sanjay and his iguana. And he can listen to Mateo’s made-up adventure stories (Mateo is a great storyteller). If he had to compare, he’d say he was the luckiest of all to have such a great friend and great brother.
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