An intimate memoir recalling a young photographer's relationship with Marilyn Monroe just months before her death, with extraordinary photographs, some of which have never been published. "With the precision of a surgeon, Schiller slices through the façade of Marilyn Monroe in his unflinching memoir. Revealing and readable, it’s a book I couldn’t put down." —Tina Brown When he pulled his station wagon into the 20th Century-Fox studios parking lot in Los Angeles in 1960, twenty-three-year-old Lawrence Schiller kept telling himself that this was just another assignment, just another pretty girl. But the assignment and the girl were anything but ordinary. Schiller was a photographer for Look magazine and his subject was Marilyn Monroe, America's sweetheart and sex symbol. In this intimate memoir, Schiller recalls the friendship that developed between him and Monroe while he photographed her in Hollywood in 1960 and 1962 on the sets of Let's Make Love and the unfinished feature Something's Got to Give, the last film she worked on. Schiller recalls Marilyn as tough and determined, enormously insecure as an actress but totally self-assured as a photographer’s model. Monroe knew how to use her looks and sexuality to generate publicity, and in 1962 she allowed Schiller to publish the first nude photographs of her in over ten years, which she then used as a weapon against a studio that wanted to have her fired—and ultimately succeeded. The Marilyn Schiller knew and writes about was adept at hiding deep psychological scars, but she was also warm and open, candid and disarming, a movie star who wished to be taken more seriously than she was. Accompanying the text are eighteen of the author’s own photographs, some never previously published. Many writers have tried to capture her essence on the page, but as someone who was in the room, a young man Marilyn could connect with and trust, Schiller gives us a unique look at the real woman offscreen. "In this short, splendid memoir, Lawrence Schiller offers us another cut on the scintillating diamond that is Marilyn Monroe. In clear honest straightforward prose, Schiller allows us to dwell in the heart of another time. He captures Marilyn, both in photographs and words, and in so doing he gives us intimate access into one of the great stories of the 20th century: the complicated cocktail of joy and sadness that goes along with both beauty and fame." —Colum McCann
In Perfect Murder, Perfect Town, Lawrence Schiller thoroughly recreates every aspect of the complex case of the death of JonBenét Ramsey. A brilliant portrait of an inscrutable family thrust under the spotlight of public suspicion and an affluent, tranquil city torn apart by a crime it couldn't handle, Perfect Murder, Perfect Town uncovers the mysteries that have bewildered the nation. Why were the Ramseys, the targets of the investigation, able to control the direction of the police inquiry? Can the key to the murder be found in the pen and writing pad used for the ransom note? Was it possible for an intruder to have killed JonBenét?
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1932.
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.
80 years ago the greatest mass murder of human beings of all time occurred in Nazi occupied Europe. This began with the mass extermination of patients with neurological and psychiatric disorders. This book is the only comprehensive and scholarly published work regarding the ethical and professional abuses of neuroscientists during the Nazi era.
Understanding Max Weber's contribution to social theory is vital for students and scholars of social science. This insightful text offers critical discussion of Weber's ideas, focusing on their uses - how they have been appropriated and applied to contemporary events. Written by one of the world's leading Weber scholars, this is an essential read.
The truth costs nothing although at times it is hard to come by, and there will always be those with vested interests who will endeavor to keep it from you; this is particularly so when questioning the beliefs of religion, whose leaders believe their beliefs are sacrosanct and not to be questioned. The right to believe cannot be denied; the need of some to believe is precious to them.
Marilyn Monroe remains the most provocative female legend of the twentieth century. What you may have known about her before was only the tip of the iceberg. For twenty years, the men and women who knew Marilyn best saw what they knew suppressed because certain important people were still living, and the tenor of the times prohibited frankness. Instead, rumors ballooned. This book finally sets the record straight. Fred Guiles—whom Norman Mailer acknowledges as the chief source of fact about Marilyn—has written the life behind the legend. He reveals what really happened in the careening career of the pretty waif named Norma Jean Mortensen, who married the boy next door, became a model, an actress, movie star, married an incompatible legend named Joe DiMaggio, sought to improve the mind that came with her near-perfect body, married playwright Arthur Miller, lent herself to the Svengalilike ministrations of Paula and Lee Strasberg, became the mistress of John and then Robert Kennedy when they ran the country, kept camera crews and studios waiting—but not death, which took her under the most unusual circumstances by the age of thirty-six. A legend, by definition, is unaltered by fact, but the enthralled reader will find the revelations in this book no deterrent to the love of Marilyn Monroe by understanding at last what happened to the Queen of Need. Among the people interviewed for this book are Arthur Miller; James E. Dougherty, her first husband; Frank Taylor, the producer of The Misfits; Lee Strasberg; Otto Preminger; Billy Wilder; Joshua Logan and John Huston.
“Magisterial . . . make[s] you suddenly see new things in familiar books . . . brilliant analyses of a dozen or so front-runners in the Great American Novel sweepstakes.” —Michael Dirda, Virginia Quarterly Review The idea of “the great American novel” continues to thrive almost as vigorously as in its nineteenth-century heyday, defying more than 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four “scripts” for G.A.N. candidates and their themes, illustrated by such titles as The Scarlet Letter, The Great Gatsby, Invisible Man, Uncle Tom’s Cabin, Beloved, Moby-Dick, and Gravity’s Rainbow—works dwelling on topics from self-invention to the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction. “Engaging and provocative . . . ultimately affirms the importance of literature to a nation’s sense of itself.” —Sarah Graham, Times Literary Supplement “Rich in critical insight . . . Buell wonders if the GAN isn’t stirring again in surprising new developments in science fiction. An impressively ambitious literary survey.” —Booklist (starred review)
No one in Cape May Court House, New Jersey, was surprised when Eric Thomas, a popular young doctor, sued the Ford Motor Company for the wrongful death of his pregnant wife, Tracy, after a minor accident involving their powerful Explorer. Backed by the medical examiner's findings, the lawsuit claimed that the Explorer's air bag inflated improperly, causing injuries that resulted in Tracy's suffocation. But this seemingly simple product-liability case soon evolved into something far darker and more complex . . . After an exhaustive investigation, Ford turned the tables, alleging that Tracy Thomas did not die from injuries resulting from a defective air bag. She died because of manual strangulation. Now, it was the defendant, the giant automaker Ford, who became a de facto prosecutor, with plaintiff Eric Thomas, a passenger in the Explorer, accused of murdering his wife . . .
The riveting account of the O.J. Simpson murder trial is told in the uncensored words of Simpson's closest confidants and attorneys. American Tragedy reveals the answers to many of he case's unexplained questions for the first time. What happened to the missing Louis Vuitton bag? How did Simpson's team stage a deception during the jury's visit to his mansion? You've heard the speculation's and rumors; now read what really happened.
Now in its 10th edition, Sleisenger and Fordtran?s Gastrointestinal and Liver Disease remains your indispensable source for definitive, state-of-the-art answers on every aspect of gastroenterology and hepatology. Overcome your most complex clinical challenges and make optimal use of the newest techniques, technologies, and treatments?with superb guidance from hundreds of world-renowned authorities. Meticulous updates throughout include the latest approaches and improvements in gastrointestinal and liver disease diagnosis and therapy as well as hundreds of images and 35 new procedural videos. "..one of the most valuable clinical resources in the dynamic field of gastroenterology and hepatology." Reviewed by Brindusa Diaconu on behalf of the Journal of Gastrointestinal and Liver Diseases, July 2015 "..an engaging, educational yet clinically orientated textbook which is relevant to modern clinical practice." Reviewed by Dr Harry Brown on behalf of glycosmedia.com, April 2015 "I can personally attest to the remarkable advances that have been made, as I was author of the chapter on eosinophilic gastroenteritis in the second edition of the textbook, and reading the same chapter in the tenth edition underscores the important advances that have been made in our understanding of the molecular basis as well as the pathophysiology of this and related disorders." Foreword by Norton J. Greenberger, MD Boston, Massachusetts, June 2015 Consult this title on your favorite e-reader. Get the essential gastroenterology information you need from one authoritative source with an outstanding global reputation for excellence. Zero in on the key information you need to know with a consistent, full-color chapter design. Stay up to date with emerging and challenging topics: enteric microbiota and probiotics; fecal microbiota transplantation; Clostridium difficile colitis; and factitious gastrointestinal diseases. Incorporate the latest findings and improvements in care for liver disease patients—from diagnosis and treatment through post-treatment strategies and management of complications. Expert Consult eBook version included with purchase. This enhanced eBook experience allows you to search all of the text, figures, references, and videos from the book on a variety of devices.
This volume collects twenty of Lawrence Kramer’s seminal writings on art song (especially Lieder), opera, and word-music relationships. All examine the formative role of culture in musical meaning and performance, and all seek to demonstrate the complexity and nuance that arise when words and music interact. The diverse topics include words and music, music and poetry, subjectivity, the sublime, mourning, sexuality, decadence, orientalism, the body, war, Romanticism, modernity, and cultural change. Several of the earlier essays have been revised for this volume, which also contains a preface by the author and a foreword by Richard Leppert. The volume should be essential reading for scholars, students, performing musicians, and other music-lovers interested in musicology, word-music relationships, cultural studies, aesthetics, and intermediality.
This book is a succinct introduction to the orienting of attention. Richard Wright and Lawrence Ward describe the covert orienting literature clearly and concisely, illustrating it with numerous high-quality images, specifically designed to make the challenging theoretical concepts very accessible. The book begins with an historical introduction that provides a great deal of information about orienting, much of which will be new even to seasoned researchers. Wright and Ward then systematically describe the development of various experimental paradigms that have been devised to study covert orienting, and the theoretical issues raised by this research. One trend that they analyze in detail is the progression from relatively simple models of spatial attention (attention spotlight and zoom lens models) to an integrative computational framework based on a concept called the "activity distribution." They also present a comprehensive survey of cognitive neuroscience research on the brain mechanisms underlying spatial attention shifts, as well as a chapter summarizing recent research on crossmodal attention shifts, and elucidating the links between attention orienting in the visual, auditory, and tactile domains. In the Epilogue they offer a concise summary of the book, and develop preliminary frameworks for understanding the relationship between spatial attention and orienting in response to social cues (social cognitive neuroscience) and for describing the evolution of covert orienting. Orienting of Attention provides a systematic survey that is ideal for those looking for an accessible introduction to the field and also for students and researchers who want a state-of the-art overview.
With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature. The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.
From Pushcart Prize-winning author Lawrence Shainberg, a funny and powerful memoir about literary friendships, writing, and Zen practice. “Inexplicably good karma”—to this, author Lawrence Shainberg attributes a life filled with relationships with legendary writers and renowned Buddhist teachers. In Four Men Shaking he weaves together the narratives of three of those relationships: his literary friendships with Samuel Beckett and Norman Mailer, and his teacher-student relationship with the Japanese Zen master Kyudo Nakagawa Roshi. In Shainberg’s lifelong pursuit of both writing and Zen practice, each of these men represents an important aspect of his experience. The audacious, combative Mailer becomes a symbol in Shainberg’s mind for the Buddhist concept of “form,” while the elusive and self-deprecating Beckett seems to embody an awareness of “emptiness.” Through it all is Nakagawa, the earthy, direct Zen master challenging Shainberg to let go of his endless rumination and accept reality as it is. Browse Inside Four Men Shaking Searching for Sanity with Samuel Beckett, Norman Mailer, and My Perfect Zen Teacher By Lawrence Shainberg $16.95 - Paperback OUT OF STOCK: Available for back-order. Qty: Shambhala Publications 07/16/2019 Pages: 144 Size: 5 x 7 ISBN: 9781611807295 0 Related • Zen Confidential By Shozan Jack Haubner $14.95 Paperback • Nothing Holy about It By Tim Burkett $17.95 Paperback • Let the Whole Thundering World Come Home By Natalie Goldberg $16.95 Paperback • Single White Monk By Shozan Jack Haubner $14.95 Paperback Related Topics Buddhist Biography/Memoir Writing Details “Inexplicably good karma”—to this, author Lawrence Shainberg attributes a life filled with relationships with legendary writers and renowned Buddhist teachers. In Four Men Shaking he weaves together the narratives of three of those relationships: his literary friendships with Samuel Beckett and Norman Mailer, and his teacher-student relationship with the Japanese Zen master Kyudo Nakagawa Roshi. In Shainberg’s lifelong pursuit of both writing and Zen practice, each of these men represents an important aspect of his experience. The audacious, combative Mailer becomes a symbol in Shainberg’s mind for the Buddhist concept of “form,” while the elusive and self-deprecating Beckett seems to embody an awareness of “emptiness.” Through it all is Nakagawa, the earthy, direct Zen master challenging Shainberg to let go of his endless rumination and accept reality as it is.
In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.
What are the possible future worlds of social science? How do these prospects compare with recent conclusions that social science “is generally a non-factor in policy debates and irrelevant to the lives of a host of real-world people,” as a well-known sociologist reported in the centennial volume of the American Sociological Association? This substantial study covers history, art and aesthetics, identity and the self, in seeking an answer to the question of ‘Future Worlds’.
A practice manual as well as an authoritative resource, Destruction of Evidence analyzes issues from the standpoints of civil litigation, criminal litigation, and the laws of professional responsibility. Destruction of Evidence also discusses in-depth such areas as: the spoliation inference the tort of spoliation discovery sanctions ethics, and routine destruction Also included is an expanded discussion of discovery sanctions, including procedural issues, choice-of-law considerations, the requirements for preserving sanctions issues for appellate review, burdens of proof, and appellate review. The supplement keeps you up to date on the continuing development of the controversial torts of both first- and third party spoliation of evidence: Massachusetts has declined to recognize a cause of action in tort for intentional or negligent spoliation of evidence The Supreme Court of Mississippi did not recognize an independent cause of action for the intentional spoliation of evidence against first or third party spoliators Nevada declined to recognize an independent tort spoliation of evidence when weighed against the andquot;potentially endless litigation over a speculative loss, and by the cost to society of promoting onerous record and evidence retention policiesandquot; Constitutional implications in the realm of criminal law. Many states within the last year have been addressing the potential for due process violations when evidence is destroyed and are continuing to adopt and expand the rules dictated by Brady, Trombetta, and Youngblood. While each of these new jurisdictions refused to find due process violation, this trend recognizes the increased potential for constitutional violations when evidence is destroyed: Hawaii refused to find a constitutional violation where a police officer failed to save her completed police report, citing Brady The Supreme Court of Mississippi ruled that a defendant was not denied due process by spoliation of crime scene evidence, citing Trombetta Nevada, using a bad faith standard, ruled that an independent laboratory's failure to refrigerate a defendant's blood sample did not violate due process A New Jersey court did not find a due process violation where the police had lost a videotape of the administration of breath tests for a DUI charge Oklahoma ruled that a defendant's due process rights were not violated when the police destroyed latent crime scene fingerprints, citing Youngblood Using an exculpatory evidence standard, the Supreme Court of South Dakota ruled that the State's release of a rape victim's vehicle without notice to the defendant did not violate the defendant's due process rights.
In On the Way to Theory, Lawrence Grossberg introduces the major ways of thinking that provide the backstory for contemporary Western theory. Asking readers to think about thinking, Grossberg traces cultural and critical theory’s foundations from the contested enlightenments to modern and postmodern conceptualizations of power, experience, language, and existence. He introduces key figures as historical characters and lays out the unique set of tools for thought that their “deep theories” offer. Through finely tuned and accessible descriptions of their concepts and logics, Grossberg highlights thinkers including Spinoza, Kant, Hegel, Marx, Nietzsche, Wittgenstein, Heidegger, Derrida, Foucault, Deleuze, and Hall, defining the possibilities of their thought. This book is essential for those interested in how theories shape our understanding of the world, influence our choices, and define our realities. It challenges us to recognize the multiplicity and complexities of ways of thinking in our quest for knowledge and understanding. By setting out a story of theoretical foundations, Grossberg invites readers to think toward the future of theory and expand conversations around theoretical scrutiny and criticism.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.