An ambitious introduction to the Apocrypha that encourages readers to reimagine what "canon" really means Challenging the way Christian and non-Christian readers think about the Apocrypha, this is an ambitious introduction to the deuterocanonical texts of the Christian Old Testaments. Lawrence Wills introduces these texts in their original Jewish environment while addressing the very different roles they had in various Christian canons. Though often relegated to a lesser role, a sort of "Bible-Lite," these texts deserve renewed attention, and this book shows how they hold more interest for both ancient and contemporary communities than previously thought.
In the Bible, there is a drama of defining who are truly God's people—and who are not. Using an array of biblical texts from both the Hebrew Bible and the New Testament, Not God's People explores how ancient Jews and Christians created their own identity in relation to others. The book analyzes how biblical texts define 'us' and 'them,' how these texts differ in the way they define group identity, and how this process continues to be re-created by Jews and Christians today. Not God's People asks questions such as: How is the outsider defined? Is the ideal insider defined as the opposite of the outsider? It follows up with related questions such as: How were these definitions of 'we' and 'other' in the ancient communities used by later Jews and Christians? Are the processes of community and enemy formation found in the Bible exhibited in most other cultures as well? Not God's People ultimately shows that though the Bible's definitions of the insider and outsider changes dramatically over time, the process are enduring, and eternally true.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
Lawrence M. Wills here traces the literary evolution of popular Jewish narratives written during the period 200 BCE-100 CE. In many ways, these narratives were similar to Greek and Roman novels of the same era, as well as to popular novels of indigenous peoples within the Roman Empire. Yet, as a group, they demonstrated a variety of novelistic innovations: the inclusion of adventurous episodes, passages of description and of dialogue, concern with psychological motivation, and the introduction of female characters. Wills focuses on five novels: Greek Esther, Greek Daniel, Judith, Tobit, and Joseph and Aseneth. Drawing on a wide range of theoretical works, he delineates the techniques and motifs of the Jewish novel, shows how the genre both initiated and distanced itself from nonfictional prose such as historical and philosophical writing, discusses its relation to Greco-Roman romance, and describes the social conditions governing its emergence and reception. Wills also places the novels in historical context, situating them between the Hebrew Bible, on the one hand, and subsequent developments in Jewish and Christian literature on the other. Wills sees the Jewish novel as a popular form of writing that provided amusement for an expanding audience of Jewish entrepreneurs, merchants, and bureaucrats. In an important sense, he maintains, it was a product of the "novelistic impulse": the impulse to transfer oral stories to a written medium to reach a more literate audience.
Lawrence M. Wills here traces the literary evolution of popular Jewish narratives written during the period 200 BCE-100 CE. In many ways, these narratives were similar to Greek and Roman novels of the same era, as well as to popular novels of indigenous peoples within the Roman Empire. Yet, as a group, they demonstrated a variety of novelistic innovations: the inclusion of adventurous episodes, passages of description and of dialogue, concern with psychological motivation, and the introduction of female characters. Wills focuses on five novels: Greek Esther, Greek ,Daniel, Judith, Tobit, and Joseph and Aseneth.. Drawing on a wide range of theoretical works, he delineates the techniques and motifs of the Jewish novel, shows how the genre both initiated and distanced itself from nonfictional prose such as historical and philosophical writing, discusses its relation to Greco-Roman romance, and describes the social conditions governing its emergence and reception. Wills also places the novels in historical context, situating them between the Hebrew Bible, on the one hand, and subsequent developments in Jewish and Christian literature on the other. Wills sees the Jewish novel as a popular form of writing that provided amusement for an expanding audience of Jewish entrepreneurs, merchants, and bureaucrats. In an important sense, he maintains, it was a product of the "novelistic impulse": the impulse to transfer oral stories to a written medium to reach a more literate audience.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
Using an array of biblical texts from both the Hebrew Bible and the New Testament, Not God's People explores how ancient Jews and Christians created their own identity in relation to others. The book analyzes how biblical texts define 'us' and 'them, ' how these texts differ in the way they define group identity, and how this process continues to be re-created by Jews and Christians today
During the 1920s--in the aftermath of the Arab revolt against Britain--T. E. Lawrence gained global attention, both for his involvement in the Middle Eastern anti-imperialist movement, and for his vivid and sensational writings about his experiences. Following World War I, his appointment as an advisor to Winston Churchill--nearly simultaneous with the release of an American documentary about the revolt--further charged the T. E. Lawrence mania. Despite the emergence of a whole new set of problems in the Middle East, and fueled by the classic status of the epic movie Lawrence of Arabia, the T. E. Lawrence mystique continues to fascinate. Controversial and provocative, this revised and updated edition of Lawrence James's acclaimed biography penetrates and overturns the mythology that surrounds T. E. Lawrence. With access to previously unavailable documents, James traces the sometimes spurious Lawrence legend back to its truthful roots, peeling back the layers of Lawrence's calculated public persona to reveal the gifted, tortured man behind the shimmering myth. Yet James remains dispassionate and generous in spirit throughout. The Golden Warrior presents readers with a fascinating study of one of the twentieth century's most remarkable figures.
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