This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne.
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics. Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats--Weiss, Seamus Heaney, and Derek Walcott--exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present.
This elegant, readable book…covers the history of alchemy from its shadowy origins in Hellenistic Egypt to its scholarly recovery in the 20th century” (Anthony Grafton, Science). In The Secrets of Alchemy, science historian and practicing chemist Lawrence M. Principe dispels commonly held misconceptions about alchemy and sheds light on what it was, how it began, and how it influenced a range of other ideas and pursuits. Principe demonstrates the importance of alchemy during its heyday in early modern Europe, and explores its enduring place in literature, fine art, theater, and religion as well as its recent acceptance as a serious subject of study for historians of science. Principe also introduces readers to some of the most fascinating alchemists, such as Zosimos and Basil Valentine, whose lives dot alchemy’s long reign from the third century and to the present day. Through his discussion of alchemists and their times, Principe pieces together clues from obscure texts to reveal alchemy’s secrets, and uses them to recreate many of the most famous recipes in his lab, including those for the “glass of antimony” and “philosophers’ tree.”
The mendicant friars of the Franciscan and Dominican orders played a unique and important role in medieval society. In the early thirteenth century, the Church was being challenged by a confident new secular culture, associated with the growth of towns, the rise of literature and articulate laity, the development of new sciences and the creation of the first universities. The mendicant orders which developed around the charismatic figures of Saint Francis of Assisi (founder of the Franciscans) and Saint Dominic of Osma (founder of the Dominicans) confronted this challenge by encouraging preachers to go out into the world to do God's work, rather than retiring into enclosed monasteries. C.H. Lawrence here analyses the origins and growth of these orders, as well as the impact which they had upon the medieval world - in the areas of politics and education as well as religion. His study is essential reading for all scholars and students of medieval history.
Shattering the glass ceiling in revealing new things, new innovations, and recreating a world globe, calendars, and the most accurate magnetic compass ever. Most people are unaware of whats going on around them, but a few will envision or maybe discern what lies ahead. Mankind should eliminate all the negatives and replace them with positive things, in order to save humanity from self-destruction. Mankind has to build a narrow pathway to friendship, love, cooperation around the globe, and cease building obstacles. Honesty is by choiceit is not something that you can purchase in a bookstore. Sacrificing most of my adult life to a higher cause has paid off. It was not for gain, lust, money, power, or control. I can attest that serving humanity and by contributing to society has made life most enjoyable and complete. Trusting in God is unshakeable and solid as a rock. Unbelievers should recognize that animals do not endure excruciating pain in giving birth, only women. So there is a God. Eliminating spirituality from the schools and replacing the human mind with new technology is creating robots in the generations to come, and it will be controlling the minds of the populace. Every human spirit from the time of conception grows and continues to develop in journeying through a cathartic period every step of the way until exhaling the last breath.
Originally published in 1988. This book offers a very useful source of information on Chaucer’s relationship to the Bible. It contains a detailed chapter on research into this connection and then presents two indexes. The first is organised by title of Chaucer’s work and then line number detailing the biblical reference. Each entry, if relevant, also notes works listed in the Bibliography that discuss that link. The second index is reversed and so organised by scriptural reference. Detailed guides to each index also discuss interesting facets to how Chaucer drew on the Bible for his works.
The word “swashbuckler” conjures up an indelible image: a hero who’s a bit of a rogue but has his own code of honor, an adventurer with laughter on his lips and a flashing sword in his hand. This larger-than-life figure is regularly declared passé, but the swashbuckler is too appealing to ever really die. Who wouldn’t want to face deadly danger with confidence and élan? Who can deny the thrill of clashing blades, hairbreadth escapes, and daring rescues, of facing vile treachery with dauntless courage and passionate devotion?The swashbuckler tradition was born out of legends like the Knights of the Round Table and of Robin Hood, revived in the early 19th century by authors such as Sir Walter Scott, then caught hold with the publication of Alexandre Dumas’ The Three Musketeers in 1844. For the next century, it was arguably the world’s leading form of adventure fiction.Featuring selections by twenty hugely popular writers from the last century including Rafael Sabatini; Johnston McCulley (creator of the Zorro character); Alexandre Dumas, Arthur Conan Doyle; and Pierce Egan, author of Robin Hood, this anthology is dedicated to the swashbuckler’s roots: historical adventures by masters of the genre. Most of these stories have been out of print for decades; some have never before been collected in book form.
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