Guts and Glory: The Making of the American Military Image in Film is the definitive study of the symbiotic relationship between the film industry and the United States armed services. Since the first edition was published nearly two decades ago, the nation has experienced several wars, both on the battlefield and in movie theatres and living rooms at home. Now, author Lawrence Suid has extensively revised and expanded his classic history of the mutual exploitation of the film industry and the military, exploring how Hollywood has reflected and effected changes in America's image of its armed services. He offers in-depth looks at such classic films as Wings, Thirty Seconds Over Tokyo, The Longest Day, Patton, Top Gun, An Officer and a Gentleman, and Saving Private Ryan, as well as the controversial war movies The Green Berets, M*A*S*H, the Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket, and Born on the Fourth of July.
An award-winning military historian, professor, and political adviser delivers the definitive story of warfare in all its guises and applications, showing what has driven and continues to drive this uniquely human form of political violence. Questions about the future of war are a regular feature of political debate, strategic analysis, and popular fiction. Where should we look for new dangers? What cunning plans might an aggressor have in mind? What are the best forms of defense? How might peace be preserved or conflict resolved? From the French rout at Sedan in 1870 to the relentless contemporary insurgencies in Iraq and Afghanistan, Lawrence Freedman, a world-renowned military thinker, reveals how most claims from the military futurists are wrong. But they remain influential nonetheless. Freedman shows how those who have imagined future war have often had an idealized notion of it as confined, brief, and decisive, and have regularly taken insufficient account of the possibility of long wars-hence the stubborn persistence of the idea of a knockout blow, whether through a dashing land offensive, nuclear first strike, or cyberattack. He also notes the lack of attention paid to civil wars until the West began to intervene in them during the 1990s, and how the boundaries between peace and war, between the military, the civilian, and the criminal are becoming increasingly blurred. Freedman's account of a century and a half of warfare and the (often misconceived) thinking that precedes war is a challenge to hawks and doves alike, and puts current strategic thinking into a bracing historical perspective.
Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
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