Once deemed an unworthy research endeavor, the study of sports fandom has garnered the attention of seasoned scholars from a variety of academic disciplines. Identity and socialization among sports fans are particular burgeoning areas of study among a growing cadre of specialists in the social sciences. Sports Fans, Identity, and Socialization, edited by Adam C. Earnheardt, Paul Haridakis, and Barbara Hugenberg, captures an eclectic collection of new studies from accomplished scholars in the fields such as communication, business, geography, kinesiology, media, and sports management and administration, using a wide range of methodologies including quantitative, qualitative, and critical analyses. In the communication revolution of the twenty-first century, the study of mediated sports is critical. As fans use all media at their disposal to consume sports and carry their sports-viewing experience online, they are seizing the initiative and asserting themselves into the mediated sports-dissemination process. They are occupying traditional roles of consumers/receivers of sports, but also as sharers and sports content creators. Fans are becoming pseudo sports journalists. They are interpreting mediated sports content for other fans. They are making their voice heard by sports organizations and athletes. Mediated sports, in essence, provide a context for studying and understanding where and how the communication revolution of the twenty-first century is being waged. With their collection of studies by scholars from North America and Europe, Earnheardt, Haridakis, and Hugenberg illuminate the symbiotic relationship among and between sports organizations, the media, and their audiences. Sports Fans, Identity, and Socialization spurs both the researcher and the interested fan to consider what the study of sports tells us about ourselves and the society in which we live.
With its flexible and effective organization, varied and focused practices, and interesting writing assignments, the Third Edition of The Write Start: Sentences to Paragraphs combines writing and grammar instruction to help students build the core skills necessary for becoming effective writers. English as a Second Language pedagogy, from which all developing writers can benefit, informs the entire text. In each chapter, "You Need to Know" boxes preview the key concepts. Prewriting techniques in early chapters give way to photo-prompted prewriting exercises in later chapters. End-of-chapter "Writing Opportunities" offer workplace exercises that encourage students to see themselves as experts who will use writing in their careers.
In this wide-ranging analysis, W. Lawrence Hogue argues that African American life and history is more diverse than even African American critics generally acknowledge. Focusing on literary representations of African American males in particular, Hogue examines works by James Weldon Johnson, William Melvin Kelley, Charles Wright, Nathan Heard, Clarence Major, James Earl Hardy, and Don Belton to see how they portray middle-class, Christian, subaltern, voodoo, urban, jazz/blues, postmodern, and gay African American cultures. Hogue shows that this polycentric perspective can move beyond a "racial uplift" approach to African American literature and history and help paint a clearer picture of the rich diversity of African American life and culture.
With its flexible and effective organization, varied and focused practices, and interesting writing assignments, THE WRITE START: SENTENCES TO PARAGRAPHS WITH PROFESSIONAL AND STUDENT READINGS, International Edition combines writing and grammar instruction to help students build the core skills necessary for becoming effective writers. English as a Second Language pedagogy, from which all developing writers can benefit, informs the entire text. This new edition has been reorganized to better reflect the way that instructors teach the material; combining chapters was a logical and sensible strategy and will enhance the texts navigability. Exercises on sentence fragments and sentence combining have been added, as have new timely and thought-provoking professional and student readings, self-assessment questionnaires, and end-of-chapter Writing Opportunities that encourage students to see themselves as experts who will use writing in their careers.
THE WRITE START, PARAGRAPHS TO ESSAYS: WITH STUDENT AND PROFESSIONAL READINGS, 5E, International Edition introduces the developing writer to the basic elements necessary for writing effective essays in the academic environment. The Fifth Edition focuses first on writing paragraphs that express thoughts about a topic, and then on expanding the topic to the longer essay format. These skills will help students communicate more effectively and prepare them for the rigors of their first college-level composition course.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Looks at the rhetorical dynamics of racism--how, in addition to social and material structures and institutions, language can be a cause and facilitator of racism. Thoroughly discusses essentialism and racial difference, theories of complicity and coherence, and the theory of racism as a problem of psychiatry. [back cover].
This Book will give you step by step instructions on how to give an awesome live on the air performance when being interviewed on a radio show to get the desired results. This book also allows you to have a peek into the famous peoples lives that Lawrence J. King personally interviewed on his amazing radio shows. This book explains how Mr. King took a simple idea and then turned that idea into a money making cash cow, and now Mr. King is a well sought after radio talk host and has become an Entreperueuer Extroidinaire. This book is a classical story If you can see it then you can be it. A very motivating book that is full of awesome events from start to finish.
In Democracy's Reconstruction, the latest addition to Cathy Cohen and Fredrick Harris's Transgressing Boundaries series, noted political theorist Lawrie Balfour challenges a longstanding tendency in political theory: the disciplinary division that separates political theory proper from the study of black politics. Political theory rarely engages with black political thinkers, despite the fact that the problem of racial inequality is central to the entire enterprise of American political theory. To address this lacuna, she focuses on the political thought of W.E.B. Du Bois, particularly his longstanding concern with the relationship between slavery's legacy and the prospects for democracy in the era he lived in. Balfour utilizes Du Bois as an intellectual resource, applying his method of addressing contemporary problems via the historical prism of slavery to address some of the fundamental racial divides and inequalities in contemporary America. By establishing his theoretical method to study these historical connections, she positions Du Bois's work in the political theory canon--similar to the status it already has in history, sociology, philosophy, and literature.
Book Review and Book Store Description: Book Marketing 101 for writers and published authors is an awesome book full of interesting and beneficial facts designed to help writers and published authors become successful. Larry King demonstrates his own personal step by step proven marketing strategies to ensure positive results in the realm of becomming a successful published author. This book will be a valuuable tool and reference point to those of you who want to become a well established published author. Almost anyone can become a published author these days, however not everyone can become a best selling author. Lawrence J. King illustrates page after page of successful book marketing tips and pointers that will guide the published author in the direction of focus, determination, and a straight forward goal oriented book marketing specialist to ensure countless numbers of book sales and the happy ever after best selling published author success story. Rose C. Nardi, Vice President Peoples Bank
The central thesis of Lawrence Hogue's book is that criticism of Afro-American literature has left out of account the way in which ideological pressures dictate the canon. This fresh approach to the study of the social, ideological, and political dynamics of the Afro-American literary text in the twentieth century, based on the Foucauldian concept of literature as social institution, examines the universalization that power effects, how literary texts are appropriated to meet ideological concerns and needs, and the continued oppression of dissenting voices. Hogue presents an illuminating discussion of the publication and review history of "major" and neglected texts. He illustrates the acceptance of texts as exotica, as sociological documents, or as carriers of sufficient literary conventions to receive approbation. Although the sixties movement allowed the text to move to the periphery of the dominant ideology, providing some new myths about the Afro-American historical past, this marginal position was subsequently sabotaged, co-opted, or appropriated (Afros became a fad; presidents gave the soul handshake; the hip-talking black was dressing one style and talking another.) This study includes extended discussion of four works; Ernest J. Gaines's The Autobiography of Miss Jane Pittman, Alice Walker's The Third Life of Grange Copeland, Albert Murray's Train Whistle Guitar, and Toni Morrison's Sula. Hogue assesses the informing worldviews of each and the extent and nature of their acceptance by the dominant American cultural apparatus.
This book is a human and Australian story written in four distinct parts and tied together with the thread of the author’s life. It speaks for migrants who are driven by upheavals and rapid change, youth, adventure, and a desire to succeed; it is for those who arrive with hope and the countries that give them the chance of a better life. The essence is in the characters and the places, and the power is in the interaction of multiple disciplines. It tells of invention, of research and development, and of a device that saved lives, spared thousands the pain and suffering of major operations, and funded facilities and teaching. The feelings of the author are expressed in anecdotes with emotion, stark reality, tragedies, humor, failures, and achievement. Starting with Kenya and safaris in East Africa, the story moves on to migration, Australian culture in the sixties, and then medicine and invention in surgery. It involves peoples with multiple skills in different settings. Perceptions of training of surgeons have fired public curiosity, and this story is from the inside of medical school and ultimately about what makes a surgeon. The twentieth century saw unrivaled changes in technology, politics, and human relations; the collapse of the British Empire; and the dispersal of its colonials. This is the story of a colonial boy who was one of many who traveled like feathers on the wind of change that blew across Africa. The author was honored with the Award Officer of Australia (AO) for leading a team in research and development in vascular and endovascular surgery. The story is for the unsung diverse group of special individuals who made it possible. They convinced establishments, hurdled passionate special interest groups, negotiated institutional politics, and precipitated government actions to address new concepts.
Helping the poor is a question central to American life. Partially driven by America's Judeo-Christian heritage, Americans believe we possess enough wealth to provide some minimum basic standard of living for all and genuinely desire to help the least among us. We are the most generous nation on earth, spending hundreds of billions of dollars annually through private giving, corporate philanthropy, government aid, and other forms of charity. And yet, despite these efforts, international and domestic poverty persist. In From Prophecy to Charity: How to Help the Poor, Lawrence M. Mead critiques the philosophical presuppositions of past and current endeavors to alleviate poverty and provides a framework to guide future efforts based on what has been proven to actually help those in need: charity rooted in love.
The Shorter Wisden is a compelling distillation of what's best in its bigger brother. Available from all major eBook retailers, Wisden's digital version includes the influential Notes by the Editor, all the front-of-book articles, reviews, obituaries and all England's Tests from the previous season. Brought together for the first time, here are the first five editions of The Shorter Wisden, distilled from the Almanacks published between 2011 and 2015.
Shoot The Buffalo is Matt Briggs's American Book Award-winning novel about the slow undoing of a working class hippy family in the 1970s and '80s. Originally published by Clear Cut Press, it is available now in a Jank Edition.
In this updated and expanded edition of The Tyranny of Good Intentions, Paul Craig Roberts and Lawrence M. Stratton renew their valiant campaign to reclaim that which is rightly ours–liberty protected by the rule of law. They show how crusading legislators and unfair prosecutors are remaking American law into a weapon wielded by the government and how the erosion of the legal principles we hold dear–such as habeas corpus and the prohibition against self-incrimination–is destroying the presumption of innocence. A new introduction and new chapters cover recent marquee cases and make this provocative book essential reading for anyone who cringes at the thought of unbridled state power and sees our civil liberties slowly slipping away in the name of the War on Drugs, the War on Crime, and the War on Terror.
Oprah Winfrey rose out of hardship and incredible poverty to become one of the most recognized and well-respected people in the world. In The World According to Oprah, Ken Lawrence captures this amazing woman in her own words, as she expresses the ideas and beliefs that made her who she is today. Since her start at a tiny Nashville radio station, Oprah Winfrey has become a media mogul, founding a film and television production company, an inspirational magazine, and a $20 million public charity, and cofounding a cable network for women. Abused as a child, she has even helped to pass a law that protects children from abuse. The World According to Oprah is a collection of quotes from this talented and multifaceted woman. * "My show is really a ministry--a ministry that doesn't ask for money. I can't tell you how many lives we've changed--or inspired to change." * "My father turned my life around by insisting I could be more than I was." * "Although I'm grateful for the blessings of wealth, it hasn't changed who I am. My feet are still on the ground. I'm just wearing better shoes." * "Real success comes when you learn to act as if everything depends on you, and pray as if everything depends on God. God can dream a bigger dream for you than you can ever dream for yourself.
HE CALLS HIMSELF "CARVER" He likes killing. But he knows he must be patient, like an actor preparing for a role. He must cast the part of the victim. Stage the scene of the crime. Find the motivation to kill. Then, with blade in hand, he must make it real. So real, it hurts... DEATH WEARS A MASK NYPD profiler Lee Campbell arrives to find the victim lying in the lobby of her building. In a pool of blood. Wearing a white mask. When he learns the girl was an actress, he follows the trail to an off-Broadway theater where she was rehearsing for a play. But Campbell suspects the killer was rehearsing, too—for another murder—because one of the victim’s co-stars has just received a warning: "You’re next." Praise for the Thrillers of C. E. Lawrence "Pulse-racing, compelling, first-rate." —John Lutz "Startlingly suspenseful...an extraordinary page-turner." —Cody Mcfadyen "Fascinating characters. . . . a great story." —J. T. Ellison 16,800 Words.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.