This eBook features the unabridged text of ‘Phoenix: the Posthumous Papers of D. H. Lawrence’ from the bestselling edition of ‘The Complete Works of D. H. Lawrence’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Lawrence includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Phoenix: the Posthumous Papers of D. H. Lawrence’ * Beautifully illustrated with images related to Lawrence’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Volume V covers the three years from March 1924 to March 1927. It comprises over 890 letters, of which about 350 are previously unpublished, and the others are printed in full for the first time. As in earlier volumes of this model edition of Lawrence's correspondence, texts have been established from the originals and are fully annotated to identify persons and illuminate allusions. Also included are a biographical introduction, two maps of Oaxaca (Mexico), illustrations, chronology and an index. In 1924 Lawrence is in the United States to check on the failing business of his American publisher and to rewrite his Mexican novel The Plumed Serpent. While in Mexico, the author falls dangerously ill and recovers at Kiowa. In the Autumn of 1925, he and Frieda visit family in England and Germany. They finally settle in Italy where, except for his final visit to the Midlands, they will remain.
Works about people in conflict with the increasingly dehumanizing modern industrial world as they became separated from a more simple life, searching for new awareness and identity as they find their true place in the world.
This volume contains Lawrence's letters written between March 1927 and November 1928: almost 770 letters in just a year and nine months. The letters cover the period of Lawrence's Etruscan tour in the spring of 1927 as preparation for the writing of Sketches of Etruscan Places; the performance of his play, David, in London in May, and - above all - the writing, typing, private publication, promotion and immediate consequences of Lady Chatterley's Lover. He makes new acquaintances with writers and publishers in Europe (Max Mohr, Hans Carossa, Harry and Caresse Crosby); renews friendships which will stand him in good stead in times of poor health (the Huxleys, Aldington, the Brewsters); and rediscovers the bonds of family and old Eastwood friends. The volume provides annotation identifying persons and allusions, and includes a biographical introduction, illustrations, a full chronology and index.
The Wordsworth Poetry Library comprises the works of the greatest English-speaking poets, as well as many lesser-known poets. Each collection has a specially commissioned introduction.
From the celebrated English author of Sons and Lovers, a collection of essays focused on indigenous life in Mexico and the American Southwest. D. H. Lawrence’s interest in and real affection for Mexico and the American Southwestern regions and its peoples eclipsed ordinary travel writing. These essays hold great significance for those interested in the wider context of these cultures, as well as those interested in Lawrence as a writer. This is the largest collection of essays about Mexican and Southwestern Indians from Lawrence that has ever been published. Including an early version of “Pan in America” which appears here for the first time, previously unpublished passages from other essays, extant manuscripts, typescripts, appendices, and extensive publication notes, this collection contains Lawrence’s fundamental thoughts on Mesoamerican mythology and history.
Everyone who met him commented on the arresting power of Lawrence's bright and sharp blue eyes, and the beard he later grew would be as red as a fox's brush, but it was not his appearance that Ford was describing. It was his menace' Frances Wilson, from her Introduction to The Man Who Loves Islands ------------------------------------------------ The Man Who Loved Islands presents Lawrence's skilled, intimate and lively portraits of humanity. In the title story a man buys a ninety-nine year lease on an island and finds himself cast off in its timeless world; in 'The Last Laugh' a couple are confronted with uncanny spectral visions, and an eerie faceless laugh; in 'The Fox' two women maintaining a farm feel the dark shadows of war, and a cunning creature threatens to destroy their livelihood. The stories in this collection are about what the characters know and do not know - about themselves, one another, and the circumambient universe.
For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.
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