A biography of Tony Lazzeri, a key member of the Yankees’ legendary Murderers’ Row lineup between 1926 and 1937 and the first major baseball star of Italian descent.
These nine essays selected by Lawrence Baldassaro and Richard A. Johnson present for the first time in a single volume an ethnic and racial profile of American baseball. These essayists show how the gradual involvement by various ethnic and racial groups reflects the changing nature of baseball-- and of American society as a whole-- over the course of the twentieth century. Although the sport could not truly be called representative of America until after Jackie Robinson broke the color line in 1947, fascination with the ethnic backgrounds of the players began more than a century ago when athletes of German and Irish descent entered the major leagues in large numbers. In the 1920s, commentators noted the influx of ballplayers of Italian and Slavic origins and wondered why there were not more Jewish players in the big leagues. The era following World War II, however, saw the most dramatic ethnographic shift with the belated entry of African American ballplayers. The pattern of ethnic succession continues as players of Hispanic and Asian origin infuse fresh excitement and renewal into the major leagues.
Before there was Joe DiMaggio, there was Tony Lazzeri. A decade before the “Yankee Clipper” began his legendary career in 1936, Lazzeri paved the way for the man who would become the patron saint of Italian American fans and players. He did so by forging his own Hall of Fame career as a key member of the Yankees’ legendary Murderers’ Row lineup between 1926 and 1937, in the process becoming the first major baseball star of Italian descent. An unwitting pioneer who played his entire career while afflicted with epilepsy, Lazzeri was the first player to hit sixty home runs in organized baseball, one of the first middle infielders in the big leagues to hit with power, and the first Italian player with enough star power to attract a whole new generation of fans to the ballpark. As a twenty-two-year-old rookie for the New York Yankees, Lazzeri played alongside such legends as Babe Ruth and Lou Gehrig. He immediately emerged as a star, finishing second to Ruth in RBIs and third in home runs in the American League. In his twelve years as the second baseman for Yankee teams that won five World Series, he was their third-most productive hitter, driving in more runs than all but five American Leaguers, and hitting more home runs than all but six. Yet for all that, today he is a largely forgotten figure, his legacy diminished by the passage of time and tarnished by his bases-loaded strikeout to Grover Cleveland Alexander in Game Seven of the 1926 World Series, a strikeout immortalized on Alexander’s Hall of Fame plaque. Tony Lazzeri reveals that quite to the contrary, he was one of the smartest, most talented, and most respected players of his time, the forgotten Yankee who helped the team win six American League pennants and five World Series titles.
Baseball Italian Style brings together the memories of major leaguers of Italian heritage whose collective careers span almost a century, from the 1930s up to today. In these first-person accounts, baseball fans will meet at an intimate level the players they cheered as heroes or jeered as adversaries, as well as coaches, managers, front-office executives, and umpires. The men who speak in this collection, which includes eight Hall of Famers (Yogi Berra, Phil Rizzuto, Ron Santo, Craig Biggio, Mike Piazza, Tom Lasorda, Tony La Russa, and Joe Torre) go beyond facts and figures to provide an inside look at life in the big leagues. Their stories provide a time capsule that documents not only the evolution of Italian American participation in the national pastime, but also the continuity of the game and the many changes that have taken place, on and off the field. At a time when statistical analysis plays an increasingly prominent role in the sport, the monologues in this book are a reminder that the history of baseball is passed on to future generations more eloquently, and with much greater passion, through the words of those who lived it than it is by numerical data.
Berra, Rizzuto, Lasorda, Torre, Conigliaro, Santo, Piazza. Casual baseball fans?in fact, even many nonfans?know these names, not as Italian Americans, but as some of the most colorful figures in Major League Baseball. Ever since future Hall of Famer Tony Lazzeri became a key part of the Yankees? Murderers? Row lineup of 1926, Italian Americans have been among the most prominent and intriguing players in the game. The first comprehensive study of the topic, Beyond DiMaggio is also a social history of baseball, tracing the evolution of American perceptions toward those of Italian descent as it chronicles the baseball exploits that influenced those perceptions. ø Lawrence Baldassaro tells the stories of Italian Americans? contributions to the game, from Joe DiMaggio, who transcended his ethnic identity to become an American icon, to A. Bartlett Giamatti, who served as commissioner of baseball, to Mike Piazza, considered the greatest hitting catcher ever. Baldassaro conducted more than fifty interviews with players, coaches, managers, and executives?some with careers dating back to the thirties?in order to put all these figures and their stories into the historical context of baseball, Italian Americans, and, finally, the culture of American sports.
A four-part story of passion and betrayal in the Mediterranean—voted one of the Modern Library’s 100 Best Novels of the twentieth century. The Alexandria Quartet is a striking and sensuous masterpiece, breathing vivid life into each of its unforgettable characters and the dusty Mediterranean city in which they live. Set in Alexandria, Egypt, in the years before, during, and after World War II, the books follow the lives of a circle of friends and lovers, including sensitive Darley, passionate Justine, philosophical Balthazar, and elegant Clea. Written in Durrell’s trademark evocative prose, these four novels explore the central theme of modern love, building into a remarkable whole that the New York Times hailed as “one of the most important works of our time.” This ebook features a new introduction by Jan Morris.
This “very remarkable novel”—first in the acclaimed Alexandria Quartet—tells a haunting story of love, desire, and deception in the Egyptian city pre-WWII (New York Herald Tribune Book Review). Set in Alexandria, Egypt, in the years between World Wars I and II, Justine is the first installment in the distinguished Alexandria Quartet. Here Lawrence Durrell crafts an exquisite and challenging modern novel that explores tragic love and the fluidity of recollection. Employing a fluctuating narrative and poetic prose, Durrell recounts his unnamed narrator’s all-encompassing romance with the intoxicating Justine. The result is a matchless work that confronts all we understand and believe about sexual desire, identity, place, and the certainty of time. This ebook contains a new introduction by Jan Morris.
DIVDIVThe deeply affecting second novel of theAlexandria Quartet, which boldly questions perception and the nature of contemporary love/divDIV /divDIVIn Alexandria, Egypt, in the years before World War II, Durrell’s narrator, Darley, seeks to fully understand his sexual obsession with two women: the infamous Justine, and Melissa, a dancer. In Darley’s conversations with Balthazar, a doctor and mystic, it soon becomes clear that Darley’s fixation is more complex and ominous than either man could have imagined. Layered and unflinching, Balthazar is a poignant examination of the modern psyche, and a study of a world where love can become consumed by deceit. /divDIV /divDIVThis ebook contains a new introduction by Jan Morris./div/div
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.