This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Witch A La Mode (+Biography and Bibliography) (Matte Cover Finish): The Witch A La Mode was written in the year 1934 by David Herbert Lawrence. This book is one of the most popular novels of David Herbert Lawrence, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The writings presented in this volume shed tremendous light, both on the character of T. E. Lawrence and the current situation in the Middle East. Despite being written more than seventy years ago, the thoughts of Lawrence of Arabia remain remarkably pertinent. This collection includes Lawrences wartime reports from the desert, along with later writings in which Lawrence attempts to cope with the consequences of war in the circumstances of peace. Many of the pieces have previously only been issued in limited editions.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
During the 1920s--in the aftermath of the Arab revolt against Britain--T. E. Lawrence gained global attention, both for his involvement in the Middle Eastern anti-imperialist movement, and for his vivid and sensational writings about his experiences. Following World War I, his appointment as an advisor to Winston Churchill--nearly simultaneous with the release of an American documentary about the revolt--further charged the T. E. Lawrence mania. Despite the emergence of a whole new set of problems in the Middle East, and fueled by the classic status of the epic movie Lawrence of Arabia, the T. E. Lawrence mystique continues to fascinate. Controversial and provocative, this revised and updated edition of Lawrence James's acclaimed biography penetrates and overturns the mythology that surrounds T. E. Lawrence. With access to previously unavailable documents, James traces the sometimes spurious Lawrence legend back to its truthful roots, peeling back the layers of Lawrence's calculated public persona to reveal the gifted, tortured man behind the shimmering myth. Yet James remains dispassionate and generous in spirit throughout. The Golden Warrior presents readers with a fascinating study of one of the twentieth century's most remarkable figures.
The Seven Pillars of Wisdom is a classic of world literature, designated by Winston Churchill as "one of the greatest books ever written in the English language." The work was written between 1919 and 1922 by the British archaeologist and military hero Thomas Edward Lawrence, who, thanks to his book, became globally known as Lawrence of Arabia. Lawrence became a true hero for an entire generation for his role in the Arab Revolt against Turkish domination (1916-1918). The book, written shortly after this turbulent period, is a blend of war memoir, historical description, and reflection marked by self-critique. In some passages of the work, the author questions himself about his actions, his successes, and failures. The book has been a great success since its release. In 1962, the desert epic was brought to the cinema screens. Under the direction of David Lean, the film Lawrence of Arabia won seven Oscars and the acclaim of the American Film Institute as one of the top ten greatest films of all time.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This carefully crafted ebook: "The Collected Works of Lawrence of Arabia (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. Thomas Edward Lawrence (1888-1935) was a British archaeologist, military officer, and diplomat. He was renowned for his liaison role during the Sinai and Palestine Campaign, and the Arab Revolt against Ottoman Turkish rule of 1916-18. The breadth and variety of his activities and associations, and his ability to describe them vividly in writing, earned him international fame as Lawrence of Arabia. Throughout his life, Lawrence was a prolific writer. A large portion of his output was epistolary; he often sent several letters a day. Seven Pillars of Wisdom is an account of his war experiences. In 1919 he had been elected to a seven-year research fellowship at Oxford, providing him with support while he worked on the book. In addition to being a memoir of his experiences during the war, certain parts also serve as essays on military strategy, Arabian culture and geography, and other topics. Lawrence re-wrote Seven Pillars of Wisdom three times; once "blind" after he lost the manuscript while changing trains at Reading railway station. The Mint is a memoir of his experiences as an enlisted man in the Royal Air Force (RAF). It concerns the period following the First World War when Lawrence decided to disappear from public view. He enlisted in RAF under an assumed name, becoming 352087 Aircraftman Ross. The book is a closely observed autobiographical account of his experiences. He worked from a notebook that he kept while enlisted, writing of the daily lives of enlisted men and his desire to be a part of something larger than himself: the Royal Air Force. Table of Contents: Seven Pillars of Wisdom The Mint The Evolution of a Revolt Translations: The Odyssey The Forest Giant Letters (1915-1935)
Volume I of the Letters, edited by James T. Boulton, gives the first 580 letters in the series, covering the period September 1901 to May 1913. This is the time of Lawrence's youth in Eastwood, his first year out of England - in Italy with Frieda - to the publication of Sons and Lovers. There are letters to his early loves, Jessie Chambers, Louie Burrows and Helen Corke. He writes The White Peacock, The Trespasser, Sons and Lovers, the early stories and poems. He is welcomed into the literary world by editors such as Ford and Garnett; he meets Pound and other writers; he reads widely. His mother dies; he grows away from the younger women; he meets Frieda and elopes with her. Professor Boulton's discreet annotation conceals an enormous labour of patient detection. There are over thirty photographs of his friends and correspondents and a newly discovered portrait miniature of Lawrence.
For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of 'Women In Love' or 'Lady Chatterley's Lover'? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels he was also a masterful poet (he wrote over 800 of them), a travel writer as well as an author of many classic short stories. Here we publish 'A Collier's Friday Night'. Once again Lawrence shows his hand as a brilliant writer. Delving into situations and peeling them back to reveal the inner heart.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
I'm getting up, Teddilinks," said Mrs Whiston, and she sprang out of bed briskly. "What the Hanover's got you?" asked Whiston. "Nothing. Can't I get up?" she replied animatedly. It was about seven o'clock, scarcely light yet in the cold bedroom. Whiston lay still and looked at his wife. She was a pretty little thing, with her fleecy, short black hair all tousled ... He watched her as she dressed quickly, flicking her small, delightful limbs, throwing her clothes about her. Her slovenliness and untidiness did not trouble him. When she picked up the edge of her petticoat, ripped off a torn string of white lace, and flung it on the dressing-table, her careless abandon made his spirit glow. She stood before the mirror and roughly scrambled together her profuse little mane of hair. He watched the quickness and softness of her young shoulders, calmly, like a husband, and appreciatively.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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