Everything is Personal, Notes on Now is a collage of hybrid narratives that begin with the stunning events of November 2016 and challenge Stone, a longtime feminist and writer for the Village Voice, to feel good when everything is bad. Freely jumping between social commentary, criticism, memoir, and fiction, Stone reports on traveling to D.C. to bird-dog senators ahead of the hearings for Brett Kavanaugh, considers the pleasures and terrors of the #MeToo movement, reassesses the legacy of Valerie Solanas, and recalls the way that in 1968 the sense of power and hope made you feel it would always be 1968. The pieces are constructed the way dreams and films are: juxtaposing images, racing along with dolly shots, moving in for close-ups, and pulling back for a sweeping sense of time. Woven throughout are chunks from Stone's Facebook posts that read like tender and funny postcards written to everyone from a time that is unimaginable, even as it's being lived.
Bound by blood and time, Mica, Sean, and Killian share a destiny that no one dreamed possible. With the fate of the world in the balance, they fight to save not only humanity, but also each other. 3,000 years is a long time to wait. Killian is patient. He knows the prize is worth it. He watches, he hopes, but he never interferes. The terms are clear on that--say anything at all, the promise is broken. Everything’s going according to plan until... Sean loses his mind. Tortured by guilt, Sean walks a tightrope between two worlds. After a woman dies, he will pay the ultimate price unless someone can save him. Mica is still Sean’s anchor. Their physical connection can’t be denied, but what of their love? Desperate to save him from falling, she risks everything she has, including Killian. How far will she go to pull him back? Every step she takes moves her farther away from Killian’s plan. Two paths. Two destinies. One choice.
Working at her uncle's detective agency for magical types, a mysterious case about a missing necklace known as the Butterfly Stone turns a girl's life inside-out as secrets from her past are revealed and a shadow threatens everything and everyone she loves.
As the days and times that we live in grow more and more evil, we, who profess to be Christians or Christ-like, can learn from God's Word how to be a stone thrower of the God-kind like David and not a stone thrower like the teachers of the law and the religious Pharisees who tried to trap Jesus into saying something incriminating so that they could bring charges against him. David was a stone thrower of the God-kind, and in the eyes of man, he looked insignificant but his heart having been tested and tried was found to be undivided and loyal and he was willing and obedient to fight for God's righteous cause, defeating the enemy of God. "For the eyes of the LORD run back and forth throughout the whole earth (eretz,) to show himself strong in the behalf of them whose heart is perfect toward him" (2 Chronicles 16:9 HNV). God is looking for these stone throwers of a God-kind who he can show himself strong in and through in these last days. They are God-seekers, God-lovers, who are humble, willing, loyal, faithful, and courageous. They are obediently led by his Spirit to fulfill God's plan, always making their boast in the Lord and giving all the glory to God. Through this book, you will see the process that David went through in preparing him to fight for God's righteous cause. I strongly believe that as you read this book, you will receive understanding that everything in life that you have been through was not for your demise and how God can turn it all around and use it for his good to prepare you for his great exploits in these last days. My prayer for you is that your heart will be stirred to believe that perhaps "you-yes, you-are a stone thrower of the God-kind in the making.
Slope of the Child Everlasting sustains the lyric and imagistic sensibility of Laurie Kutchins’ previous poetry collection, The Night Path (BOA Editions, 1997), while expanding on its exploration of the archetypes that anchor the heart and mind of her poetry. The characters in these poems evoke chaos and regression, as well as song, wonder, and the tenacity of the imagination. Laurie Kutchins is an associate professor of English at James Madison University in Virginia. She lives in Harrisonburg, Virginia, and spends her summers along the Wyoming-Idaho border. The Night Path won the 1997 Isabella Gardner Award from BOA Editions.
Julia's Story is based on many beautiful handwritten letters, lovingly penned by her daughters shortly after the death of their mother. The heroine of this story, Julia, descends from the notorious Caperton family, who were counted among some of the toughest and most resourceful leaders of the original pioneer settlers along the New River and Virginia frontier. It is a story of strength, courage and resiliency, not only describing the lives of Julia and her family, but also providing the reader with a glimpse into the lives of many families who carved out a living in the beautifully majestic yet harsh Appalachian region.
Agent Harris Stuyvesant desperately needs Bennet Grey's help entering a world where the rich and the radical exist side-by-side. Among this heady mix of the powerful and the celebrated lurks an enemy ready to strike a deadly blow at democracy on both sides of the Atlantic.
A founding member of the all-woman rock band "Zuzu's Petals" recounts their passion to make it in the business, her struggle with multiple sclerosis, and her reevaluation of her quest to "hit it big" after she fell in love.
Frustrated and discouraged by their lack of powers and their inability to defeat the Stone Warriors, Jay, Cole, Zane, and Kai learn secrets of Sensei Wu's past adventures that may hold the key to future victory.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tracey Masters and her friends face conflict from all sides, and from within, as they try to prepare not only for their enemy's next inevitable attack, but also for the new threats that loom over their futures.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.