“A provocative examination of our health care delivery for the poor. . . . Such an honest and candid account is essential.” —Alex Kotlowitz, national bestselling author of There Are No Children Here Mama Might Be Better Off Dead immerses readers in the lives of four generations of a poor, African-American family from North Lawndale, Chicago, who are beset with the devastating illnesses that are all too common in America’s inner-cities. Headed by Jackie Banes, who oversees the care of a diabetic grandmother, a husband on kidney dialysis, an ailing father, and three children, the Banes family contends with countless medical crises. From visits to emergency rooms and dialysis units, to trials with home care, to struggles for Medicaid eligibility, Laurie Kaye Abraham chronicles their access—or lack thereof—to medical care. Their story reveals an inadequate health care system that is further undermined by the effects of poverty. Mama Might Be Better Off Dead is an unsettling, profound look at the human face of health care in America. This new edition includes an incisive foreword by David Ansell, a physician who worked at Mt. Sinai Hospital, where much of the Banes family’s narrative unfolds. “Goes to the heart of today’s problem. Powerful . . . deeply searching.” —Washington Post “A powerful indictment of the big business of medicine.” —Los Angeles Times “Abraham . . . illuminates the problems with passion and skill.” —Kirkus Reviews “This personally observed, lucid chronicle and call for reform of our ailing health system covers all levels of responsibility in the medical establishment.” —Publishers Weekly “Clearly identifies in human and policy terms how [healthcare] programs have failed a population desperately in need of help.” —Library Journal
“A provocative examination of our health care delivery for the poor. . . . Such an honest and candid account is essential.” —Alex Kotlowitz, national bestselling author of There Are No Children Here Mama Might Be Better Off Dead immerses readers in the lives of four generations of a poor, African-American family from North Lawndale, Chicago, who are beset with the devastating illnesses that are all too common in America’s inner-cities. Headed by Jackie Banes, who oversees the care of a diabetic grandmother, a husband on kidney dialysis, an ailing father, and three children, the Banes family contends with countless medical crises. From visits to emergency rooms and dialysis units, to trials with home care, to struggles for Medicaid eligibility, Laurie Kaye Abraham chronicles their access—or lack thereof—to medical care. Their story reveals an inadequate health care system that is further undermined by the effects of poverty. Mama Might Be Better Off Dead is an unsettling, profound look at the human face of health care in America. This new edition includes an incisive foreword by David Ansell, a physician who worked at Mt. Sinai Hospital, where much of the Banes family’s narrative unfolds. “Goes to the heart of today’s problem. Powerful . . . deeply searching.” —Washington Post “A powerful indictment of the big business of medicine.” —Los Angeles Times “Abraham . . . illuminates the problems with passion and skill.” —Kirkus Reviews “This personally observed, lucid chronicle and call for reform of our ailing health system covers all levels of responsibility in the medical establishment.” —Publishers Weekly “Clearly identifies in human and policy terms how [healthcare] programs have failed a population desperately in need of help.” —Library Journal
An intimate memoir by three-time Oscar nominee Piper Laurie, one of Hollywood's most gifted and respected actresses At the age of seventeen, in the glory days of movie-making, Piper Laurie was living every little girl’s dream. Having been selected by Universal Studios to be a contract star, Piper was removed from her acting class and provided with stylists, chaperones, leading roles, and handsome dates, and elevated to the heights of Hollywood. Her beauty was admired by the likes of Ronald Reagan, Howard Hughes, Paul Newman, Tony Curtis, as well as dozens of directors and legions of fans. Her name was emblazoned on marquees across America for hit movies of the fifties such as the The Prince Who Was a Thief, The Mississippi Gambler, and Ain’t Misbehavin’. But Piper discovered early on that the little girl’s dream was not her own. Mortified by the shallowness of the roles and movies she was given, she longed for the freedom and fulfillment of her own artistic vision. After years in the studio system, shy Piper Laurie found her voice and the courage to burn her contract. It was only after she left the oppressive studio culture that she began to star in the TV shows, plays, and films that truly became the hallmarks of her career: The Glass Menagerie on Broadway, the original Days of Wine and Roses, The Hustler, the iconic Carrie, and Twin Peaks. She grew into a three-time Oscar-nominated actress, an accomplished sculptor, and a director. This memoir is the inspiring tale of Piper’s perseverance to break from tradition and to practice her craft at the highest level. She started life as a withdrawn, mute child who couldn’t find her voice and was transformed into a woman who learned to live out loud by her own rules.
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