On 22 February 1942 Stefan Zweig, one of the most popular authors of his generation, committed suicide with his wife Lotte. The final, desperate gesture of this great writer has fascinated ever since. Zweig was an exile, driven from his home in Austria by the Nazis. Fleeing first to London, then New York, trying always to escape both those who demonised him and those who acclaimed him, he eventually took his young bride to Brazil, where they were haunted by the life they'd been forced to abandon and by accounts of the violence in Europe. Blending reality and fiction this novel tells the story of the great writer's final months. Laurent Seksik uncovers the man's hidden passions, his private suffering, and how he and his wife came to end their lives one peaceful February afternoon. "He looked long and deep into her eyes. 'I'll go first,' he said. 'You'll follow me... if that's what you want.
A ship slices through the waves of the Atlantic ocean. On board is Stefan Zweig, the renowned Austrian writer, and his second wife, Lotte. They have left New York and are bound for Brazil; President Vargas has just announced that he will welcome European Jews who have been forced into exile. Will they find peace there? On 22 February 1942, Stefan Zweig and Lotte committed suicide in Petropolis, putting an end to their wanderings. Their lives during these last few months in Brazil are the subject of this graphic novel, an adaptation of the novel by Stefan Seksik.
Après la trilogie romanesque « Zweig, Einstein, Gary », je voulais raconter le destin tragique et lumineux de Modigliani. Le personnage, multiple et grandiose, semblait à l’étroit dans mes pages. Sa théâtralité en appelait à l’oralité, au dialogue, à la scène. Le flamboyant Montparnasse des années 1920, le génie de Modi, ce monde où les femmes tendent un baiser aux étoiles exigeaient les planches..." L.S.
O estabelecimento de uma cooperação entre judeus e árabes não é um problema da Inglaterra, e sim nosso. Judeus e árabes, devemos nos entender nós mesmos sobre as linhas diretivas de uma política de comunidade eficaz e adaptada às necessidades de nossos dois povos." (Einstein) Não, Albert Einstein (1879-1955), alemão de nascimento que se tornou suíço e depois americano, não participou da construção da bomba atômica, mas de fato escreveu a Roosevelt, então presidente dos Estados Unidos, a fim de convencê-lo a fazer frente às pesquisas nazistas quanto aos avanços que levariam à bomba nuclear. Ele não obteve o prêmio Nobel de física por sua teoria da relatividade, mas por sua audaciosa hipótese sobre a natureza corpuscular da luz. Foi um pai amoroso que adorava os filhos, mas jamais revelou o terrível segredo que pesava sobre a filha, Lieserl. Apesar de sionista engajado, declinou, em 1952, a presidência do Estado de Israel. Na velhice, décadas depois de seus livros terem sido queimados na Alemanha nazista e de ter sido perseguido pela Gestapo, ele foi considerado "inimigo da América" pelo senador McCarthy. Homem extraordinário, profundamente pacifista, humano e politizado, que nunca hesitou em mostrar a língua para certezas estabelecidas, Einstein, em sua estelar e comovente trajetória na Terra, reinventou a concepção humana sobre o universo.
On 22 February 1942 Stefan Zweig, one of the most popular authors of his generation, committed suicide with his wife Lotte. The final, desperate gesture of this great writer has fascinated ever since. Zweig was an exile, driven from his home in Austria by the Nazis. Fleeing first to London, then New York, trying always to escape both those who demonised him and those who acclaimed him, he eventually took his young bride to Brazil, where they were haunted by the life they'd been forced to abandon and by accounts of the violence in Europe. Blending reality and fiction this novel tells the story of the great writer's final months. Laurent Seksik uncovers the man's hidden passions, his private suffering, and how he and his wife came to end their lives one peaceful February afternoon. "He looked long and deep into her eyes. 'I'll go first,' he said. 'You'll follow me... if that's what you want.
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