This collection of 45 poems, all related to water, shows the peripatetic nature of Laurence Thomas' life. The Great Lakes of the poet's native Michigan vie for space with references to the Nile, the Mississippi, the Adriatic, Lake Victoria, the Atlantic and Pacific and many ports in between. The poems are a reflection on the poet's affinity for water; the final poem 'Water Ways, the Final Splash', gets into primal origins by cataloging the waters the poet is familiar with and noting that 'water doesn't separate; it connects.
The son of former slaves, Paul Laurence Dunbar was one of the most prominent and publicly recognized figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, not to mention numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures from the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar's literary achievement. Through examining the 104 stories written by Dunbar between 1890 and 1905, readers will be able to better understand Dunbar's specific attempts to maintain his artistic integrity while struggling with America's racist stereotypes. His work interrogated the color-line that informed American life and dictated his role as an artist in American letters. Editors Gene Jarrett and Thomas Morgan identify major themes and implications in Dunbar's work. Available in one convenient, comprehensive, and definitive volume for the first time, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy. ABOUT THE EDITORS---Gene Jarrett is an assistant professor of English at the University of Maryland, College Park. He is co-editor (with Henry Louis Gates Jr.) of a forthcoming anthology, New Negro Criticism: Essays on Race, Representation, and African American Culture.Thomas Morgan is a lecturer at the University of Tennessee, Knoxville. His research and teaching interests focus on critical race theory in late-nineteenth century American and African American literature, specifically as it applies to the politics of narrative form.
These poems reflect the reactions of Laurence W. Thomas to the human tendency to strike out against opposition rather than seeking accommodation. In his work and travels abroad, the poet has seen first-hand the suffering of people victimized by the upsetting cruelty of war and its aftermath, visiting refugee camps in Iran and Lebanon and Jordan and living in war-torn Berlin for three years. War is a prime example of manas inhumanity to his fellow man, but the ignorance that promotes aggression over peaceful solutions is not limited to the battlefieldaas some of these poems suggest.
This book provides the first comprehensive, historically based, philosophical interpretations of two texts of Thomas Percival’s professional ethics in medicine set in the context of his intellectual biography. Preceded by his privately published and circulated Medical Jurisprudence of 1794, Thomas Percival (1740-1804) published Medical Ethics in 1803, the first book thus titled in the global histories of medicine and medical ethics. From his days as a student at the Warrington Academy and the medical schools of the universities of Edinburgh and Leyden, Percival steeped himself in the scientific method of Francis Bacon (1561-1626). McCullough shows how Percival became a Baconian moral scientist committed to Baconian deism and Dissent. Percival also drew on and significantly expanded the work of his predecessor in professional ethics in medicine, John Gregory (1724-1773). The result is that Percival should be credited with co-inventing professionalism in medicine with Gregory. To aid and encourage future scholarship, this book brings together the first time three essential Percival texts, Medical Jurisprudence, Medical Ethics, and Extracts from the Medical Ethics of Dr. Percival of 1823, the bridge from Medical Ethics to the 1847 Code of Medical Ethics on the American Medical Association. To support comparative reading, this book provides concordances of Medical Jurisprudence to Medical Ethics and of Medical Ethics to Extracts. Finally, this book includes the first Chronology of Percival’s life and works.
Songs Sacred and Profane is a selection from Thomas' four other books and eight chapbooks plus many poems that have not appeared in book form. This volume contains, in fact, two quite different books published as one. "Greenside Up", written almost entirely looking into his garden, is made up of bucolic works which observe nature and a quiet life. They are well mannered, introspective, and show the poet's sensitivity to language and his world. "Let It All Hang Out" lets loose with poems that show Thomas' acerbic wit at times, his wry approach to human foibles, and his personal take on religion coupled with various aspects of love, mutability, and mortality.
In Licensing Parents, Michael McFall argues that political structures, economics, education, racism, and sexism are secondary in importance to the inequality caused by families, and that the family plays the primary role in a child's acquisition of a sense of justice. He demonstrates that examination of the family is necessary in political philosophy and that informal structures (families) and considerations (character formation) must be taken seriously. McFall advocates a threshold that should be accepted by all political philosophers: children should not be severely abused or neglected because child maltreatment often causes deep and irreparable individual and societal harm. The implications of this threshold are revolutionary, but this is not recognized fully because no philosophical book has systematically considered the ethical or political ramifications of child maltreatment. By exposing a tension between the rights of children and adults, McFall reveals pervasive ageism; parental rights usually trump children's rights, and this is often justified because children are not fully autonomous. Yet parental rights should not always trump children's rights. Ethics and political philosophy are not only about rights, but also about duties_especially when considering potential parents who are unable or unwilling to provide minimally decent nurturance. While contemporary political philosophy focuses on adult rights, McFall examines systems whereby the interests and rights of children and parents are better balanced. This entails exploring when parental rights are defeasible and defending the ethics of licensing parents, whereby some people are precluded from rearing children. He argues that, if a sense of justice is largely developed in childhood, parents directly influence the character of future generations of adults in political society. A completely stable and well-ordered society needs stable and psychologically healthy citizens in addition to just laws, and McFall demonstrates how parental love and healthy families can help achieve this.
A biography of the versatile American known for his accomplishments as inventor, architect, musician, diplomat, scientific farmer, political philosopher, author of the Declaration of Independence, and President of the United States.
The new edition of this popular book is reorganized to present pairs of contrasting views on what it means to be a man in contemporary Western culture. Addressing such issues as sex differences, fatherhood, intimacy, homosexuality, and oppression; the collection also includes new discussions of paternity, pornography, mixed-race marriage, impotence, and violence. Rethinking Masculinity is an excellent text for gender studies, ethics, and social philosophy courses.
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