This book is a journey through the defining moments and choices in the life and career of Christian Boltanski, which led the artist to reflect upon the outcome of some of the main historical events of the twentieth century and on the need to reconsider appropriate methods of representation. History, histories and the statute of the image are the fulcrums of the conversation he proposes. This conversation focuses in particular on the following fundamental themes: the difference between collective memory, recollection and oblivion; the relation between the individual and the crowd; the entity of absence intended as proof of a destroyed presence, but also as a device for the reactivation of memory; the incidence of an isolated gaze, that of the observer, upon whose primacy the history of western art has built its foundations."--Back cover.
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
Cette femme est une surdouée ! Une merveilleuse raconteuse d'histoire qui nous plonge avec subtilité et tendresse dans le monde des femmes." Gérard Collard, La Griffe Noire Coney Island, là où New York se jette dans la mer, est un endroit enchanteur l’été, avec sa fête foraine légendaire, et fantomatique l’hiver quand les manèges sont à l’arrêt. C’est là qu’Angela et June, 16 ans, ont grandi ensemble. Deux jeunes filles vives et joyeuses, que rien ne destinait à s’entendre, et que rien ne peut séparer. Mais une nuit, la nuit où toute la jeunesse new-yorkaise pleure la mort de John Lennon, leur vie prend un tour inattendu : Angela, par un mélange de fatalisme et d’innocence, accepte de son petit ami ce qu’elle ne voulait pas vraiment. Parce qu’elle n’ose pas en parler à June, son silence devient un secret... Et leur destin à toutes les deux en sera changé à jamais. Une amitié indéfectible vibrant au rythme de New York, la ville où bat le coeur du monde. L'histoire ciselée et envoûtante du chemin parcouru par Angela et June pour se construire une belle vie. Journaliste de presse pendant vingt ans, Laurence Peyrin se consacre désormais à l’écriture. La Drôle de vie de Zelda Zonk, son premier roman, a reçu le prix Maison de la Presse en 2015.
When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response to his writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out at least one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike. Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson, and Matthew Arnold for Camden House's Literary Criticism in Perspective series.
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
The undisputed leader in medical pharmacology, without equal. Updated to reflect all critical new developments in drug action and drug-disease interaction. This is the “desert island” book of all medical pharmacology—if you can own just one pharmacology book, this is it.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.