The book aims to reflect characteristic aspects of Dr Picken's study of Oriental and other non-Western musics. Appealing in particular to those engaged in the study of non-Western music, the volume will also interest everyone concerned with musical structures and their development.
Medical ethics is the disciplined study of medical morality, with two goals: critically appraising current medical morality and identifying how it should be improved. Medical morality has three components. Physicians, patients, communities, and policy makers have beliefs about what is good and bad character, and right and wrong behavior, in patient care, biomedical research, medical education, and health policy. On the basis of these beliefs, physicians, patients, communities, and policy makers make judgments about how physicians ought to conduct themselves in patient care, research, education, and the formation and implementation of health policy. They then act on their judgments. This second edition of Historical Dictionary of Medical Ethics contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on ethical reasoning and its key components; medical ethics, professional medical ethics, and bioethics; and topics in clinical ethics, research ethics, and healthcare policy ethics. This book is an excellent resource for students, researchers, and anyone wanting to know more about medical ethics.
The book aims to reflect characteristic aspects of Dr Picken's study of Oriental and other non-Western musics. Appealing in particular to those engaged in the study of non-Western music, the volume will also interest everyone concerned with musical structures and their development.
Up-to-date biographies with a list of works for each of the writers, detailed annotations to the original text and a glossary complete this edition."--BOOK JACKET.
During the two centuries before 841, the Japanese Court borrowed a large amount of secular entertainment music from China, chiefly music of the Sui and Tang Courts. This music, known as 'Tang Music' is preserved in manuscripts written between the eighth and thirteenth centuries and to be seen today in the library of the Imperial Palace in Tokyo and in other Japanese libraries. This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century, and Shunnō-den, a ballet-suite believed to have its source in a late seventh-century piece in imitation of Cettia diphone cantans - a bush warbler with a nightingale-like song. In addition, and continuing the study of the first fascicle, a justified, conflated text of Ō-dai hajin-raku on a single stave will be included. In the light of this, a version for performance can be established.
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