Southern California is one of two significant places in Laurence Goldstein's fourth collection of poems. A native of Los Angeles, the author re-encounters the vivid ghosts of an exotic personal landscape: Criswell the TV prophet, Madame Nhu at the Beverly Wilshire Hotel, Mickey Cohen in a downtown deli, Bob Hope in a photo shoot with the poet's family. From the Pacific boardwalk to Death Valley, these poems enliven their borderlands with pungent language and dramatic incident. Goldstein then takes the reader to Ethiopia, the setting of a long dramatic monologue narrated by a young American woman seeking the reincarnation of the medieval Christian potentate Prester John, for help in the apocalyptic wars of the twenty-first century. His most ambitious book to date, the subjects in this collection range from the aging pear tree and the domestic living room, to Nordic witches and Nazi demons. Some poems are in fixed forms including the villanelle "Rock Star," the sonnet translation from Verlaine, "Langueur," and the rhymed quatrains of a narrative poem adapted from a short story by Arthur Miller. Other poems employ organic style to explore the poet's situation, or predicament, in the culture he has outlived and the culture he has inherited.
Laurence Goldstein gives a straightforward and lively account of some of the central themes of Wittgenstein's writings on meaning, mind, and mathematics. He does this both by drawing on Wittgenstein's work to show how his thinking developed over time and by helping the reader gain some impression of what a strange character Wittgenstein was--for how he was is intimately related to how and what he wrote.
One of the most common scenes in Augustan and Romantic literature is that of a writer confronting some emblem of change and loss, most often the remains of a vanished civilization or a desolate natural landscape. Ruins and Empire traces the ruin sentiment from its earliest classical and Renaissance expressions through English literature to its establishment as a dominant theme of early American art.
This is the first work to survey the myths created by the modern literary imagination about technology." --Herbert Sussman "... succeeds admirably, fascinatingly on all counts... " --American Literature "... a landmark in the study of literary and technological history." --NMAH "... fascinating... a welcome addition to the growing scholarship about the impact of technology on the modern imagination." --Journal of Modern Literature Annual Review This book chronicles precisely how the flying machine helped to create two kinds of apocalyptic modes in modern literature.
First published in 1990 The Philosopher's Habitat introduces the subject by investigating a variety of the problems which are currently engaging philosophers, and which can be made intelligible to an absolute beginner. Rather than introducing philosophy by examining, in the traditional way, the writings of great philosophers, the author has inverted this procedure. The idea is that the reader will become absorbed in these dramas, will thereby come to appreciate the ways in which the stage was set by the great writers of the past, and will feel the urge to participate. Questions at the end of each chapter encourage the reader to push beyond the text. This book is a must read for students of philosophy.
It deals not only with traditional aspects of therapy with these challenging patients, but also with special problems that may arise, including aggression and impulsivity, alcohol and drug abuse, chronic pain, sex and relationships, and vocational and forensic issues.
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