The End of Modern Medicine chronicles the work of a small, influential band of medical theorists and clinicians who over the past decade have sought to redress the physical fundamentalism of the biomedical model that shaped their professional training. Laurence Foss challenges the prevailing medical model whereby mind and body are essentially separated, and charts a new "psychobiological" course. Asking fresh questions, raising new possibilities, probing long-established preconceptions, Foss presents a radically reconfigured medical model. This model accounts for the full range of findings in the experimental literature, most notably those surfacing over the past quarter century in psychophysiological studies which show a correlation between psychosocial variables and disease susceptibility that are in line with what more basic sciences tell us about the behavior of material systems and the nature of scientific explanation. Foss also critically analyzes the regulative ideals of today's medical research community and puts modern science itself, from which these ideals derive, under a microscope.
In thirty-five chapters, The Greatest Air Aces Stories Ever Told covers many of the leading American and British Commonwealth fighter aces of WW I and II, together with a few bomber crews whose gallantry made a substantial contribution to the end of WW II. Other nations had their aces, but this book concentrates on American and Commonwealth pilots. These aviators were chosen not only because of their “scores” and their great courage, but also for other qualities which set them apart, like the WWII Royal Air Force Wing Commander who shot down more than 20 Germans while flying with two artificial legs. Here are a few of the aces. Note that the air forces of Europe and the United States did not always have today’s names, used here for simplicity’s sake: Albert Ball, RAF, son of the Lord Mayor of Nottingham, winner of the Victoria Cross. He had 44 victories in WWI when he was killed at the age of 20, well known to his German foes, who much admired him. Gabby Gabreski, USAF. Son of hard-working Polish immigrants. An ace in WWII with 28 kills and later in Korea, with another six. He was an accomplished commander, finished a long career as a colonel. Mick Mannock, RAF. Tough and aggressive in spite of his fear of fire, he won not only the Victoria Cross, but five other high awards for gallantry. Highest British scorer of WWI with 73 victories, he detested Germans, and rejoiced with every kill. He was shot down by ground fire in the last year of the war. David McCampbell, USN. Scored 34 WWII kills to become the U.S. Navy’s all-time ace. In 1944, set an all-time record with nine victories on a single mission. Winner of the Congressional Medal. Pick Pickard, RAF. Led the RAF rooftop bomber raid on Amiens Prison In WWII, freeing many underground members, some of whom were facing death, and who were promptly spirited away by French partisans. Frank Luke, USAF. Deadly American famous for his busting of German observation balloons in WWI. Shot up over German territory, he managed to land safely, but, being Luke, tried to fight it out with enemy infantrymen with only his pistol. The book will also touch on the equipment these aces flew, from the famous Fokkers and Sopwith Camels to the ungainly two-seater FE2b, which was driven by a pusher engine and looked like a bathtub with wings and a miniature oil derrick glued on the back. Also included are our own Grumman carrier fighters, the P-40s, the P-38s, as well as the P-51 Mustang, probably the finest fighter of the war, a happy marriage of an American airframe and a British engine. The deadly, graceful Spitfire has its place, as do the Hurricane, the biplane Gladiator, and even the four-engine Lancaster.
There has not been anything written about U.S. Taxation matters that apply to U.S. Expats in over a decade.....until now! Larry Lipsher's new book is written especially for the American taxpayer who lives and works outside of the U.S. Tax year 2010 places a whole new set of tax rules, regulations and laws into operation with two major tax acts passed by Congress and signed into law by the President. FATCA, the Foreign Accounts Tax Compliance Act will forever impact how Americans will do their banking and what they will have to report, in detail, for matters they were not required to report upon in the past. Lipsher, a popular commentator of taxes in Asia for well over a decade, writes to get laughs from a subject that usually generates far more tears than laughter. He is brief and very much to the point, concentrating upon making a boring subject as interesting as possible!
Throughout history, every culture has had its own ideas on what growing up and growing old means, this volume highlights the role of age in determining behaviour across the life span of an inhabitant of ancient Rome.
Evoking the political intrigue of the Gilded Age, The Rough Rider and the Professor chronicles the extraordinary thirty-five-year friendship between President Theodore Roosevelt and Senator Henry Cabot Lodge of Massachusetts. Theodore Roosevelt was a uniquely gifted figure. A man of great intellect and physicality, the New York patrician captured the imagination of the American people with his engaging personality and determination to give all citizens regardless of race, color, or creed the opportunity to achieve the American dream. While Roosevelt employed his abilities to rise from unknown New York legislator to become the youngest man ever to assume the presidency in 1901, that rapid success would not have occurred without the assistance of the powerful New Englander, Henry Cabot Lodge. Eight years older than Roosevelt, from a prominent Massachusetts family, Lodge, was one of the most calculating, combative politicians of his age. From 1884 to 1919 Lodge and Roosevelt encouraged one another to mine the greatness that lay within each of them. As both men climbed the ladders of power, Lodge, focused on dominating the political landscape of Massachusetts, served as the future president’s confidant and mentor, advising him on political strategy while helping him obtain positions in government that would eventually lead to the White House. Despite the love and respect that existed between the two men, their relationship eventually came under strain. Following Roosevelt's ascension to the presidency, T. R.’s desire to expand the social safety net—while attempting to broaden the appeal of the Republican Party—clashed with his older friend's more conservative, partisan point of view. Those tensions finally culminated in 1912. Lodge's refusal to support the former president's independent bid for a third presidential term led to a political break-up that was only repaired by each man's hatred for the policies of Woodrow Wilson. Despite their political disagreements, Theodore Roosevelt and Henry Cabot Lodge remained devoted friends until the Rough Rider took his final breath on January 6, 1919.
Adapting a novel for cinema or television is first and foremost a business enterprise, where the screenwriter has to take into account the wishes of conflicting interest groups, including producers, stars, directors, and spectators.
Roman Archaeology for Historians provides students of Roman history with a guide to the contribution of archaeology to the study of their subject. It discusses the issues with the use of material and textual evidence to explain the Roman past, and the importance of viewing this evidence in context. It also surveys the different approaches to the archaeological material of the period and examines key themes that have shaped Roman archaeology. At the heart of the book lies the question of how archaeological material can be interpreted and its relevance for the study of ancient history. It includes discussion of the study of landscape change, urban topography, the economy, the nature of cities, new approaches to skeletal evidence and artefacts in museums. Along the way, readers gain access to new findings and key sites - many of which have not been discussed in English before and many, for which, access may only be gained from technical reports. Roman Archaeology for Historians provides an accessible guide to the development of archaeology as a discipline and how the use of archaeological evidence of the Roman world can enrich the study of ancient history, while at the same time encouraging the integration of material evidence into the study of the period’s history. This work is a key resource for students of ancient history, and for those studying the archaeology of the Roman period.
Here is a definitive guide to flexibility that revises the conceptual framework of the field. From the conceptual foundations of research to the practical applications of stretching techniques in a number of domains, this book provides a fresh perspective on flexibility, one that challenges current thinking and professional practice. It covers all major types of flexibility technique and training, with an emphasis on when and how to use each method safely and effectively. Specific applications to rehabilitation, sport, fitness, and dance make this book an invaluable resource for all practitioners and professionals in the field of human movement.
Many now consider Chekhov a playwright equal to Shakespeare. Senelick studies how his reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to recent postmodern deconstructions.
This book’s overarching premise is that discussion and critique in the discourses of architecture and urbanism have their primary focus on engagements with form, particularly in the sense of the question as to what planning and architecture signify with respect to the forms they take, and how their meanings or content (what is “contained”) is considered in relation to form-as-container. While significant critical work in these disciplines has been published over the past 20 years that engages pertinently with the writings of Walter Benjamin and Michel Foucault, there has been no address to the co-incidence in the work of Benjamin and Foucault of an architectural figure that is pivotal to each of their discussions of the emergence of modernity: The arcade for Benjamin and the panoptic prison for Foucault have a parallel role. In Foucault’s terms, panopticism is a “diagram of power.” The parallel, for Benjamin, would be his understanding of “constellation.” In more recent architectural writings, the notion of the diagram has emerged as a key motif. Yet, and in as much as it supposedly relates to aspects of the work of Foucault, along with Gilles Deleuze, this notion of “diagram” amounts, for the most part, to a thinly veiled reinstatement of geometry-as-idea. This book redresses the emphasis given to form within the cultural philosophy of modernity and—particularly with respect to architecture and urbanism—inflects on the agency of force that opens a reading of their productive capacities as technologies of power. It is relevant to students and scholars in poststructuralist critical theory, architecture, and urban studies. “This is a book about Foucault and Benjamin and it is grounded in a deep knowledge of and reflection upon their works, but it is also underpinned by an impressive erudition. There are reflections on Hegel and Heidegger (central to the author) and Derrida, along with Kierkegaard, and others. This leads to a rich and suggestive discussion ... in staging a spatial-architectural-political conversation between Foucault and Benjamin.” - Anonymous Reviewer “Mark Jackson’s Diagrams of Power in Benjamin and Foucault, The Recluse of Architecture juxtaposes and interrogates its two leading actors so as to draw from and through them a theory of architecture, which is inseparable from its recluse. In doing so it elaborates a series of complex connections with their various interlocutors and inspirations, Hegel, Heidegger, Derrida, the Kabbalah, Agamben, allegory, Marx, Deleuze, Klossowski, tragedy, capitalism, modernity, and so on. The list is long and impressive. This is not only done with an extremely high degree of scholarship, but is presented in a light, lucid and very compelling manner in a voice both personal and authoritative. The recluse is the figure of mimesis itself, the appearance of a withdrawal, always already a ruin. This book not only contributes a highly astute reading of its philosophical objects, but it enacts the ontology of the recluse through its own unfolding, simultaneously revealing and withholding the meaning of architecture ‘as such’, so that we not only understand its meaning, but feel the pulsing differential of the book’s object as if it were alive within us.” - Stephen Zepke, Independent Researcher, Vienna
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